Yngwie Malmsteen/Osaka,Japan 1996 & more
Yngwie Malmsteen/Osaka,Japan 1996 & more
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No. 1 singer of all time: Yngwie Malmsteen made his first visit to Japan with Mark Boles in 1996. Introducing a live set where you can experience the ultimate experience of the place where fans' dreams came to fruition. There are two performances included in this work. A 3-disc audience set with the finest recording of the "November 4, 1996: Osaka Festival Hall" performance on DISC 1-2 and the spectacular shot of the "November 6, 1996: Nakano Sunplaza" performance on DISC 3. is. First of all, let's unravel the schedule at that time and check the position of the show.・November 2: Nagoya City Public Hall ・November 4: Osaka Festival Hall ←★This work DISC 1-2★ ・November 5: Tokyo Welfare Pension Hall ・November 6: Nakano Sunplaza ←★This work DISC 3★・November 7th: Nakano Sunplaza A total of 5 performances at 4 venues in Tokyo, Nagoya, and Osaka. Yngwie was extremely popular in Japan in the 1990s, and his latest work at that time was the cover album "INSPIRATION." It was a smaller and more relaxed schedule than the regular tour. I have set records for two such performances, both of which are at the highest level. First of all, it is a full recording of the Osaka performance, but this is already amazing. It's a CD version of the 1st Gene DAT, which was a direct copy from the original DAT, but the core is extremely thick, there's no sense of distance at all, the details are super clear, and it doesn't freak out even at peaks. The contours of each grain of the rapid-fire guitar are neatly drawn, and each of the bass's crisp attack notes stands out sharply, and the groove created by stringing them together like a rosary is also clear. Even though the vocals are a little withdrawn (or should I say Yngwie's usual on-site mix), you can clearly understand every single word of the lyrics. It seems that there is probably no deterioration since it is a DAT → DAT copy, and as long as you actually listen to this work, there are no dubbing traces. The audience shot of the Nakano performance (DISC 3) is not defeated by such a transcendental sound. This is a type where you can't expect a press in terms of pixels, but the view is extraordinary. I was photographing from a seat in the back stands that looked straight ahead at the center of the stage, but there were no obstructions to obstruct the view. It is a super spectacular view that allows you to see all the points of the stage as much as you like. Moreover, the bold zoom is amazing. If you pull back as hard as you can, the entire stage will fit into your field of vision, but if you approach from there, the screen will be filled with Mark and Yngwie's waist-up. The sound is as amazing as the spectacular view. As expected, it is not as close as the Osaka recording of DISC 1-2, and the stereo feeling may be disturbed in some places, but the core that reaches straight is sharp like a laser beam, and the hall sound does not hide details while amplifying dynamism. Yngwie's light-speed passages and Mark's transcendent vibrato can be thoroughly bathed in detail. The two performances depicted with such superb recordings and spectacular shots are full shows only in 1996, including delicious rare cover songs. Although the detailed song order is slightly different, the selection itself is the same in Osaka and Tokyo. Let's summarize and organize them here. Original Rising Force: Far Beyond The Sun/Black Star ・Marching Out: I'll See The Light Tonight ・Trilogy: Liar/Queen In Love/You Don't Remember, I'll Never Forget ・Odyssey: Rising Force Cover with Mark on vocals: The Sails Of Charon/In The Dead of Night/Child In Time/Pictures Of Home/Carry On Wayward Son/Gates of Babylon/Yngwie on vocals: Red House/Manic Depression...and like this It has become. Anyway, Mark's singing is amazing. Too wonderful! When he came to Japan in 1986, many of the ``TRILOGY'' numbers that were performed by Jeff Scott