Welcome, look! It's fine even if you aren't interested. It's free to read anyway, so please join us for a while. After all, this is the place for that TWISTED SISTER. That is also a performance in Japan. Yes, TWISTED SISTER is often thought of as a one-hit wonder who is colorful, ridiculous, and We're Not Gonna Take It. No, I have no intention of preaching that this is a misunderstanding. Whether it's a misunderstanding or a prejudice, it's okay to have plenty of them. Even on top of that, this is the best live album that will blow your brain away with pleasure! ...I'm sorry for suddenly going crazy. However, the reason why I went crazy was not because of the summer heat, but because this one was a real scorching record. Bakanori may be difficult to read, so I'll introduce it to you with a calm head... Now, as mentioned earlier, this work is TWISTED SISTER's Live in Japan. It is also a scorching live album by Kinney’s world premiere original master. Last year as well, the masterpiece recording "COME OUT AND PLAY IN NOTTINGHAM (ZODIAC 129)" by the famous British taper "Crazy S." was very popular, but this time it is a Japanese Kinney recording. Of course, what was recorded was TWISTED SISTER's first and only performance in Japan. It is also the best audience album of the first day “March 1, 1985: NHK Hall Performance”. Now, let's check out all the performances that TWISTED SISTER held in Japan. ・March 1, 1985: Tokyo NHK Hall [This work] ・March 2, 1985: Osaka Festival Hall ・March 3, 1985: Nagoya City Public Hall A total of 3 performances. These are the three live performances that TWISTED SISTER, who left their name in heavy metal history and are still active today, have held in Japan. This first day was introduced in “STAY HUNGRY IN TOKYO”, but this work is a completely different recording. I'll write it twice because it's important, but it is the "world's first Kinney recording." Also, there was nothing written on the cassette index, and until I played it, I couldn't tell who was performing or what performance. It was truly an accidental discovery and a miraculous encounter. Moreover, the sound that came out when played was amazing. It's called Kinney Magic, but while clearly suppressing the furious heavy metal of TWISTED SISTER, the enthusiasm and heat of the scene are vacuum-packed. I don't know the recording position, but the balance is wonderful anyway. It is filled with screaming-like enthusiasm, but the musical sound that overwhelms the audience approaches with great force without cracking. While each instrument makes a clear statement, the vocals are even bolder. The perfect score for clarity is a given, and the inequality of "vocal > performance > large chorus" is superb. When written like this, it seems like an official live album, but since it is an audience recording, there is no artificial mix feeling, and it is a live album with scorching air blowing out of the speakers. That enthusiasm could only exist in “1985.” At the beginning, they are waiting for the band to appear with perfect clapping, just like at an idol concert, but as soon as the performance begins, screams echo in response to the ferocious performance. I wrote earlier that it was ``scream-like'', but of course there are female screams, but there are also deep bastard voices mixed in. “Stay Hungry” hits the fast track with a mixture of “Oooh!” and “Kyaaaa!!”. Such enthusiasm is amazing even in the MC who is caught in the key points. He seems to be a veteran who has had a difficult 10 years since his debut, and he has the exclusive ability to provoke the customers. He may choose to use simple English, but even though English is difficult to communicate in Japan, he is furious. For "I Wanna Rock," the audience seats were illuminated with lighting and a nomination contest was held for "Stand up there!" When we hear shouts of "I wanna!", "Rock!!", and "Stand Up!!!", we are in a trance-like state, as if it were a revolutionary speech or a televangelist's Hallelujah sermon. Apparently, a certain music critic was also present on this day... Of course, the performances are also authentic and authentic. If you think that the fast with plenty of sharpness is scorching, the mid is also a metal heaven with full majesty. After all, their essence is JUDAS It's a dramatic heavy metal that even approaches PRIEST, and in an interview when he came to Japan, he said, ``Do you remember RAINBOW? They were the best when Ronnie Dio and Cozy Powell were around!'' and ``I couldn't play an instrument, so I composed music with a whistle.'' In my head, I can play the guitar like Michael Schenker and play the drums like Cozy.'' I keep hearing comments that make me want to have a drink with him. Although he was born and raised in America, he is a metal guy who has been baptized with "British rock" like us. The excitement of experiencing Asia for the first time was on full display as they exploded with rock'n'roll. ...Ah, it's no good anymore. Can't maintain character. No, it's really amazing. Really. Maybe you only know "We're Not Gonna Take It." That's okay though. I don't mind. If only for a moment, please listen to "We're Not Gonna Take It" from this album. A ridiculously wild band, Dee's vocals with strong vibrato while screaming, and a huge chorus that filled the NHK Hall. We often hear phrases such as ``hotness like flames'' and ``excitement that blows away the roof'', but have you ever really heard such enthusiasm? I once thought, ``It's really not on fire lol'' and ``The ceiling is going to fly off lol.'' This work has that feeling. While shouting, screaming, and making a lot of noise, the catchy melody and song never fail. It goes crazy and furious. Such concerts are clogged with jams. I'm sorry for repeating "awesome" and "hot", but I've never heard a live album this hot and dangerous. Because it's 1985, because it's my first time in Japan, because it's TWISTED SISTER, because it's a live album, because it's an audience recording, and because it's a Kinney recording. This is a super masterpiece that has great quality and allows you to enjoy an explosively passionate live performance. I have attended countless live shows by countless bands, but there has never been a more passionate performance in Japan than this one. "We're Not Gonna Take It All I Know"? OK, fine. No problem! If you want to hear and experience rock that is super hot, the best, and the most amazing, then this is the only way to go. Live at NHK Hall, Tokyo, Japan 1st March 1985 TRULY PERFECT SOUND(from Original Masters) (72:52) 1. It's A Long Way To The Top (If You Wanna Rock 'n' Roll) 2. Stay Hungry 3. The Kids Are Back 4. Under The Blade 5. MC 6. The Beast 7. Like Knife In The Back 8. You Can't Stop Rock 'n' Roll 9. MC 10. Shoot 'Em Down 11. We're Gonna Make It 12. MC 13. Burn In Hell 14. Drum Solo 15. We're Not Gonna Take It 16. I Wanna Rock 17. Member Introduction 18. The Price 19. S.M.F. 20. Encore & MC 21. I Am (I'm Me) Dee Snider - Vocal Eddie Ojeda - Guitar Jay Jay French - Guitar Mark Mendoza – Bass A. J. Pero – Drum
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