WHITESNAKE is currently in the middle of their Japan tour. The fastest live album is now available! This work was recorded at “Loud Park Festival on October 9, 2016.” This crap was released on the 11th, so it was recorded only two days ago. It's still the last day in Osaka, so the latest and fastest release has been decided! Just to be sure, please check this schedule as well. ・October 9: Saitama Super Arena [this work] ・October 10: Shizuoka Civic Cultural Center ・October 13: Osaka International Conference Center A total of 3 performances. “Loud Park 2016” included in this work was also the first performance. The recording artist who went to the scene was "Western Japan's strongest taper". As his name suggests, he is a master who usually works mainly in Osaka and Nagoya, but this time he traveled to Tokyo. This is a great way to capture a major event. The sound is a masterpiece that shows off the master's technique. To begin with, Loud Park's acoustics are unstable every year, and vary depending on the band. This year's WHITESNAKE has received mixed reviews, with people saying that it was ``clumpy'' and ``the sound pressure was comparable to death metal''. However, what flows out of this work is an audience sound that is so spectacular that it is hard to believe such a bad reputation. Although it is not the type that would be called "just like a sound board," the way the thick musical tones roar is as powerful as a line recording. Yet each instrument can be clearly heard one by one. To be honest, some of the recordings I received one after another confirmed my impression that it was "like death metal," but this is truly the work of a master craftsman. His ability, which is rumored to be able to "record with better sound than on-site recording," shines through in this work as well. What's even better is the positioning. Apparently it was recorded in a position where there were no people around, so the huge hustle and bustle of the festival didn't bother me at all. To be precise, I have picked up loud cheers, but they are very far away, small, and drowned out by extremely thick musical tones and singing voices. Even though I was listening to such a powerful performance, there were no people around. Just where in that venue was such a position located? The master craftsman's eye was able to discern acoustics even in venues other than "Western Japan." On their first day in Japan, Power Snake's powerful sound suits them fiercely. A complete change from last year, when they reprinted the DEEP PURPLE number, this year's tour is titled "GREATEST HITS TOUR" and features three of Geffen's "SLIDE IT IN," "SERPENS ALBUS," and "SLIP OF THE TONGUE." It is a powerful show that pushes the metallic masterpieces. Even more than such a set list, the vitality of David Coverdale is amazing. At 65 years old, his singing voice has changed considerably since the 1980s, but his rock spirit that overwhelms and excites the audience is still scorching. Its power may even exceed last year's, which was excited by the DEEP PURPLE number. Before coming to Japan, Coverdale himself had said something disturbing, saying, ``This might be the last live show in Japan,'' but I wonder if his final determination is leaking out... It's so devilish that it makes me feel anxious. It is an impassioned singing. Of course, the members who support Coverdale are also wonderful. Tommy Aldridge, who is supposed to be one year older than Coverdale, continues to provide powerful drumming, and the twin duo of Reb Beach and Joel Hoekstra demonstrate the best technique and chemistry of all time. Its many sparkling phrases and harmonies are more suited to metal numbers from the Geffen era than DEEP PURPLE. Furthermore, the chorus that everyone except Tommy sings is thick and beautiful. Especially when it comes to the wonderful singing voices of bassist Michael Devin and keyboardist Michele Luppi (Luppi's main occupation is vocals, and he is such a great singer that he has even been called the new generation's Geoff Tate). Will this fulfilling live really be the last? In recent years, whenever he comes to Japan, there are rumors that this might be his last time, but that was just a fear on the part of the fans. However, this time, Coverdale himself said "the last". Although it is not yet an affirmation or a declaration, Live in Japan's weakness is unbelievably wonderful, and on the contrary, the determination and strength of Live in Japan stirs up anxiety. “Now” is a mixture of joy, excitement, and anxiety. A book that will let you fully enjoy this moment. Live at Saitama Super Arena, Saitama, Japan 9th October 2016 PERFECT SOUND(from Original Masters) Disc 1 (49:03) 1. My Generation 2. Intro. 3. Bad Boys 4. Slide It In 5. Love Ain't No Stranger 6. Deeper The Love 7. Fool For Your Loving 8. Ain't No Love In The Heart Of The City 9. Judgment Day 10. Guitar Solo 11. Slow An' Easy Disc 2 (45:25) 1. Bass Solo 2. Crying In The Rain 3. Drum Solo 4. Crying In The Rain (reprise) 5. Band Introduction 6. Is This Love 7 . Give Me All Your Love 8. Here I Go Again 9. Still Of The Night 10. Burn 11. We Wish You Well David Coverdale - Vocal Joel Hoekstra - Guitar Reb Beach - Guitar Michael Devin – Bass Tommy Aldridge - Drums Michele Luppi – Keyboards
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