From the European tour that was held from August to September in 1972 with 17 performances in 10 countries, all songs are recorded in high-quality stereo audience recording of the 3rd performance in Brussels on August 16th. A direct recording of the authentic master tape version received from the European master tape holder who provided the sound source for "Summertime Mods" released on the "Killing Floor" label more than 10 years ago. This Brussels performance is highly rated as the best record in terms of quality and length of recording time on the 1972 tour. Although the sound quality is not perfect, as the high range is slightly rough, the scale and amount of information are excellent for a recording from the audience seats of this era, making this a must-have sound source for fans and collectors. There is no doubt that there is. This time, by using a time-honored master, you can confirm a definite difference in the clarity and freshness of the sound, and fans are excited about the upper version of "Brussels 1972" that has recently appeared, and it is also historically very It will be an important work. The first appearance is a 5-second intermediate instrumental jam part from 5:35 to 5.41 of Won't Get Fooled Again and 1:43 to 1:47 of Naked Eye, where Roger sings "Must be something wrong". It is 4 seconds long, and although it is short, it is an important part that can prove this master version. Furthermore, the cheering part at the end of the concert is recorded nearly 1 minute longer than the previously released version. The set for this period basically follows the previous year, but Substitute and Amazing Journey have been dropped, making the content a little shorter overall. After the first song, I Can't Explain, Shakin' All Over was played instead of the usual Substitute. Shakin' All Over is played in the second song only on the second day in Hamburg and on this day, and from the next day's Amsterdam performance, this position is Summertime Blues as well as the first day in Frankfurt. However, the performance of Shakin' All Over, which is performed as the second song, has a strong groove, and it fits perfectly in this position, and especially from its wild play, you can feel that the band is doing well. In the third song, Roger calls "My Wife!", but Pete makes a playful MC saying "Watch this foot! This foot here!", and Keith plays the drums along with it. After the song starts, the number of phrases becomes questionable (1:10), but the performance is truly dynamic, and in the second half, Pete plays an intense long solo. Keith's thunderous drumming is incredibly powerful, and as the song unfolds one after the other, you can enjoy the moment when WHO's charm as a live band explodes with a truly realistic sound. Following the straightforward performance of Summertime Blues, Baba O'Riley played synchronized synths. After the song, Pete said, ``We haven't played here since 1966, and it's still a boring place! The last time we played here was in a tent. Has anyone seen it?'' Is it you? I guess so,” the MC says playfully, but what follows is a moving and dynamic performance. Bargain, where you can listen to powerful performances, will be removed from the set after the 1972 tour. Won't Get Fooled Again has a cut at 5:37 in the previous release, and then the middle part of the synth suddenly changes from the cut at 5:40 (4 seconds), but in the main version, it cuts at 5:33. There is a cut, and from the cut at 5:41 it also becomes a synth, but as you can see from the time data, this is a recording of 8 seconds during that time, which is actually a little less than 5 seconds longer than the previous episode. Magic Bus is a 14-minute long performance, including Pete's ever-changing solo, making it the biggest listening point of the entire album. Keith's introductory MC for Relay, which was only played during this period after entering Disc 2, was funny and said, ``This is a song that will be included in the next album, and it features a synth that Pete wrote.It's called a tape recorder.'' , by the cheapest member of the group. He doesn't get drunk after all." Relay's experimental performance full of intense chaos and vibrations is also worth listening to. Pinball Wizard pauses for a moment with the guitar intro, then immediately starts playing. See Me, Feel Me allows you to enjoy a moving masterpiece. After the performance, thunderous applause erupts from the audience seats. With Pete's light introduction, My Generation is played with full force, and in the second half of the song, you can experience the dynamic excitement. The following Sparks is a rare number from this year that was only confirmed to be played at three performances on the 1972 tour: Hamburg the day before and Copenhagen the day after. The song is a medley of Naked Eye. The previous release has a cut along with noise at 1:43, but this version has a cut at the same location, but the loss is short and you can listen to Roger's first appearance part singing "Must be something wrong". The last number Long Live Rock is also completely recorded, and the sound quality and sound image are unwavering until the end. After the performance ends, the previously released version fades out with clapping for an encore for about 40 seconds, but this version captures the end of the performance for 1 minute and 35 seconds, which is nearly 1 minute longer than that. The audience's endless applause and the audience's reaction to the end of the concert are clearly recorded to the end! Although this part has nothing to do with WHO's performance, it is extremely important as a document. Live at Forest National, Brussels, Belgium 16th August 1972 TRULY AMAZING SOUND(from Original Masters) Disc 1 1. Intro. 2. I Can't Explain 3. Shakin' All Over 4. My Wife 5. Summertime Blues 6. Baba O 'Riley 7. Behind Blue Eyes 8. Bargain 9. Won't Get Fooled Again 10. Magic Bus Disc 2 1. MC 2. Relay 3. Pinball Wizard 4. See Me Feel Me 5. My Generation 6. Sparks 7. Naked Eye 8. Long Live Rock Roger Daltrey - Vocals, Harmonica Pete Townshend - Guitar, Vocals John Entwistle - Bass, Vocals Keith Moon - Drums, Vocals
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