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Yes/MA,USA 1974 2Source Stereo Matrix 2021 Remastered

Yes/MA,USA 1974 2Source Stereo Matrix 2021 Remastered

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This is a high-quality sound source rarely seen in the history of Yes's live sound source. It is the strongest sound source that is not suitable for the clarity and resolution of a sound board, and even less suitable for the sense of presence of a high-quality audience sound source such as Mike Millard tape. This is the latest mix sound source for 2021, which carefully combines the best parts of them. This is a matrix sound source created by the fusion of the audience and soundboard. If you're a seasoned enthusiast who has collected a wide range of Jesus collector's items, you might be thinking, "Boston Garden in 1974? Oh, there's a high-quality radio one out there." However, it is a sound source that I would like people who think that way to listen to. A superb sound source that combines the splendor of instrument separation and the presence of the venue. The radio sound source had a guitar on the right, but it was probably John Anderson in the center facing the stage, Steve Howe on the left, Chris Squire and the keyboard on the right (Patrick Moraz here). This sound source is sorted like that. Moraz's keyboard is captured more richly than previously released sound sources, and Howe's guitar and the four sumo wrestlers can be seen everywhere. Furthermore, through remastering, the distorted bass of Chris's edge is pushed out and the power is increased. As I've written many times before, the sound quality is astonishingly high. An item that looks like a clean copy of ``Live recordings have to be like this''. The jacket is also excellent, following the tour theme album "Relayer". One for every family, definitely the definitive item on Jesus' relay tour. By the way, the same label has also released a title containing audience sound source by Mike Millard from the following year, which has also been well-received, so please check it out. At this time, Jesus' keyboards had changed from John Wetton, who was popular, to Patrick Moraz, and Moraz's improvisation, which went beyond Wetton's established framework, was an attractive period. Therefore, you can enjoy the only one unique to live performances with different performances on different days. Recorded Live at Boston Garden, Boston, MA, December 11, 1974 Digitally Remastered in 2021 // Two Source Stereo Matrix // Excellent Sound Quality DISC 1 01. Opening (FIREBIRD SUITE) 02. SOUND CHASER 03. CLOSE TO THE EDGE 04. TO BE OVER DISC 2 01. THE GATES OF DELIRIUM 02. AND YOU AND I 03. RITUAL (NOUS SOMMES DU SOLEIL) 04. ROUNDABOUT Jon Anderson - vocals, guitar, percussion Steve Howe - guitars Patrick Moraz - keyboards Chris Squire - bass Alan White - drums, percussion

DISC 1 01. Opening (FIREBIRD SUITE) 02. SOUND CHASER 03. CLOSE TO THE EDGE 04. TO BE OVER DISC 2 01. THE GATES OF DELIRIUM 02. AND YOU AND I 03. RITUAL (NOUS SOMMES DU SOLEIL) 04. ROUNDABOUT Jon Anderson - vocals, guitar, percussion Steve Howe - guitars Patrick Moraz - keyboards Chris Squire - bass Alan White - drums, percussion

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