An astonishing mirrored master...it's like an SBD!! The Patrick Moraz era was a singular point in the history of YES and had a unique charm. The masterpiece recording of the absolute master has been upgraded. It will be released with a superb sound because it is the original master. This work is engraved with the "June 23, 1975 Long Beach performance". It is a superb audience recording by absolute master Mike Millard. Millard's master excavation project, which has been releasing historical masterpieces one after another, is particularly important. Not only is it a super masterpiece as a simple live album, but it is also a new masterpiece that will be the masterpiece of the "RELAYER Tour". Of course, when it comes to the Moraz era, the official "1975 AT Q.P.R." and the soundboard masterpiece "THE YEARS OF DELIRIUM" are crowded, and Millard's work "HOLLYWOOD BOWL 1975" is also a big classic. Why is this work so special in such a situation? In order to explain it, let's first organize the positional relationship of each work in the activity overview at that time. 1974 August: Patrick Moraz joins “RELAYER Tour” November 8-December 17: North America #1 (31 performances) ←※THE YEARS OF DELIRIUM 1975 April 15-May 17: UK (24 performances) ←※Official Q.P.R. June 17-July 25: North America #2 (32 performances) ←★Here★ August 23: Reading Festival appearance 1976 “SOLO ALBUMS Tour” May 28-June 26: North America #3 (25 performances) ←※THE YEARS OF DELIRIUM July 17-August 23: North America #4 (32 performances)《Patrick Moraz leaves》This is YES in the Moraz era. The Long Beach performance of this work was one act of the main leg, “North America #2”. This was a prolific period of great recordings, producing two Millard works and Dan Lampinski's "MASTER OF DELIRIUM (Amity 187)". Let's focus on the dates further. Details of "North America #2" ・June 17-20 (4 performances) *June 21 "HOLLYWOOD BOWL 1975" ・June 22: Tempe performance *June 23: Long Beach performance ←★This work★ ・June 24-July 22 (22 performances) *July 23 "MASTER OF DELIRIUM (Providence)" ・July 24 + 25 (2 performances) ... and so on. I roughly lined up the masterpieces of the Moraz era, but each one has its pros and cons. The most famous official "1975 AT Q.P.R." is mono and the mix is unnatural, and the soundboard "THE YEARS OF DELIRIUM" is perfect in quality but not a complete recording. The apex of a full live album has to rely on audience recording. And up until now, Millard's work "HOLLYWOOD BOWL 1975" had reigned at the top, but this work is the new champion that will take the throne! In fact, the sound is overwhelming. It has long been known as one of the best recordings of the "RELAYER Tour", but this time it has been digitized directly from Millard's original cassette. The rough dubbing marks are gone, and the fresh and lustrous sound is very beautiful. And it also surpasses Millard's original "HOLLYWOOD BOWL 1975". That masterpiece also had a wonderful open-space "Hollywood Bowl" clarity, but it still could not match the compatibility of "Millard x Long Beach Arena", which has produced many masterpieces. The core of this work is fiercely on and even more soundboard-like. The excavated "JEMS" describes it as "If the Hollywood Bowl is SD, the Long Beach Arena is glorious HD", which is a very good description. The set is familiar from "1975 AT Q.P.R.", so I will omit it, but you can also enjoy "Your Move", "Long Distance Runaround", "Ritual", and "Sweet Dreams", which cannot be heard in the Boston performance SBD of "THE YEARS OF DELIRIUM". The mix is more natural than the official video, and the full show is a pleasure to listen to. And the original sound is exceptional among Millard's works... It is a full live album that is the best masterpiece of the Moratz era. It is an absolute work that is comparable to "RELAYER". Amazing, super high sound quality! ! Super-excellent audience recording of "Long Beach performance on June 23, 1975". The original master of absolute master Mike Millard is raised, and it is more lustrous and beautiful than the conventional master. It's a much more natural mix than the official "1975 AT Q.P.R." and more on-the-ball and powerful than the same Millard work "HOLLYWOOD BOWL 1975". This is the best full live album that allows you to fully experience the "RELAYER Tour" that you can't get with an FM soundboard.
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