U2 in the "ALL THAT YOU CAN'T LEAVE BEHIND" era, who swept the Grammy Awards and reigned as the leader of the scene. A new excavation of the superb IEM album of the "ELEVATION Tour", which overwhelmed the whole world with the spectacle of the century. This work permanently preserves the "Cologne performance on July 12, 2001". This is the in-ear monitor intercepted sound source. Speaking of the "ELEVATION Tour", the two official video works "ELEVATION 2001: LIVE FROM BOSTON" and "U2 GO HOME: LIVE FROM SLANE CASTLE, IRELAND" are symbols, but of course this work is a different performance. First, let's take a bird's-eye view of the activities at that time and check the positional relationship of each. 2001: “ELEVATION Tour” March 24-June 22: North America #1 (50 performances) ←※ Official ELEVATION 2001 July 6-August 8: Europe (20 performances) ←★ Here ★ August 11-September 1: UK (12 performances) ←※ Official U2 GO HOME October 10-December 2: North America #2 (30 performances) This is the whole picture of the “ELEVATION Tour”. The Cologne performance of this work was the fifth concert of the “Europe” leg, which is the continental Europe edition. This work is like a link between two official videos, but the quality is also superb. Our shop has delivered many press masterpieces after receiving training from overseas U2 researchers, and this is the latest work. The exposed core unique to in-ear monitors is vivid, and the sense of separation is also tremendous. You can enjoy the intense synchronization of each sound that the four people spin, as if it were engraved in the wrinkles of your brain. It is also surprisingly like a work. The IEM sound source is not for viewing, but rather for the on-site staff to proceed with the show. Therefore, it is not unnatural mix that emphasizes the timing of the entry, and it is not uncommon to hear the staff's instructions. In fact, there are some instructions from the staff in this work, but it is unusually few for an IEM. And what's more, it is the glossiness and mix balance that does not cut off the sound. Although it is too raw to call it official grade, it is musically neat and the cheers between songs feel natural. Rather, it is a live album that is as satisfying to listen to as a live FM radio broadcast. Such a real and beautiful IEM sound depicts the full show of the "ELEVATION Tour", which is similar to both the official works. Let's organize it here by comparing it with both "ELEVATION 2001" and "U2 GO HOME". All That You Can't Leave Behind (7 songs)・Elevation/Beautiful Day/Kite/New York(*)/Stuck In A Moment You Can't Get Out Of/In A Little While(*)/Walk On 90s (13 songs)・Joshua Tree: Where the Streets Have No Name/Bullet The Blue Sky/With or Without You・Actung Baby: Until The End Of The World/Mysterious Ways(★)/The Fly(*)/One(★)・Others: New Year's Day(★)/I Will Follow(*)/Sunday Bloody Sunday/Desire/Stay (Faraway, So Close!)(*)/Bad(*) *Note: The "★" mark indicates the official work "ELEVATION 2001: LIVE FROM BOSTON", and the "*" mark indicates "U2 GO HOME: LIVE FROM SLANE CASTLE, Songs that could not be heard at "IRELAND". ...And so it is. The composition based on "ALL THAT YOU CAN'T LEAVE BEHIND" remains the same, but the distribution balance and selection have changed. Just like the schedule, it was a set that was between the two official works. Among them, "In A Little While" is particularly striking. In fact, the day before this show, Dutch musician/painter Herman Brood jumped off the roof of a hotel and committed suicide. This song is dedicated to the news of the suicide. Also, speaking of U2's live performances, the various snippets of famous songs that are freely inserted are also delicious. The above are only the main songs, but there were a variety of snippets on this day, and "Hawkmoon 269" and "Running to Stand Still" inserted between "Desire" were especially valuable. The former "Hawkmoon 269" was a surprise since December 1989, and the latter "Running to Stand Still" was a surprise since December 1993. This is a superb IEM album that can be said to be the continental European edition that connects the official "ELEVATION 2001" and "U2 GO HOME". 2CDs that permanently preserve the treasure master that only a core researcher could know. IEM intercepted sound source of "Cologne performance on July 12, 2001". A superb master trained by overseas U2 researchers, the raw core unique to IEM is also vivid and the sense of separation is also tremendous. You can enjoy the fierce synchronization that each sound spun by the four people is engraved in the wrinkles of the brain. The glossiness that does not cut off throughout the whole story, the well-organized mix, the natural cheers... There are no defects that tend to occur in IEMs, and it is a full live album that can be said to be the continental European edition that connects the official "ELEVATION 2001" and "U2 GO HOME". Koelnarena, Cologne, Germany 12th July 2001 IEM(from Original Masters) Disc:1 (63:20) 1. Intro. 2. Elevation 3. Beautiful Day 4. Until the End of the World 5. New Year's Day 6. Kite 7. New York 8. I Will Follow 9. Sunday Bloody Sunday / Get Up Stand Up 10. In My Life / Stuck in a Moment You Can't Get Out Of 11. In a Little While 12. Band Introductions 13. Desire (with "Hawkmoon 269" and "Running to Stand Still" snippets) Disc:2 (63:46) 1. Stay 2. Bad (with "40" and "Wild Horses" snippets) 3. Where the Streets Have No Name 4. Mysterious Ways (with "Sexual Healing") (Marvin Gaye) snippet) 5. The Fly 6. Bullet the Blue Sky 7. With or Without You 8. One 9. Walk On
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