The much-talked-about "Stephane" collection is delighting HR/HM collectors around the world. The latest live album of “THE CRIMSON IDOL Tour” is now available. What is inscribed in this work is “Paris performance on October 28, 1992”. It is the super best audience recording. ``THE CRIMSON IDOL'', which was produced as Blackie Lawless' solo album, became a great concept album that will go down in history, and its live activities were also carried out as a solo album. It was also the only tour in the 21st century without his ally Chris Holmes. First of all, let's look back at the whole picture of such activities and check the position of the show. [June "THE CRIMSON IDOL" released in Europe] ・July 26th - August 7th: North America #1 (4 performances) ・August 15th - 22nd: Europe #1 (4 performances) ← *Official boat truck August 29th-September 12th: North America #2 (8 performances) September 26th-November 9th: Europe #2 (30 performances) ←★Here★・November 11th-14th: Japan ( 4 performances) This is W.A.S.P. in 1992. A North American tour and a performance in Japan were also realized, but the main focus was Europe, where the concept masterpiece was welcomed. The Paris performance of this work is the 26th performance of such "Europe #2". Speaking of “THE CRIMSON IDOL Tour”, our masterpiece “BONN 1992 (Shades 1349)” is still fresh in my memory, but this work was also released about 4 weeks after that. This work, which vacuum-packs such a show, is a truly exquisite audience recording. This work was created by Stephane, who has been attracting attention for his series of popular masterpieces. BLACK SABBATH's ``DEFINITIVE PARIS 1992'', which was released the other day, received great acclaim and was described as ``like a soundboard!'', and IRON MAIDEN's ``DEFINITIVE PARIS 1993'' has also been preserved forever. “Stephane” worked on both works, and this work is the W.A.S.P. edition. Moreover, this work is also one of the greatest masterpieces in the collection. After all, the “Elysée Montmartre Theater”, which was the scene of this work, is the same venue as the Sabbath/Maiden press disc mentioned above. In fact, the sound is amazing. There is a realistic chanting and ringing tone that seems to be an audience recording, but the extremely thick core and fine details that break through it are sound board quality. It is a live album that can be called a trilogy that follows the winning formula. What is depicted with such exquisite sound is the full show of “THE CRIMSON IDOL Tour”, which is the ultimate in dramatic HR/HM. Unfortunately, it is not a complete reproduction of the story, but there is no way that the show will be a bad one, as Blacky's artist power, who created a masterpiece, will throw out all the representative songs of the past. Let's organize the set here. Classics (9 songs)・Majinden: L.O.V.E. Machine/Hellion/On Your knees/I Wanna Be Somebody・Last Command: Wild Child/Blind In Texas・Electric Circus: I Don't Need No Doctor・Headless Children :The Real Me/The Headless Children Crimson Idol (4 songs)/The Invisible Boy/Chainsaw Charlie (Murders in the New Morgue)/The Idol/The Great Misconceptions Of Me...and so on. It is very similar to “BONN 1992” from the same tour mentioned above, but it is extremely disappointing that “I Am One” that could be heard in that masterpiece is missing. Unfortunately, it was not possible to update the tour's masterpiece. In any case, it's definitely one of the standout pieces from the much-talked-about "Stephane" collection. Super best audience recording of "October 28, 1992 Paris Performance". This is a work by Stephane, who has produced many popular masterpieces, and was recorded at the Elysée Montmartre Theater, the same venue as BLACK SABBATH and IRON MAIDEN. In fact, the sound that follows the winning formula is as wonderful as Sabbath/Maiden, and the thick core and fine details are sound board quality. This is a new masterpiece that allows you to fully experience "THE CRIMSON IDOL Tour" with such exquisite sound and dramatic HR/HM. Elysee Montmartre, Paris, France 28th October 1992 ULTIMATE SOUND Disc 1 (55:21) 1. The Titanic Overture 2. The Invisible Boy 3. The Real Me 4. L.O.V.E. Machine 5. Chainsaw Charlie (Murders in the New Morgue) 6. Wild Child 7. The Idol 8. The Headless Children 9. The Great Misconceptions of Me Disc 2 (28:05) 1. Audience 2. Hellion 3. On Your Knees 4. I Don't Need No Doctor 5. I Wanna Be Somebody 6. Blind in Texas 7. Outro Blackie Lawless - lead vocals, rhythm guitar Doug Blair - lead guitar Johnny Rod - bass, backing vocals Stet Howland - drums, backing vocals
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