Last year, Steven Tyler had to stop the AEROSMITH tour due to a sudden doctor's stop. He quickly returned to the stage, but that didn't stop him. He also went on a solo tour despite the original AEROSMITH being on hiatus. Far from being anxious, he is working more and more energetically. Here is the latest and best live album where you can meet Steven. This work is engraved with the "June 12, 2018 Lewiston performance". First of all, let's check the position of the show in the 2018 schedule along with the original AEROSMITH. ・January 28: Los Angeles performance ・March 3-April 19: North America #1 (6 performances) {May 5: AEROSMITH New Orleans performance} ・May 12: Nashville performance ・June 12-July 11: North America #2 (8 performances) ←★Here★ ・July 15-August 7: Europe (7 performances) These are Steven's stages that have been announced so far. In May, he appeared at the "NEW ORLEANS JAZZ & HERITAGE FESTIVAL" as AEROSMITH, but the main event was only scheduled for that one time. He is on a solo tour this summer, and this Lewiston performance is the first day of the concert. This work, which records such a restart stage, is of incredible quality. In fact, it is a matrix album that synchronizes two types of superb audience recordings, but the listening experience is "completely soundboard". There is no distance at all for the close contact of the high class, and even when listening with headphones, the venue reverberation cannot be felt. Each instrument is not only super detailed, but also beautifully separated, and the bass line can not be heard, but the fine vibes are so detailed that the waveforms come to mind. As for the vocals, they are just ear-level. Although it is clear that the "Artpark Amphitheater" where the event took place is only outdoors, there is no reverberation, but it is still an amazing sound. In fact, just because it is matrixed does not necessarily mean that it will be of high quality. Combining recordings that are too similar is meaningless, and even if they are different, they will be ruined by their fighting personalities. Combining recordings with complementary personalities and finely adjusting the balance according to the scene... It is not just about collecting good recordings, but also a task that requires tremendous sense. This work can be said to be the pinnacle of that. A sound world of superb quality, without any sense of incongruity, and yet where the recording position is unknown. It is a live album of such a different dimension experience. The show depicted with that quality is also exquisite. Steven made a solo visit to Japan in April last year, and this year he will be backing THE LOVING MARY BAND. The set is also made up of the majority of AEROSMITH's repertoire, but the arrangements that respect the original while also introducing banjo, mandolin, and steel guitar are wonderful. As a band led by Marty Frederiksen, who is also the producer/songwriter of the original AEROSMITH, he has a deep understanding of the songs, and although they are fresh, they are not strange. Moreover, each phrase that each member spins is very tasteful. All members of THE LOVING MARY BAND are composers, and their musical skills and depth are different from other players. Fresh phrases fly around, fit the songs perfectly, and fit the entire ensemble perfectly. This is the best band that ideally depicts "AEROSMITH, but not AEROSMITH". And the main character is Steven. He is now in his 70s, but his singing voice doesn't make you feel his age at all. His slightly husky tone may be different from when he was younger, but his singing voice, which was once said to "resonate from his fingertips," is still alive and well. Above all, his unique scat and groove are in top form, and it's hard to believe that he was put on a doctor's stop last year. Or rather, even if you are healthy and young, you usually feel a sense of uncertainty on the first day of a tour. He doesn't even feel that, and he gives a dignified staging as if he has been touring for months with a professional band. He is a fearsome vocalist and shows off his natural stardom. Nine months after the news that plunged fans into the depths of anxiety last year, the immortal Steven Tyler had no need to worry. This is a CD that lets you experience his latest solo stage, still rocking and energetically at the age of 70, with superb sound. Live at Artpark Amphitheater, Lewiston, New York, USA 12th June 2018 ULTIMATE SOUND Disc 1(38:38) 1. Intro 2. Sweet Emotion 3. Cryin' 4. I'm Down 5. Oh! Darling 6. Come Together 7. MC 8. I'm Sorry 9. Jaded 10. Love Is Your Name 11. Piece of My Heart Disc 2 (52: 20) 1. MC 2. What It Takes 3. We're All Somebody From Somewhere 4. Only Heaven 5. Livin' on the Edge 6. MC 7. My Own Worst Enemy 8. Dream On 9. Train Kept A Rollin' 10. Walk This Way / Whole Lotta Love Steven Tyler - vocal Marty Frederiksen - guitar Andrew Mactaggart - guitar Elisha Hoffman - banjo Rebecca Lynn Howard - bass Suzie McNeil - guitar, piano, harmonica Sarah Tomek - drums Jenee Fleenor – Violin
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