Yngwie Malmsteen in the Göran Edman era, who wrapped neoclassical metal in a melancholy Nordic voice. A shocking new excavation album that will be his masterpiece is here. This work is recorded from the "April 1, 1992 Frankfurt performance". It is a superb audience recording. Yngwie in the Göran era had an all-Swedish band, embodying the ideal fusion of neoclassical and Nordic metal. It shone differently from any other era. This is a live album that will be the masterpiece of that unique era. It's a good opportunity to take a bird's-eye view of the overall activities of the Göran era and explore the position of this work. 1990 March 5: London performance {April "ECLIPSE" released} April 4-May 30: Europe #1 (45 performances) June 14-28: Japan #1 (10 performances) ←※ TOKYO 1990 2ND NIGHT etc. July 9 + 10: Australia (2 performances) August 1-September 6/December 2-12: North America #1 (26 performances) 1991 November 9: Cardiff performance 1992 {February "FIRE & ICE" released} February 12-26: North America #2 (9 performances) March 4-16: Japan #2 (10 performances) ←※ FIRE, ICE & VIKING and others ・March 26th - April 16th: Europe #2 (15 shows) ←★here★ ・April 29th - June 5th: North America #3 (16 shows) This is Yngwie Malmsteen from 1990 to 1992. He did two world tours with the albums "ECLIPSE" and "FIRE & ICE", but the record is a little unreliable. The recordings that can be called masterpieces are concentrated in Japan, and the overseas performances have hardly been known. This work is a great European masterpiece that breaks that situation. It is a superb recording recorded at the fifth performance of "Europe #2" immediately after arriving in Japan. The Stephane collection that ideally captures the Nordic flavor The biggest point is the superb sound. In fact, it is a recording that has been excavated from the collection of the master "Stephane"! I suddenly added "that", but "Stephane" is a master recording artist who has been monopolizing the topic of HR/HM collectors recently. He has released a large number of amazing recordings in the late 80s and early 90s HR/HM genre, and our shop has received great reviews for many bands' famous recordings, including the pressings of BLACK SABBATH and IRON MAIDEN, as well as Steve Vai's WHITESNAKE, EUROPE, Gary Moore, SCORPIONS, and others. This work is the Yngwie edition. In fact, the sound is extremely clear and rich. The core roars without a sense of distance, so much so that it can be called "like a sound board," and there is no sense of sparseness. On top of that, the separation is vivid and the details are fine. It may seem like the same compliments as usual, but what is different from usual is that the main character of this work is Yngwie. As you know, Yngwie's live performances have a large guitar volume, making it difficult to record in a balanced manner. In particular, if you aim for a power sound without a sense of distance, it tends to become a blast. However, this work is powerful yet thoroughly beautiful. For example, keyboards. From the first song "Perpetual", Yngwie plays light speed passages as he likes, but in fact, Shin also plays unison behind the scenes. Even the overlapping high-speed phrases are clearly understood one by one. Of course, this is just one example. If the rhythm section is vivid, the vocals are clear to every word of the lyrics. Since Yoran's singing voice is important in this era, this crystal sound is a blessing. A full show full of exclusive songs unlike any other era Such a crystal glass-like beautiful sound depicts a full show completely different from any other era. In order to explain the meaning, let's organize the set here. Göran Edman era (8 songs) Eclipse: Bedroom Eyes/Making Love (★)/Save Our Love (★) Fire and Ice: Perpetual (★)/Dragonfly (★)/Fire and Ice (★)/Forever Is A Long Time (★)/Teaser (★) 80s (11 songs + α) Trilogy: Liar/Trilogy Suite Op: 5/You Don't Remember, I'll Never Forget Odyssey: Heaven Tonight/Crystal Ball/Krakatau (with Spasebo Blues) Others: I'll See The Light Tonight/Far Beyond The Sun/Black Star/Spanish Castle Magic/Purple Haze *Note: The ★ marks are exclusive to the Göran Edman era. ...And so on. The Yoran versions of the representative songs sung by the successive singers are worth listening to, but the "ECLIPSE" and "FIRE & ICE" numbers are also a point. "Bedroom Eyes" was performed until the Doogie era, but the other repertoires were not performed after this tour. In other words, they are all songs that only Yoran can sing. Yoran Edman is a super unique singer who can turn anything he sings into Nordic metal. This is a live album that coats Yngwie's first-class neo-classical metal with his singing voice. The best audience recording of the "April 1, 1992 Frankfurt performance". This is the first appearance recording excavated from the collection of the popular master taper "Stephane", and it is ferociously clear and rich. The core is so far away that it can be called "like a sound board", and there is no feeling of sparseness. This is a masterpiece from the Nordic metal era, featuring not only the Göran Edman version of their signature song, but also plenty of "Eclipse" and "Fire & Ice" numbers that were not performed in any other era. Music Hall, Frankfurt, Germany 1st April 1992 TRULY PERFECT SOUND Disc 1(67:23) 01. Perpetual 02. Liar 03. Heaven Tonight 04. Bedroom Eyes 05. I'll See The Light Tonight 06. Making Love 07. Keyboard Solo 08. Crystal Ball 09. Far Beyond The Sun 10. Cello Improvisation 11. Save Our Love 12. Dragonfly 13. Fire And Ice Disc 2(48:25) 1. Set Up 2. Trilogy Suite Op: 5 3. Krakatau / Guitar Solo 4. Spasebo Blues 5. You Don't Remember, I'll Never Forget 6. Forever Is A Long Time 7. Teaser 8. Black Star 9. Spanish Castle Magic 10. Purple Haze Yngwie Malmsteen - Guitar, Vocals Goran Edman - Lead Vocals Svante Henryson - Bass Bo Werner - Drums Mats Olausson - Keyboards
Free Shipping on Every Order!
