In 1988, VAN HALEN reigned as the darling of the era with his melodious masterpieces "5150" and "OU812." A video work that allows you to experience the legendary "MONSTERS OF ROCK TUOR 1988" with them as the headliner will be released. This work was filmed at “June 26, 1988 East Rutherford Performance”. This is a multi-camera video created from that audience shot. Speaking of the "OU812" era, their only performance in Japan in the 1980s is also memorable. First, let's look back at the show's position from the schedule at the time, including that. 1988《“OU812” released on May 24th》・May 27th-July 30th: North America #1 (28 performances) ←★Here★・September 30th-November 28th: North American #2 (38 performances) Performances) 1989, January 19th - February 2nd: Japan (9 performances), February 4th + 5th: Hawaii (2 performances) This is VAN HALEN in 1988/1989. The performance in Japan was in 1989, and 1988 was only in North America, the main battlefield. Among them, “MONSTERS OF ROCK TUOR” is “North America #1” that started immediately after the release of “OU812”, and the East Rutherford performance of this work was the “16th performance” of that concert. This work, which records such a show, is truly the best. It is a multi-camera work produced by a prestigious company familiar to collectors, but if the editing that changes frequently even within one song is excellent, each cut is very active and spectacular. When it comes to multi-camera editing for 1980s audiences, it's not uncommon to see them stitched together to avoid frame-outs and shadows of the audience in front, but this work is different. Even in a single highlight scene, he actively uses a unique perspective, and includes so many different shots that you'd think every camera made a mistake. Moreover, each angle of every scene is occupied only by the stage, and nothing obstructs the view. If we consider multi-camera ``defensive editing'' to disguise scenes that failed to be filmed, then this work is an ``offensive editing'' work that shows off the powerful video strengths of each camera. What is depicted with its visual beauty is a full show of VAN HALEN from the 1980s, which is attacking with cool words (dead words). Speaking of the "OU812" era, the professional shot of the Tokyo Dome performance reigns as a symbol, but that is just an excerpt from the broadcast schedule. On the other hand, this work is a full video, so let's organize the set while comparing it here. David Lee Roth era (4 songs), Flame Fuse: Runnin' With The Devil (★) / You Really Got Me / Ain't Talkin' 'Bout Love (★), 1984: Panama Sammy Hagar era (8) Song)・5150: Summer Nights/Why Can't This Be Love/Best Of Both Worlds・OU812: A.F.U. (Naturally Wired)/Mine All Mine/Sucker In A 3 Piece (★)/When It's Love/Black And Blue Others (5 songs) - Sammy's solo: There's Only One Way To Rock "STANDING HAMPTON" / I Can't Drive 55 "VOA" / Eagles Fly "I NEVER SAID GOODBYE" - Cover: Superstition (★: Stevie Wonder) /Rock and Roll (★: LED ZEPPELIN) *Note: Songs marked with a “★” cannot be seen in the Tokyo Dome pro shot. ...and it looks like this. A gorgeous toy box-like set that concentrates the essence of ``5150'' and ``OU812'' while also incorporating Sammy's solos and covers from the DLR era. Greatest Hits from the 90's onwards, which covers his own hit songs, is also good, but this work has a spacious set with plenty of charm unique to live performances. Moreover, you can also enjoy extremely rare songs like “Sucker In A 3 Piece” only for this tour. The main part of the live performance alone is great, but this work is interesting until after. In fact, there is a corner explaining the equipment used to shoot this film. Video cameras, lenses, microphones...I'll pick them up one by one and explain them in detail, starting with the tips and tricks. As you can see when you watch it, this work is the work of a prestigious company that has made countless masterpieces from the 1980s. It's 30 years later, so no matter how many times it's opened, the same equipment won't be used today, but it's really interesting to see what kind of equipment was used to film many of the famous films that shook the scene. . Furthermore, this work is full of service spirit, and even the VAN HALEN special program at the time was added. Eddie and Sammy talk with big smiles and take quick steps. After that, it is a masterpiece where you can enjoy the full show of honeymoon that you can't imagine that the dog and monkey will become friends for many years with multi-camera. This is an edited work created by a prestigious artist who has generously used each and every shot to create a spectacular scene. Live at Giants Stadium, East Rutherford, NJ, USA 26th June 1988 AMAZING SHOT!!! Disc 1(57:23) 1. A.F.U. (Naturally Wired) 2. Summer Nights 3. There's Only One Way To Rock 4. Panama 5. Bass Solo 6. Runnin' With The Devil 7. Why Can't This Be Love 8. Mine All Mine 9. Drum Solo 10. You Really Got Me 11. Sucker In A 3 Piece 12. When It's Love Disc 2(58: 55) 1. Eagles Fly 2. I Can't Drive 55 3. Best Of Both Worlds 4. Eddie Guitar Solo 5. Black And Blue 6. Ain't Talkin' 'Bout Love 7. Superstition 8. Rock 'n Roll 9 . Extras (Video Equipments, MTV Special) Sammy Hagar - Vocals, Guitar Eddie Van Halen - Guitar Michael Anthony - Bass Alex Van Halen - Drums PRO-SHOT COLOR NTSC Approx.116min.
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