Sort were depicted with his singing voice. Furthermore, in the album "INSPIRATION", Mark enthusiastically sang the numbers that were sung by other singers. In particular, I would like to say that ``Gates of Babylon'' is as hot as Ronnie James Dio, and yet the high continues to go on forever. Even more extreme is the encore last “Rising Force”. It's a classic song with a catchy melody that gives it a classical feel, but when Mark sings it, the balance between "catchy" and "classical" is reversed. A strict and solemn mood is extruded throughout, and a number of textures and hooks emerge from within. He will perform a masterpiece that will forcefully expand the possibilities of his major songs. Yngwie has discovered many great singers, but when it comes to his strongest and best partner, there is no one other than Mark Bolles. This is an audience set that allows you to experience the best of the two performances in Japan where Mark's singing roared for the first time. A 3-disc audience set with the finest recording of the ``November 4, 1996: Osaka Festival Hall'' performance on DISC 1-2, and the spectacular shot of the ``November 6: Nakano Sunplaza'' performance on DISC 3. Both are at the highest level, especially the full recording of the Osaka performance, which has a very thick core, there is no sense of distance, the details are super clear, and it doesn't freak out even at its peak. This is a superb set that allows you to fully experience two performances of Yngwie & Mark's famous performances, such as "Gates of Babylon", which is as hot as Ronnie, yet the high continues to go on forever, and "Rising Force", which has a classical build-up. Festival Hall, Osaka, Japan 4th November 1996 ULTIMATE SOUND(from Original Masters) Nakano Sunplaza, Tokyo, Japan 6th November 1996 AMAZING SHOT!!! Live at Festival Hall, Osaka, Japan 4th November 1996 Disc 1 (64:06) 1. Intro 2. Liar 3. The Sails of Charon 4. Queen in Love 5. In the Dead of Night 6. Child in Time 7. Pictures of Home 8. Keyboard Solo 9. Guitar Solo / Far Beyond the Sun 10. Red House Disc 2 (63:15) 1. Guitar Solo 2. Carry On Wayward Son 3. Drum Solo 4. Manic Depression 5. Band Introductions 6. Gates of Babylon 7. I'll See the Light Tonight 8. Acoustic Guitar Solo 9. Black Star 10. You Don't Remember, I'll Never Forget 11. Rising Force DVD Nakano Sunplaza, Tokyo, Japan 6th November 1996 1. Intro 2. Liar 3. The Sails Of Charon 4. Queen In Love 5. In The Dead of Night 6. Child In Time 7. Pictures Of Home 8. Keyboard Solo 9. Guitar Solo / Far Beyond The Sun 10. Red House 11. You Don't Remember, I'll Never Forget 12. Drum Solo 13. Manic Depression 14. Band Introductions 15. Gates of Babylon 16. I'll See The Light Tonight 17. Acoustic Guitar Solo 18. Black Star 19. Carry On Wayward Son 20. Rising Force COLOR NTSC Approx.122min. Yngwie Malmsteen - Guitar Mark Boals - Vocals Mats Olausson - Keyboards Barry Dunaway - Bass Tommy Aldridge - Drums
Disc 1 (64:06) 1. Intro 2. Liar 3. The Sails of Charon 4. Queen in Love 5. In the Dead of Night 6. Child in Time 7. Pictures of Home 8. Keyboard Solo 9. Guitar Solo / Far Beyond the Sun 10. Red House Disc 2 (63:15) 1. Guitar Solo 2. Carry On Wayward Son 3. Drum Solo 4. Manic Depression 5. Band Introductions 6. Gates of Babylon 7. I'll See the Light Tonight 8. Acoustic Guitar Solo 9. Black Star 10. You Don't Remember, I'll Never Forget 11. Rising Force DVD Nakano Sunplaza, Tokyo, Japan 6th November 1996 1. Intro 2. Liar 3. The Sails Of Charon 4 . Queen In Love 5. In The Dead of Night 6. Child In Time 7. Pictures Of Home 8. Keyboard Solo 9. Guitar Solo / Far Beyond The Sun 10. Red House 11. You Don't Remember, I'll Never Forget 12. Drum Solo 13. Manic Depression 14. Band Introductions 15. Gates of Babylon 16. I'll See The Light Tonight 17. Acoustic Guitar Solo 18. Black Star 19. Carry On Wayward Son 20. Rising Force COLOUR NTSC Approx. 122min. Yngwie Malmsteen - Guitar Mark Boals - Vocals Mats Olausson - Keyboards Barry Dunaway - Bass Tommy Aldridge - Drums