The Japan performance of “COME AN’ GET IT Tour”, which is suddenly being discovered on the 40th anniversary of the actual performance. A new original recording has been discovered in the collection. [“Asakusa 2nd Day”, which was a hole in the collection, is finally here] What is engraved in this work is the “June 23, 1981: Asakusa International Theater” performance. It is a powerful audience recording that will be released for the first time worldwide. Recently, new masterpieces from Osaka and Nagoya have been released one after another, but this time it's from Tokyo. Speaking of Asakusa, the classic "ASAKUSA ROCK!" is also familiar, but this production is a completely different performance. As always, let's organize the best collection according to the schedule at the time.・June 22nd “ASAKUSA ROCK!” ・June 23rd: Asakusa International Theater ←★This work★ ・June 25th “DRAGONSNAKE” (Nakano: additional performance) ・June 26th: Nakano Sunplaza (additional performance) *June 27th "NAGOYA 1981" *June 29th "OSAKA 1981 1ST NIGHT" *June 30th "OSAKA 1981 2ND NIGHT" *Note: Only representative titles are shown on each day. ``*'' marks are from the same recording artist's collection. That's all 7 performances. The first half will be held in Tokyo with 4 performances in Asakusa, Asakusa, Nakano, and Nakano. The Asakusa recordings that have been released so far, including “ASAKUSA ROCK!”, were only on the first day, but this work is a live album from the next day. This work is also an original recording that will be released for the first time worldwide. Until now, the second day of Asakusa was just a trade of bad recordings between traders, but this work is completely different from that. Although it is a different taper from the "Osaka/Nagoya" three sister collection, it is a masterpiece that is no less impressive than the 1981 collection, which is packed with masterpieces. [Extremely thick & direct recording that acts as a sound board] What's great about it is its powerful and extremely thick core. Anyway, it's on, and it comes close with a lot of direct feeling. Although the detailed recording position is not known, it feels much closer than Miracleman's previous work "ASAKUSA ROCK!", and even the drums, which tend to be sparse, are so realistic that you can almost feel the wind pressure from the speakers. This straight and direct feeling is the best in the 1981 collection mentioned above. The ``Osaka/Nagoya Three Sisters,'' which is still fresh in my memory, had a well-balanced beauty in its entirety, including the sound of the hall. This work may give up a step in terms of beauty and stability, but it overwhelms in power. And that strength makes me happy because it is “COME AN’ GET IT Tour”. As I have introduced before, this tour is the only one among the classic Shiroja that does not have a sound board. That's why enthusiasts around the world have been looking for soundboard-like recordings that allow them to directly enjoy the subtleties of a mature performance. This work is a new masterpiece that will heal that thirst. The show drawn with such a direct sound is also extremely wonderful. The set that summarizes the blue rock era is the same as the previous work, so I will omit it, but the performance and MC are overflowing with the freshness of “Asakusa 2nd Day”, which I hear for the first time. In fact, maybe it's because it's the second day at the same venue (or maybe it's because of the sound), but it's in better shape than the first day. Anyway, even after picking up one drum, they were in such high spirits. It is said that Pace was aiming for a Bonzo-like power drum style during this period, but he could not hold back (?) during live performances, and his original style was exposed, and he was able to freely incorporate not only dynamism and groove, but also a variety of silly things. I'm rolling it up. Of course, not only the pace, but also the organ and guitar are in great condition. In particular, the breathing feeling of the twins is wonderful, and when you play a riff, it's crisp, and phrases that are inserted casually cut into it. What's more, the sense of breathing is exquisite, as Mickey immediately harmonizes with the phrase that Barney starts playing. When the band is doing so well, the leader, Coverdale, also lets out a manly roar (completely different from the screams of later years), showing off the deliciousness of his deep voice. “COME AN’ GET IT Tour” is the culmination of the blues rock era in terms of set and ensemble, but Coverdale’s singing voice before “planting” is also at its peak. This work is a direct sound that allows the taste to be poured directly into your brain. This is a new masterpiece from Japan that not only tells us about “Asakusa 2nd Day”, which has never been recorded before, but also will become a “treasure of the COME AN’ GET IT Tour” worldwide. A live album that serves as a "soundboard" with a direct feel that is on par with "NAGOYA 1981". A powerful audience recording of the "June 23, 1981: Asakusa International Theater" performance, which will be released for the first time in the world. Although it is a show that has not been known for recording until now, the sound that blows away its preciousness is also exquisite. Anyway, the extremely thick and active core approaches you with plenty of direct feeling. Even the drums, which tend to be sparse, are so realistic that you can almost feel the wind pressure coming from the speakers. This strength is the best in the 1981 collection packed with masterpieces, and it will serve as a “sound board substitute” on the “COME AN’ GET IT Tour” where there is no line recording. This is a new masterpiece from Japan that is world-class. Live at Asakusa International Theater, Tokyo, Japan 23rd June 1981 TRULY PERFECT SOUND(from Original Masters) Disc 1 (72:26) 1. Intro.2. Walking In The Shadow Of The Blues 3. Sweet Talker 4. Ready An' Willing 5. Don't Break My Heart Again 6. Till The Day I Die 7. Love Hunter 8. Micky Moody Guitar Solo 9. Love Hunter(reprise) 10. Mistreated 11. Soldier Of Fortune 12. Keyboard Solo 13. Belgian Tom's Hat Trick 14. Drum Solo 15. Belgian Tom's Hat Trick (reprise) Disc 2 (39:08) 1. Ain't No Love In The Heart Of The City 2. Would I Lie To You 3. Fool For Your Loving 4. Come On 5. Thank You Blues 6. Wine, Women An' Song 7. Band Introductions 8. Wine, Women An' Song (reprise) 9. We Wish You Well David Coverdale - Vocals Bernie Marsden - Guitar Micky Moody - Guitar Jon Lord - Keyboards Neil Murray - Bass Ian Paice - Drums
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