Taylor Swift came to Japan for a one-night performance for the first time in three years in 2014. An original video that allows you to fully experience the performance will be released. This work was filmed at the Saitama Super Arena performance on June 1, 2014. This is a masterpiece audience recording. The original master was given to us by the photographer himself, and the quality is superb. Although the angle is a little uneasy to follow Taylor in detail, the image quality and color are truly stunning. The view of the vast audience seats, like a starry sky, is impressive, but the vibrant dresses, the flying dancers, the fantasy world of Disney, the eye-catching quick changes, and the coolness of Taylor holding the banjo! In particular, the scene where he cuts through the audience seats and moves across the stage is spectacular. This is a video work that allows you to see and witness all of that. The sound is just as beautiful as the visuals...no, it's even better. The photographer of this work is originally a master of recording, and he synchronized the superb audience recording recorded at the same time. Moreover, this recording was a big hit as the press masterpiece "ONE RED NIGHT". It is not just high quality, but a beautiful recording that has even been called "moving sound". The extremely thick core that would have been picked up directly near the PA is wonderful, and it is clear that not only the singing voice, guitar, and rhythm section, but even the low tones of the synth are shaking the floor. Even those who are completely unfamiliar with the culture of "audience recording" will not feel any discomfort at all. While boasting such high sound quality, this work is also packed with plenty of on-site dynamism that can never be experienced in broadcasts or official recordings. To give one example, the cheers that make you feel the spacious space of a super arena. It's not that the screams are roaring at a loud volume. The three-dimensional effect is amazing. Taylor's appearance is followed by a female voice cheering, but the scale is just so wide! The cheers of the audience who are probably in Taylor's line of sight and pointing to it rise up all over the place. The enthusiasm sounds like distant ripples, sometimes boiling up close, and finally engulfing you in a storm. Even in the midst of all this, the music and voices pick up the direct sound from the PA, and just listening to the sound, which is perfectly linked with the cheers, brings to mind Taylor's performance. The gentle singing voice that reverberates in the spacious space is also wonderful. Her voice, emitted by the core PA sound, spreads throughout the space, and the reverberation reaches each person... this balance is exquisite. Such unparalleled beautiful sound depicts the full show of the Japanese version of the "RED Tour", which ended in a one-off encounter. Since this is a good opportunity, let's organize the set here. RED (8 songs) State Of Grace / Holy Ground / Red / The Lucky One / 22 / I Knew You Were Trouble / All Too Well / We Are Never Ever Getting Back Together Others (5 songs) FEARLESS: You Belong With Me (★) / Love Story SPEAK NOW: Mean / Mine (★) / Sparks Fly *Note: ★ indicates an acoustic set. ...And so it goes like this. The set, which featured about half of the new album "RED" at the time, was only possible at that time. It's a show that is regrettable that the Japan performance was only for one day. And more moving than the set is Taylor's singing voice and personality. In addition to the Japanese MC that he must have learned for just one live performance, he also spoke to the English MC as if he was savoring every word. There was no arrogance in thinking "It's enough if only those who understand it understand," and the feeling that "I want everyone who came to enjoy it" was conveyed honestly, making the happy and heartwarming masterpieces shine even more. Such gorgeous pop songs are fun, but her simple charm and the charm of the recording shine even more in the songs that show the true face of the country singer. "Red" and "Mean", as well as the acoustic set that is performed in the middle of the show. Here, they move from the main stage to the B stage, and the musical sounds become a little distant. It's a point that could be a drawback from an acoustic point of view, but it's good. The stage is created with a realistic three-dimensional effect, and the sound of the guitar resonates far away with the increased echo content. Quiet, warm, but dignified singing voice. The spreading echo mixes with the modest chorus that is typical of Japanese people and melts into one... It's a moment that tightens the chest without being particularly dramatic. We move back to the main stage with the moving "Sparks Fly", but there is a frenzy that "She's back in front of me!" again. Although the squeals can be irritating at times, because we are also captivated by the music and singing voice, the enthusiasm and even the excitement become a part of the performance. Although there were many appearances on music programs, the Japanese version of the "RED Tour" only had one stage. This is a masterpiece that allows you to experience the whole story. This is a treasured video only available in this work, given by the photographer. Audience video has been released that allows you to witness the RED Tour's Japan performance, which was only for one night. This is an original video only available in this work, and the audio is synchronized with the superb sound of the masterpiece "ONE RED NIGHT". You can fully experience the precious show. Live at Saitama Super Arena, Saitama, Japan 1st June 2014 AMAZING SHOT!!!★Perfect sound is synchronized. This is amazing. (84:51) 1. Intro 2. State Of Grace 3. Holy Ground 4. Red Intro 5. Red 6. Interlude 7. The Lucky One 8. MC / Mean Intro 9. Mean 10. Interlude 11. 22 12. Mine 13. You Belong With Me 14. Sparks Fly 15. Interlude 16. I Knew You Were Trouble 17. All Too Well Intro 18 . All Too Well 19. Interlude 20. Love Story Encore 21. Interlude 22. We Are Never Ever Getting Back Together COLOUR NTSC Approx.85min.
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