Yes/Tokyo,Japan 10.8.1998
Yes/Tokyo,Japan 10.8.1998
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YES during the Igor Koroshev era, said to be the strongest in the 90s. The original recording that revives the only performance in Japan is now available for the first time. What is infused into this work is the “October 8, 1998: Shibuya Public Hall” performance. This is an excellent vacuum-packed audience recording of one act of “OPEN YOUR EYES & 30TH ANNIVERSARY Tour”. Speaking of coming to Japan in 1998, the masterpiece “SHIBUYA 1998 2ND NIGHT” is still fresh in our memory, but as the title suggests, this work is a live album of the performance the day before. Once again, let’s look back at the schedule at that time and check the show’s position.・October 8th: Shibuya Public Hall ←★This work★ ・October 9th "SHIBUYA 1998 2ND NIGHT" ・October 11th: Kawaguchi LILIA ・October 13th: Nagoya City Public Hall ・October 14th: Osaka Employees' Pension A total of 5 performances at the hall. This work was not only the first day of Shibuya Public Hall 2DAYS, but also the first day of the entire Japan tour. This work, recorded at such a scene, is a glossy and fresh audience recording. It is a treasured master that was presented for the first time by the recording artist himself, but that person is not an ordinary person. Taper has created masterpieces for various bands/artists, but the most legendary one is QUEEN's "AT LAST BUDOKAN". It is a treasured item of the collection of masters who created a super masterpiece that is considered the best masterpiece of that QUEEN audience. In fact, the sound is exquisite. In fact, the sound of the hall is sucked in thickly, so there is no mistaking it for a sound board, but the rushing power of the core that penetrates that atmosphere is amazing. In reality, it may be quite a distance, but it doesn't feel sparse at all, and the response and density are heavy. Moreover, even though it is so powerful, it does not falter at all. The extension of the treble and the peak of the deep bass are beautifully depicted, and even the subtleties are clearly visible. The thick sound that comes like this is converted into the dynamism of the performance and the feeling of pouring harmony, allowing you to fully enjoy the unique flavor of the audience. What is depicted with such dynamic sound is a luxurious full set commemorating the 30th anniversary. It's a little different from the next day's show "SHIBUYA 1998 2ND NIGHT", but the standard from Igor's era is the official work "HOUSE OF YES: LIVE FROM HOUSE OF BLUES", so let's compare it with this. . 70's Classics Third Album: Yours Is No Disgrace (*) / I've Seen All Good People (*) Fragile: Heart Of The Sunrise / Long Distance Runaround / Roundabout (*) Crisis: Siberian Khatru / And You And I (*) / Close To The Edge・Ultimate: Wonderous Stories After the 80s・Lonely Heart: Owner Of A Lonely Heart (*)・Big Generator: Rhythm Of Love・Open Your Eyes: Solo Time・Howe: Mood For A Day/Second Initial/Clap・Others: Akatonbo/Whitefish *Note: Songs marked with “*” overlap with the official live album “HOUSE OF YES: LIVE FROM HOUSE OF BLUES”. ...and it looks like this. There are only 5 songs that are duplicated with ``HOUSE OF YES'', so you can enjoy a wide variety of famous songs. It is very similar to "SHIBUYA 1998 2ND NIGHT", but Steve Howe's solo time is different, and "Second Initial" of "NOT NECESSARILY ACOUSTIC" is performed instead of "Arada" and "Sketches In The Sun". has been done. Of course, all the songs of Igor's version of "Crisis", which became a hot topic, and Jon Anderson's "Akatonbo" are also available only when he came to Japan in 1998. You can enjoy the whole story with expert sound. YES in the late 90's said goodbye to the pop style of the 80's and updated the symphonic rock of the 70's. This is a live album where you can fully experience the masterpieces of the 30th anniversary. Audience recording is deep because such famous items come out casually. can not stop. A new excavation that will be a great pleasure for such collectors. Exquisite audience recording of the "October 8, 1998: Shibuya Public Hall" performance. Taper's treasured master, who has worked on many famous recordings including QUEEN's legendary masterpiece "AT LAST BUDOKAN", has a wonderful core rushing power that penetrates the fresh and glossy hall sound. It doesn't feel sparse at all, it has a solid feel and density, and it also has a great sense of stability that doesn't shake at all. The thick rumble is transformed into the dynamism of the performance and the feeling of pouring harmonies, allowing you to fully enjoy the unique flavor of the audience. This is a new excavated live album where you can fully experience the luxurious 30th anniversary set, including all the songs of Igor's version of "Kirishi" and John's "Akatonbo". Live at Shibuya Kokaido, Tokyo, Japan 8th October 1998 PERFECT SOUND(from Original Masters) Disc 1(70:50) 1. Firebird Suite 2. Siberian Khatru 3. Rhythm of Love 4. Yours Is No Disgrace 5. Open Your Eyes 6 . And You and I 7. Heart of the Sunrise 8. Mood for a Day Disc 2(74:01) 1. Second Initial 2. Clap 3. Akatombo 4. Wonderous Stories 5. Keyboard Solo 6. Long Distance Runaround 7. Whitefish 8. Drum Solo 9. Owner of a Lonely Heart 10. Close to the Edge 11. I've Seen All Good People 12. Roundabout Jon Anderson - Vocal Steve Howe - Guitar Chris Squire - Bass Alan White - Drums Billy Sherwood - Guitar Igor Khoroshev - Keyboards
Disc 1(70:50) 1. Firebird Suite 2. Siberian Khatru 3. Rhythm of Love 4. Yours Is No Disgrace 5. Open Your Eyes 6. And You and I 7. Heart of the Sunrise 8. Mood for a Day Disc 2(74:01) 1. Second Initial 2. Clap 3. Akatombo 4. Wonderous Stories 5. Keyboard Solo 6. Long Distance Runaround 7. Whitefish 8. Drum Solo 9. Owner of a Lonely Heart 10. Close to the Edge 11 I've Seen All Good People 12. Roundabout Jon Anderson - Vocal Steve Howe - Guitar Chris Squire - Bass Alan White - Drums Billy Sherwood - Guitar Igor Khoroshev - Keyboards