A new upgrade master has been discovered for the best recording of the "TEN TRUE SUMMERS Tour" commemorating the 10th anniversary of his debut. The ultimate live commentary board in which the champion himself has updated the height of his throne is now available on 2CD. What is sealed in the champion recording is “June 15, 1979 New York performance”. This is a superb audience recording recorded on the final day of 3 DAYS at the iconic large venue “Madison Square Garden (MSG)”. If you are familiar with the existing group, it is probably a super famous recording that has made up your mind just by looking at the date, but for those who are not, let's start from the beginning. First of all, the show position. Let’s take a look back at the overall picture of the world tour that concluded the gorgeous 1970s. 1978; “TORMATO Tour”・August 28th – October 8th: North America #1 (37 performances) [“TORMATO” released on September 26th]・October 24th – 28th: UK (6 performances) 1979 2017: “TEN TRUE SUMMERS Tour”・April 9th – May 8th: North America #2 (27 performances) ・May 24th – June 30th: North America #3 (32 performances) ←★Coco★ [Rival A solitary legendary recording that doesn't even exist] This is YES in 1978/1979. Because the set is a series of very similar dates, it is sometimes lumped together with the “TORMATO Tour”, but if you subdivide it, the 1979 edition is the “TEN TRUE SUMMERS Tour”. The MSG performance of this work was the 19th concert of “North America #3”, which is the final version. Now, this work was recorded at such a show, and it is an upgraded version of a super famous recording that has become a legend in the collector world. It is not a processing system that refines the existing one, but improves the freshness of the master itself. It is the newly discovered 1st Gene Master. In the first place, the reason why this recording is “legendary” is its quality. This is because it was known as the best masterpiece recording on the “TORMATO / TEN TRUE SUMMERS Tour”. This is a little different from the usual "tour masterpiece". In a normal case, two or three of the best recordings are lined up, and each collector has their own opinion, ``This is the best'' or ``No, it's the best,'' and a consensus is formed somehow. However, “TORMATO / TEN TRUE SUMMERS Tour” is not like that. There is no recording comparable to “The 3rd Day of MSG”, and it has reigned as the sole leader. In fact, the sound is amazing. The core is super direct, with no sense of distance, and even the smallest details are super vivid. The so-called "just like a sound board" itself. As a typical example, it is a famous recording that I would like to include in the Japanese dictionary (?). Moreover, it was surprising that the scene was MSG. I think collectors will agree with me, but although MSG is a famous venue that is famous all over the world, it cannot be said to be a famous place for the finest recordings. In fact, you could call it a ``difficult place'' where you have to struggle with the circulation of sound like Tokyo Dome. Despite this, it's so tight that you can't hear the hall sound even if you listen carefully with headphones. What kind of position could produce such a sound? At that time, it was about mochi theory, and it is a miraculous masterpiece recording that I want modern tapers to teach the secret to. [Updated to the highest level with the champion's own 1st Gene Master] Well now. I couldn't help but praise it at length, but up to this point I'm only talking about the conventional edition. This work is a further upgrade of such a miraculous legendary recording. What's more, the close-up is ``something completely different'' and will blow your mind. From the roaring applause, lively cheers, and firecrackers exploding in the distance, it is clear that it is the same show/same recording. However, the clarity is several steps higher. The density of the core is even denser, and the deep bass vibe that shakes the floor of the venue is also delicate. The silent parts where there is no performance are also very different, and the gap between each note becomes deeper, which increases the transparency of the atmosphere, and thanks to this, the edges of the performance sound become even sharper. It is not impossible to achieve this kind of effect with remastering, but in that case, it is inevitable that small parts will be crushed and the appearance of processing will occur. In that respect, this work is realized only with master freshness, so every corner is fresh and natural. The long synth treble extends beautifully to the edge, and even the roughest bass notes are ultra-realistic. At the time of the previous edition, it was “like a sound board”, but this work is a super high quality sound world that even reminds us of the great masterpiece “YESSONGS” of the century. Moreover, this work is the highest peak album of such a new excavation master. The original sound that appeared on the internet was of such ultimate sound quality that there was no room for improvement, but the pitch and other finishing touches were poor. In this new excavation master, “The Clap” was cut off in the middle, and it was patched with the conventional gene, but it was so crazy that it became a hug even though it was originally connected with the same recording. In this work, such pitch is adjusted moment by moment. Including the connection part of “The Clap”, it runs through the whole story with a sense of stability. What is depicted in such a miracle sound is a full show that condenses 10 years of evolution into about 2 hours and 20 minutes. Speaking of “TEN TRUE SUMMERS Tour”, the official video “LIVE IN PHILADELPHIA” is famous, but I’m glad that it’s so long that it can’t be compared to the official video that you can’t see even from a bird’s-eye view. In order to get a feel for the volume of songs, let's organize the set here.・Time And A Word ・Third Album: Perpetual Change/The Clap/Starship Trooper (*)/I've Seen All Good People (*) ・Fragile: Heart Of The Sunrise/Long Distance Runaround/The Fish /Roundabout (*) ・Crisis: Siberian Khatru (*) / And You And I ・Relayer: Soon ・Ultimate: Awaken ・Tomato: Future Times/Rejoice/Circus Of Heaven (*) ・Others: Tour Song *Note: "* ” is a song that was also seen in the official video “LIVE IN PHILADELPHIA”. After this tour ended, not only Rick Wakeman but also founder John Anderson left. YES will move forward into the "DRAMA" era. What flows out of this work is YES, which is on the verge of entering that chaos. It is the culmination of 10 years of creating and progressing symphonic rock. Live Rubum, a cultural heritage site, allows you to experience such an ultimate show with even more advanced sound. Superb audience recording of “June 15, 1979 Madison Square Garden Performance”. The 1st Gene Master of the legendary recording known as the pinnacle of the “TORMATO / TEN TRUE SUMMERS Tour” has been newly discovered. This is a new masterpiece that has achieved the ultimate evolution. In fact, the previous version was said to be "just like a sound board," but the core of this work is even more direct, with no sense of distance, and even the smallest details are super vivid. The clarity has improved several steps, and the edges of the performance sound are even sharper. It is a cultural heritage album that allows you to experience the ultimate 10th anniversary tour that summed up the 70's, with a sound world that even reminds you of the great masterpiece of the century "YESSONGS". Madison Square Garden, New York, NY, USA 15th June 1979 TRULY PERFECT SOUND(UPGRADE!!!) Disc 1 (72:55) 1. Intro 2. Siberian Khatru 3. Heart Of The Sunrise 4. Future Times 5. Rejoice 6 . Circus Of Heaven 7. Time And A Word 8. Long Distance Runaround 9. The Fish 10. Perpetual Change 11. Soon 12. The Clap ★Unreleased Disc 2 (67:08) 1. And You And I 2. Starship Trooper 3. Rick Wakeman Solo 4. Awaken 5. Tour Song 6. I've Seen All Good People 7. Roundabout Jon Anderson -Vocals Steve Howe - Guitar Chris Squire - Bass Alan White - Drums Wakeman- Keyboards
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