Perhaps in response to the news of Dusty Hill's death, ZZ TOP is rapidly being reevaluated in the collector world. The latest work, a live album that allows you to experience the best of “2010 World Tour”, is now available. What is infused into this work is “September 4, 2010 Del Mar performance”. This is the best audience recording. After "MESCALERO", they distanced themselves from studio works, and spent their days touring every year. First of all, let’s look back at the schedule at that time and check the show’s position.・April 23rd to May 14th: North America #1 (12 performances) ・May 18th to 26th: South America (5 performances) ・May 28th to June 26th: North America #2 (16 performances)・July 2nd-24th: Europe #1 (17 performances) ・July 31st-October 2nd: North America #3 (36 performances)←★Here★・October 14th-29th: Europe #2 (11 performances) This is ZZ TOP in 2010. Without releasing any work, just live, live, live. In particular, Ochoda has made three rounds of North America, and the Del Mar performance of this work is the final stage. This was the 20th concert of "North America #3". This work was recorded at such a scene, and it is an audience recording full of freshness like an autumn festival. What's amazing about it is the clear, vivid core with no sense of distance. It's not so close that you could mistake it for a sound board, but that doesn't mean it's far away at all. The sound of the snare has the feel of a guest record, and the details are delivered straight to the heart, with no blur or cloudiness at all. It jumps into your ears with the vividness of a laser beam. The reason for this is probably the venue. The venue, the Del Mar Infield, is a so-called racetrack, and performances are performed on a special stage set up on a spacious outdoor track. Therefore, there are no walls or ceilings to reflect sound, and the sound emitted by the PA is picked up with zero echo. That's why you can fully enjoy powerful and vivid performances and singing voices that are like a sound board. While the performance sound is like a soundboard, this work also has plenty of audience flavor. It's the openness of the venue. Perhaps because it was a special venue, the audience was in full festival mode. Cheers erupted from all over the place, backed by the huge popularity of the event, but the atmosphere was more of a noisy atmosphere than a wild frenzy. It's not so much that we can have a conversation without listening to the performance, but we laughed, joked, and cheered on each song and ZZ TOP's every move. The feeling of freedom, as if the voice is being sucked into the sky, is an irresistible feeling. With such a clear and refreshing sound, it is a selection of famous songs that have been loved over a long career. At that time, it had been two years since “LIVE FROM TEXAS”. Although the basics of the set were the same, the details also changed. Here, let's organize it while comparing it with the official live work. LONDON RECORDS era (8 songs), First album: Brown Sugar (★), Rio Grande Mad: Just Got Paid, Tres Hombres: Waitin' for the Bus/Jesus Just Left Chicago/La Grange, Fandango!: Tush/Others: Future Blues (★: Willie Brown)/Hey Joe (★: THE LEAVES) WARNER RECORDS era (9 songs)/Elegy for Massacre: I'm Bad, I'm Nationwide/Cheap Sunglasses/El Loco :Party On The Patio(★)・Eliminator: Got Me Under Pressure/I Need You Tonight(★)/Gimme All Your Lovin'/Sharp Dressed Man/Legs・Recycler: My Heads In Mississippi(★) *Note: "★ ” are songs that cannot be seen on “LIVE FROM TEXAS.” ...and it looks like this. Although it seems to be a big classic, it includes the key points such as "Brown Sugar" from the debut, "I Need You Tonight" from the blockbuster era, and rare covers. The flexibility of the show and the structure that never loses concentration are wonderful, and it is clear that even the audience members who were enjoying themselves freely were not getting bored with each song, but were being drawn into it. It's a full show that seems like a battle-hardened veteran. It's like experiencing "LIVE FROM TEXAS" on-site with audience sound, and the accents of rare songs and open mood are also wonderful live albums. It is clear how ZZ TOP's music has taken root and is widely loved in America. This is a bottle that will let you breathe in the authentic scent to your heart's content. The best audience recording of “September 4, 2010 Del Mar Performance”. The clear, vivid and detailed core reaches straight without any sense of distance, and is as vivid as a laser beam. The venue was a specially built stage on a racetrack, and there were no walls or ceilings to reflect sound, so the sound emitted by the PA was picked up with zero echo. On the other hand, the open atmosphere of the outdoors is wonderful, and it feels irresistibly good. This is a delicious live album that includes famous songs that cannot be heard on "LIVE FROM TEXAS", such as "Brown Sugar", "I Need You Tonight", and many valuable covers. Del Mar Infield, Del Mar, CA, USA 4th September 2010 TRULY PERFECT/ULTIMATE SOUND Disc 1(48:00) 1. Got Me Under Pressure 2. Waitin' For The Bus 3. Jesus Just Left Chicago 4. I'm Bad I'm Nationwide 5. Future Blues 6. Cheap Sunglasses 7. My Head's In Mississippi 8. I Need You Tonight 9. Hey Joe 10. Brown Sugar 11. Party On The Patio Disc 2(34:57) 1. Just Got Paid 2. Gimme All Your Loving 3. Sharp Dressed Man 4. Legs 5. La Grange 6. Tush Billy Gibbons - Guitar & Vocal Dusty Hill - Bass & Vocal Frank Beard - Drums
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