TALKING HEADS returned to Japan in 1981 with the historic masterpiece "REMAIN IN LIGHT" and was accompanied by Adrian Belew. A new excavated original recording that conveys the scene is now available. This work is infused with "February 28, 1981: Nippon Seinenkan (Night Club)". It is the super best audience recording. Speaking of coming to Japan in 1981, the FM broadcast sound board has become a symbol, and the highest peak version “TOKYO 1981 2ND NIGHT” reigns as a classic. Of course, this work is a completely different performance, but first let's check each other's positions from the schedule at that time.・February 23rd: Osaka Festival Hall ・February 25th: Nagoya Welfare Pension Center ・February 26th: Shibuya Public Hall ・February 27th “TOKYO 1981 2ND NIGHT (Nakano)” ・February 28th: Japan Youth Center (Daytime session) February 28th: Nippon Seinenkan (Evening session) ←★This work★ Total of 6 performances. The last four performances will be held in Tokyo, and two performances will be held in one day at Nippon Seinenkan on the final day. This work is a live album of “Night Club”, which became a genuine Japan tour performance among them. This work recorded on such a stage is the best audience with "super". When you listen to it at a glance, the extremely thick core approaches without any sense of distance, making you want to call it "just like a sound board," but that's not all. The sound of the hall that rises like an aura gives luster and dynamism to the core. What's surprising is that even though the sound is thick, the clarity is not impaired at all. All the sounds are great, but if I had to pick one, it would be the bass. The harshness of the attack is sharp, but not only are they connected, but the reverberation also doubles the luster. It is not a ``prayer'' made of rough beads of sound, but a smooth and lustrous ``rope'' like undulating line groove that is very rich. Of course, the base is just an example. Each instrument approaches with an extremely thick sense of "core + ringing," and even when the outlines of each rope are intertwined, they do not blend together. In 1981, even though it was a large household of nine people including support members, you can enjoy the ensemble beautifully. There is a reason why it has such a sound. On this day, there is also the traditional masterpiece “THE NIGHT REMAIN”, but this work is a completely different recording. As you can imagine from the title “DEFINITIVE MASTER”, this work is a new excavation recording by a master taper who is currently a hot topic. This master collection is truly the biggest shock of 2021. Starting from last week's 1980 RAINBOW, 1985 DEEP PURPLE, and 1980/1981 WHITESNAKE have become familiar to HR/HM fans, but they are by no means all metal-based...or should I say, they are originally metal-based. isn't it. In the first place, this master collection first attracted attention because THE POLICE's "BUDOKAN 1981" became a hot topic, saying, "It's better than official!" It turned out to be Jeff Beck's ``YOKOHAMA 1980''. This work is also a masterpiece of such a masterful work... no, it is a new masterpiece that will further increase its reputation. What is depicted with such transcendent sound is a full show that concentrates the "Eno era". As mentioned above, there is also a symbolic FM sound board that came to Japan in 1981, but it is an incomplete version that fits the broadcasting frame. On the other hand, this work is a one-shot recording unique to audience recording. Let's organize it here by comparing it with "TOKYO 1981 2ND NIGHT".・Psycho Killer '77 (1 song): Psycho Killer ・More Songs (3 songs): Warning Sign (★) / Stay Hungry / Take Me To The River (★) ・Fear of Music (5 songs): Cities/I Zimbra (★)/Drugs/Animals (★)/Life During Wartime ・Remain in Light (5 songs): Once In A Lifetime/Houses In Motion/Born Under Punches (The Heat Goes On)/Crosseyed And Painless/The Great Curve *Note: Songs marked with “★” cannot be heard on the iconic soundboard album “TOKYO 1981 2ND NIGHT”. ...and it looks like this. "I Zimbra", which became a hot topic by introducing African funk, was also performed, but what is more than that is the total world view. The opening is the deadly “Psycho Killer”, but other than that it consists only of numbers from the three Eno-produced works. Of course, the repertoire of "MORE SONGS ABOUT BUILDINGS AND FOOD" and "FEAR OF MUSIC" has been updated with a nine-person ensemble including Brew, as well as "Drugs," "Animals," "Born Under Punches (The Heat Goes On)," and "The Heat Goes On." There are plenty of rare songs such as "Great Curve". It is a show that brings together Eno's trilogy and creates a world. Although it is a live album that brings back special memories for us Japanese people, the true value of this work is far from that. A huge picture scroll that condenses the era of Brian Eno into about 93 minutes and dyes it with a new ensemble and superb sound. This is a two-disc set that allows you to experience the best full show in 1981, which was not possible with the sound board album that was a symbol of the era. A new masterpiece from Japan that is world-class. Super best audience recording of "February 28, 1981: Nippon Seinenkan (Night Club)". The extremely thick core is approaching without any sense of distance. The hall sound that rises like an aura gives luster and dynamism to the core, and the clarity is not impaired at all. Each instrument has a very thick core and sound, and even when the outlines of each rope are intertwined, they do not blend together. In 1981, even though it was a large household of 9 people including support members, you can enjoy the ensemble beautifully. You can also enjoy plenty of “Warning Sign,” “Take Me To The River,” “I Zimbra,” and “Animals,” which cannot be heard on the iconic soundboard “TOKYO 1981 2ND NIGHT.” Live at Nippon Seinenkan, Tokyo, Japan 28th February 1981 Evening Show TRULY PERFECT SOUND(from Original Masters) Disc 1 (39:14) 1． Intro. 2. Psycho Killer 3. Warning Sign 4. Stay Hungry 5. Cities 6. Band Introductions 7. I Zimbra 8. Drugs 9. Once In A Lifetime Disc 2 (53:51) 1. Animals 2. Houses In Motion 3 Born Under Punches 4. Crosseyed And Painless 5. Life During Wartime 6. Take Me To The River 7. The Great Curve David Byrne - Guitar and Vocals Tina Weymouth - Bass Chris Frantz - Drums Jerry Harrison - Guitar and Keyboards Dollette MacDonald - Vocals Busta Jones - Bass Steven Scales - Percussion Bernie Worell - Keyboards Adrian Belew - Guitar
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