In 1990, Suzanne Vega stepped into an even deeper world with her ambitious work ``DAYS OF OPEN HAND''. A shocking video that allows you to experience the spectacular view of that stage is now available. This work was filmed at the Munich performance on December 16, 1990. This is the best audience shot that allows you to witness the whole story...just in case. “Just in case” is definitely an audience shot, but the quality is so amazing that you can’t help but want to put it that way. It's such a superb video that you can just say, ``This is a one-camera professional shot.'' Before such transcendent quality, first of all is the show position. Let's take a look back at the tour schedule around the world after the release of "DAYS OF OPEN HAND". [“DAYS OF OPEN HAND” released on April 10th]・April 14th – June 2nd: Europe #1 (33 performances)・June 8th – July 11th: North America #1 (9 performances)・September 15th-October 12th: North America #2 (3 performances), November 2nd-25th: Europe #2 (11 performances), December 13th-16th: Europe #3 (4 performances)← ★Here★ This is Suzanne Vega in 1990. They have been performing live more energetically in Europe than in their home country of the United States, with the main focus being England and Germany. The Munich performance of this work was a concert that corresponded to the final stage of the tour, “Europe #3.” Now, onto the main topic. This work recorded at such a show is a superb audience shot that will truly blow your mind. The first 45 seconds are static images, and even when the footage comes in, it's so shaky that for a moment I think, ``This is not good...'' but it's actually outrageous. It started to stabilize in the middle of the first song “Rusted Pipe”, and by the time the second song “Tired Of Sleeping” started, a great scene was spreading. Screen captures are also posted on the right, but Suzanne is super close up! In fact, there were so many close-ups that I couldn't see the audience and couldn't even make out the shooting position. The angle is slightly to the left of the stage, and the height is almost the same as Suzanne's line of sight...combining both of these, it seems like the left side stand seat? I think so... Honestly, when you look at the beautiful zoom glass that clearly shows the swaying hair and each guitar string in your hand, it's hard to tell it's a stand-up seat. Putting aside the truth of the position, the beauty of the footage, which looks like a one-camera professional shot taken by a camera set up at the venue, is an unmistakable reality. What makes the video even more amazing is the sound. Anyway, super clear and close contact. It can be seen that it is an audience recording from the lively applause that rises between songs, but the outline with no distance element and the strong core are outside the audience's common sense. Although there may be slight distortion at the peaks of the drum hits, the beautiful separation and slight graininess of the synth are of the official quality, and above all, Suzanne's vocals are amazing. Not only each word of the lyrics, but even the nuance of each word is clear and detailed, and the singing voice whispers in your ears at a sighing level that makes you think, "This is a customer record!?" What is portrayed with such quality is the world of her first-class music, which she has accumulated over three albums. Here Street Corner Poetry (7 songs)・Straight Lines/Marlene On The Wall/Some Journey/Freeze Tag/Neighborhood Girls/Undertow/The Queen And The Soldier Solitude (alone) (6 songs)・Ironbound/Fancy Poultry/Luka/ Solitude Standing／Tom's Diner／Wooden Horse (Caspar Hauser's Song)／Gypsy Dream Spinning (8 songs)・Rusted Pipe／Tired Of Sleeping／Room Off The Street／Those Whole Girls (Run In Grace)／Pilgrimage／Institution Green／ Book Of Dreams/Men In A War Others・The Wallaby Song/Left Of Center...and so on. Focusing on his latest works ``Yume-spun'' and ``Street Corner Poetry'', he concentrated and reduced the first three works. Dance beats and industrial music will be introduced in the next work, but before that, the unique world that has been completed will be depicted. You can see plenty of valuable repertoire that is not often played after that, such as "Rusted Pipe", "Those Whole Girls (Run In Grace)", "Institution Green", and "Book Of Dreams". And something a little more interesting is "Tom's Diner". She sings with only the audience's clapping and scatting in the background, but halfway through she forgets the lyrics. The song stops with a feeling of "Huh? What is that..." and struggles with the snarky lyrics. Normally, the song itself would be so clunky that it would fall apart, but the audience couldn't stop clapping because of the song itself, and the cute, troubled faces and spontaneity of the mood were so heartwarming that it was a huge hit. Even if it's a major representative song, I sometimes forget it.) In any case, the exquisite visual beauty and sound make you want to line up the "super" one after another. This is a masterpiece of video that allows you to experience Suzanne's musical world with such quality. A full show in 1990 that took the world by storm with numerous hit songs and then stepped into an even more profound world. Deutsches Museum, Munich, Germany 16th December 1990 AMAZING SHOT (107:50) 1. Ansage/Rusted Pipe 2. Tired Of Sleeping 3. Straight Lines 4. Ironbound/Fancy Poultry 5. Marlene On The Wall 6. Some Journey 7. Room Off The Street 8. Freeze Tag 9. Munichs Sexyland 10. Neighborhood Girls 11. Undertow 12. Wallaby Song (Children's Traditional Song) 13. Those Whole Girls (Run In Grace) 14. Pilgrimage 15. Luka 16. Institution Green 17. Left Of Center 18. Solitude Standing 19. Book Of Dreams 20. Men In A War Encore: 21. The Queen And The Soldier 22. Tom's Diner Beat (Lost Words Of The Song) 23. Wooden Horse 24. Gypsy Suzanne Vega - Vocals, Guitar Anton Sanko - Keyboards, Guitar Mark Schulman - Guitar Mike Visceglia - Bass Frank Vellarde - Drums COLOR NTSC Approx.108min.
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