TEDESCHI TRUCKS is shocking with ``LAYLA REVISITED (LIVE AT LOCKN'),'' a modern revival of the famous album ``Layla Layla.'' A superb live album that conveys the latest tour “FIRESIDE LIVE” is now available. What is infused into this work is “Elmer performance on July 18, 2021.” That's the best audience recording...maybe. No, actually it should be a guest list. It is a master released by the recorder himself, and it is clearly stated that the famous machine "Schoeps mk41v" was used. However, the sounds that came out filled my head with questions like, “Where is this audience?” I have always tried to convey the sound quality in various aspects such as the thickness of the core, the closeness of the core, the fineness of the details, and the timbre, but in this work, all of these can only be heard on the sound board. It is also on a different level from the leaked masters and broadcast air checks that are common. If you've been paying attention to this article, you've probably experienced "LAYLA REVISITED," but even if you play it side by side with that latest official work, it doesn't sound any worse...or should I say, which one did you play? You won't know if it's there or not. The extremely rare ``audience that surpasses the official version'' is often the case when the official work that is being compared is a bad record. However, "LAYLA REVISITED" is not like that. The sound quality was of the highest quality even by modern official standards, as if to say, ``We must not tarnish the name of our predecessor's historical masterpiece.'' An audience recording comparable to such a “modern great masterpiece”…could such a thing actually happen? Even at this moment when I'm listening to it through headphones and writing nonsense, it doesn't feel like reality. Because the sound is so strange, Guess's hunch that "it's actually an old sound board" crosses my mind, but the contents of the latest show, which is the most important point, deny it with all my might. Currently, they have just begun vigorous touring activities, as if to stay ahead of the scene that is recovering from the coronavirus pandemic. Let's check the show's position from the schedule to get a feel for the current situation. 2021・February 18th - March 25th: North America #1 (6 performances) ・June 11th - July 14th: North America #2a (22 performances)《July 16th “LAYLA REVISITED (LIVE AT LOCKN)” ')'' released》・July 16th-August 29th: North America #2b (21 performances)←★Coco★・September 17th-October 22nd: North America #3 (10 performances)・November 10th -20th: North America #4 (7 performances) June 24th, 2022 - July 30th: North America #5 (21 performances) This is the schedule for 2021/2022 that has been announced so far. "North America #1" was just getting used to once a week, but from "North America #2" in June, it will finally start in earnest. The Elmer performance of this work was the third concert of “North America #2b”, which was two days after the release of the new work “LAYLA REVISITED”. And speaking of TEDESCHI TRUCKS, the set list changes from one performance to the next. Let's organize the contents as well. Original (8 songs + α)・Revelator: Midnight in Harlem・Made Up Mind: Don't Drift Away/Do I Look Worried/Part Of Me/Made Up Mind・Let Me Get By: I Want More (Soul Sacrifice)/Let Me Get By・Others: Just Won't Burn (Susan Tedeschi) cover (7 songs + α)・DEREK AND THE DOMINOS: Bell Bottom Blues/Why Does Love Got To Be So Sad?・Others: Life Is Crazy (Mike Mattison) / Little By Little (Junior Wells) / Had To Cry Today (BLIND FAITH) / Gin House Blues (Bessie Smith) / Angel from Montgomery / Sugaree (John Primm / Jerry Garcia) ...and it looks like this. The "+α" indicates that it is a medley, and "Angel from Montgomery/Sugaree", which combines classic songs by John Primm and Jerry Garcia, is well-known, and the original "I Want More" is well-known. ” SANTANA's “Soul Sacrifice” also appears. Anyway, as always, the variety of cover songs is so delicious. "Little By Little" and "Angel from Montgomery", which were included in Susan's album "JUST WON'T BURN", and "Bell Bottom Blues" and "Why Does" by DEREK AND THE DOMINOS, perhaps in conjunction with the release of "LAYLA REVISITED" “Love Got To Be So Sad?” is also shown, but even more valuable is Bessie Smith’s “Gin House Blues.” It's a song I only started picking up this year, and I can only count the number of times I've played it on one hand. In addition to the splendor of its performance, as long as this song exists, it is definitely the latest live performance. And what's even more disappointing is the MC before "Angel from Montgomery." ``It's been a really crazy year and a half. It's great to see you again. How many of you have been to live music for the first time?'' Susan says, filled with joy. This work is filled with singing voices that are fresher and full of passion than usual, and these words are the reason. A new level of sound quality that rivals the latest official work and a valuable new cover song. It's a special live album in itself, but it's also a dazzling new masterpiece that includes an enthusiastic performance filled with the joy and freedom of overcoming the new coronavirus pandemic. A transcendent audience recording of the one and only miracle record “July 18, 2021 Elmer Performance” that embodies the “cutting edge of 2021” in every sense. The sound quality used by the famous "Schoeps mk41v" is shocking, as it does not feel out of place even when played alternately with the latest official work. Not only can you enjoy the latest show full of freedom and joy, such as Bessie Smith's rare cover "Gin House Blues" and an MC who has overcome the new coronavirus pandemic, but you can also experience a different dimension of being a "completely official audience". This is a miraculous live album. Appel Farm Arts & Music Center, Elmer, NJ, USA 18th July 2021 ULTIMATE SOUND Disc 1 (49:47) 1. Don't Drift Away 2. Do I Look Worried 3. Bell Bottom Blues 4. Why Does Love Got To Be So Sad 5. Life Is Crazy 6. Part Of Me 7. Little By Little 8. Just Wont Burn Disc 2 (67:33) 1. Had To Cry Today 2. Gin House Blues 3. Midnight In Harlem 4. Made Up Mind 5. MC 6. Angel from Montgomery / Sugaree 7. I Want More / Soul Sacrifice 8. Let Me Get By Susan Tedeschi - Guitar, Vocals Derek Trucks - Guitar Tyler Greenwell - Drums Mike Mattison - Vocals, Percussion, Acoustic Guitar Brandon Boone - Bass Gabe Dixon - Keyboards, Organ, Vocals
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