The super famous recording called "the best masterpiece of the 10th anniversary tour" has been upgraded. Introducing the ultimate Gene Sound CD by the absolute master original master. [Super famous recording called the masterpiece of the 10th anniversary tour] The best recording is “May 25, 1979 Long Beach performance”. Charismatic recording history: A transcendent audience recording by Mike Millard. Some of you may have noticed this date and venue. This show has long been known for having a super famous recording that is the highest peak of the tour, and “LONG BEACH BOOGIE 1979” has reigned as a standard for 10 years at our store. In fact, that famous recording was made by the master Millard Mixo. This work is digitized from the original master of Millard's traditional recording. It is a live album upgraded with ultimate freshness. If you've experienced "LONG BEACH BOOGIE 1979," you've probably already made up your mind, but for those who haven't, let's explain from the beginning. First, let's look back at the show's position from the schedule of the "TORMATO" era. 1978; “TORMATO Tour”・August 28th – September 25th: North America #1a (26 performances) [“TORMATO” released on September 26th]・September 27th – October 8th: North America #1b ( 11 performances) October 24th-28th: UK (6 performances) 1979: “TEN TRUE SUMMERS Tour” April 9th-May 8th: North America #2 (27 performances) May 24th- June 30th: North America #3 (32 performances) ←★Here★ This is YES in 1978/1979. It is divided into the 1978 edition “TORMATO Tour” and the 19979 “TEN TRUE SUMMERS Tour”, but the Long Beach performance of this work is the final stage. This was the second concert of "North America #3". This tour is also left in the official video “LIVE IN PHILADELPHIA”, but this work is also about one month before that. [Master sound with official level aesthetics] This work recorded at such a show is truly a masterpiece. Unfortunately, the sound cutout of "Awaken" is the same as before (it has been compensated for with a separate recording), but the ending is about 40 seconds longer and is clearly the original. However, this is just proof of the original, and the overwhelming thing is the sound, with its extremely thick core and unusually vivid details jumping into your ears as if it were at zero distance. The previous masters were highly praised as ``an ultra-clear sound that can only be heard on a soundboard recording'' and ``the guitar is recorded like a line recording, so it's like a monitor mix'', but Millard's original master is even more intense. . The slight roundness of the edges has disappeared, and if the attack sound is sharp, the clarity of the extension has also been overwhelmingly improved. Furthermore, the darkness of the silent part becomes deeper, and the enhanced performance sound shines brightly. Moreover, it's natural. The conventional version felt like the freshness lost by dubbing was improved by equalizing, but this work by Omoto Master does not need that from the beginning. Of course, the pitch, which was slightly out of order in the original online sound, has been adjusted accurately, but the sound itself far exceeds the conventional version even without touching. And because it is unprocessed, the natural sound and resolution of minute details are overwhelming. This upgraded feeling is, so to speak, an official feeling. For example, the ultimate sound of historical masterpieces is sought after using various media and new technologies, and the sound of this work is also in that range. In reality, it is definitely a ``spatial recording from the audience seats,'' but the sophisticated recording technology and freshness that comes from being a master master are comparable to the top products of the official world such as ``Mobile Fidelity'' and ``Nimbus Supercut.'' It is a world of beauty. The tour's best sound depicts the tour's best great performances. As mentioned above, it is close to the official video “LIVE IN PHILADELPHIA”, so let’s organize the set while comparing.・Time And A Word ・Third Album: Perpetual Change / The Clap / Starship Trooper (*) / I've Seen All Good People (*) ・Fragile Things: Heart Of The Sunrise / Long Distance Runaround / The Fish /Roundabout(*)・Crisis: Siberian Khatru(*)/And You And I・Relayer: The Gates Of Delirium/Soon・Ultimate: Awaken・Tomato: Future Times/Rejoice/Circus Of Heaven(*)・Others: Tour Song *Note: Songs marked with an asterisk (*) are also seen in the official video "LIVE IN PHILADELPHIA". ...and it looks like this. It is a full recording of famous songs that cannot be heard in the excerpt "LIVE IN PHILADELPHIA", but what is more than that is the performance. This Long Beach performance has long been famous for the splendor of the show, and if you pay attention to each person, it is energetic and powerful, and the entire ensemble is tight. Rick Wakeman's "Henry VIII" and the following "Awaken" were played so perfectly that you thought they were studio works, with Steve Howe's sharp guitar and Chris Squire's triple-necked bass roaring. I can feel it in my hands. It is such a great performance that it is said among enthusiasts, ``If it had been officially recorded, it would have been a live record that will go down in history.'' This is the ultimate edition of the super famous recording that has earned the title of ``tour masterpiece'' in terms of both sound and performance, and has been upgraded by the original master. YES is a special band that the absolute master Millard loved and continued to record throughout his life, and this work is a special masterpiece in that collection. Superb audience recording of “May 25, 1979 Long Beach Performance”. This is one of the most famous products created by the original master of the absolute master Mike Millard, and its extremely thick core and unusually vivid details jump into your ears as if it were at zero distance. Even the conventional master was praised as ``it only sounds like a soundboard recording,'' but the Omoto master is even more intense. The slight roundness of the edges has disappeared, and if the attack sound is sharp, the clarity of the extension has also been overwhelmingly improved. The sound of the performance shines brightly. It is a new masterpiece that allows you to experience a superb performance that is said by enthusiasts to be ``If it had been officially recorded, it would have been a live album that will go down in history.'' Long Beach Arena, Long Beach, CA, USA 25th May 1979 TRULY PERFECT SOUND(UPGRADE) Disc 1 (72:35)★0:00 - 3:38 (beginning SE part) Supplemented from the previously released "LONG BEACH BOOGIE" 1. Young Person's Guide To The Orchestra 2. Opening S.E. 3. Siberian Khatru 4. Heart Of The Sunrise 5. Future Times 6. Rejoic 7. Circus Of Heaven 8. Time And A Word 9. Long Distance Runaround 10. The Fish 11. Perpetual Change 12. The Gates Of Delirium 13. Soon 14. The Clap Disc 2 (65:40) 1. And You And I 2. Starship Trooper 3. Rick Wakeman Solo 4. Awaken 5. Tour Song (Long Beach) 6. I 've Seen All Good People ★7:45 - 8:00 Compensation from the previous episode 7. Roundabout ★The ending is 40 seconds longer than the previous episode. Jon Anderson - Vocals Steve Howe - Guitar Chris Squire - Bass Rick Wakeman - Keyboards Alan White - Drums
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