The precious footage that conveyed the scene of the "GOING FOR THE ONE Tour" has been upgraded. A DVD that transfers the beauty of the 8mm film without leaving anything behind is now available. Such a precious video depicts the "London performance on October 27, 1977". It is an audience shot taken at the traditional venue "Empire Pool (now Wembley Arena)". This video itself has been known for some time, but recently a significantly upgraded master was unearthed. It was released in memory of Alan White after the death of Alan White. Before the quality of the show, let's look back at the overall picture of the world tour where the "golden five" reunited. "Ultimate" released on July 15th - July 30th - September 3rd: North America #1 (32 shows) - September 17th - October 9th: North America #2 (21 shows) - October 24th - November 8th: UK (12 shows) ←★Here★ - November 11th - December 6th: Europe (22 shows) This is YES in 1977. It has a very simple structure of "America → Europe", and 1/3 of the European version is their home country, the UK. The opening is the sixth consecutive Wembley performance, and the concert sealed in this work is the fourth performance. The 8mm filmed at such a show has been familiar to collectors for a long time. Initially, it was black and white and dubbed to video, but in 2015, a color version master was unearthed. It has been loved as a three-disc set with a full live performance, "WEMBLEY ARENA 1977 4TH NIGHT". Of course, since it is 8mm, it is a collection of short cuts, but even so, by the standards of the 1970s, each cut is captured longer than the others, and the closeness of the members, just a few meters away, is overwhelming. As of 2015, it was a masterpiece that exceeded the "common sense of 8mm in the 1970s" in terms of image quality and shooting skill. However, this master has surpassed even that superb quality. The key to realizing this upgrade is the technology of 2022. The film itself is (probably) the same as it was in 2015, but this time it has been re-transferred and further polished by digital mastering. The results are amazing. In the 2015 transfer, fine dust and small scratches were scattered as black dots unique to film. Naturally, until now it was thought that "it's film, so it's natural," but this version does not have that. From one end of the screen to the other, it is fresh, glossy, and smooth. Even if you stare at John Anderson's costume floating in white, you can't find a single black dot. Moreover, it is bright. As expected, the lighting technology of 1977 is not as good as today's, but the light is clearer and sharper than the 2015 version, and the light itself is stronger. This is thought to be a mastering effect, but the important thing is that only the highlights are emphasized and the details are not crushed, but it is natural. It is a natural beauty as if the performance of the on-site lights from 45 years ago had been improved. Furthermore, the audio has been upgraded to a clear sound with plenty of stereo feeling. The archive technology of 2022 has evolved to this extent, and the finish is a sigh of relief. As mentioned above, it is a collection of short films with a total length of about 27 minutes. The set analysis is meaningless, so I will omit it, but the rich satisfaction from the powerfully upgraded visual beauty is irreplaceable. In the past, 8mm film was not even looked at, and it was only a few years ago that it was excavated as a "historical document". However, now it has come to a point where it can be established as a respectable "entertainment". The heroic figures of Alan and Chris Squire warm my heart, but more than that, it is immersed in a "beautiful video work". It is a vintage 1977 and a cutting edge 2022 film. Audience shot of the "Wembley performance on October 27, 1977". This is an upgraded version of the previously known 8mm film released following the death of Alan White. In the conventional version, fine dust and small scratches were scattered as black dots unique to film, but this time it is fresh, glossy and smooth from one end of the screen to the other. Each cut is captured longer than the 8mm of the time, and the closeness of the members, just a few meters away, is overwhelming. It is still about 27 minutes long, but it is also a piece that draws attention to the evolution of archiving technology in 2022. Wembley Empire Pool, London, England 27th October 1977 AMAZING SHOT(UPGRADE!!!) (26:37) 1. I've Seen All Good People 2. Close To The Edge 3. Colors Of The Rainbow 4. Turn Of The Century 5. And You And I 6. A Change Of Pace 7. Awaken Jon Anderson - Vocals Steve Howe - Guitars Chris Squire - Bass Rick Wakeman - Keyboards Alan White - Drums COLOUR NTSC Approx.27min.
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