Scorpion Team has returned to Japan for the first time in nine years. The first report is here! LOUD PARK 16's 50-year history as a genuine live band is currently being talked about a lot, but this work is an audience album from the first day "October 6, 2016 ZEPP DIVERCITY TOKYO performance". First of all, let's check out the full details of the performance in Japan after a long time. ・October 6, 2016: Zepp Diver City Tokyo [This work] ・October 8, 2016: Saitama Super Arena ・October 11, 2016: Osaka International Conference Center There are three performances above. Initially, only the LOUD PARK 16 tri-performance was announced, and later solo performances in Tokyo and Osaka were announced. This is a hot recording that will make you feel like the latest steam is rising, as the final performance is in the middle of the moment when this crap is released. What's hot about it is not only the timing, but also this scorching record that has a passionate performance with intense and clear sound. In fact, the person who made this work is a recording artist who is active mainly in Tokyo and Yokohama, and it is a completely original recording made directly from the master given to him by the person himself on CD. This recording artist is a master of many masterpieces, and recently Michael Schenker's 2CD "TOKYO 2016" is still fresh in his memory. Together with that masterpiece recording, it is a live album that can be called the older brother version of the Schenker brothers. The sound is extremely vivid and clear. Apparently it was recorded from the front of the seats on the second floor, and despite the hustle and bustle of the scorching heat on the first floor, the musical sounds coming straight from the stage were captured very beautifully. It became a competition). What was strange was the sense of distance; even though I was seated on the second floor, it didn't feel far away at all, and it sounded frighteningly close. Combined with the tremendous clarity, the sound even feels like IEMs. The only way to offset the sense of distance between positions is with the recording artist's equipment and settings, and this is a masterpiece that shows the work of a master. The Scorpion group, which arrives with such clarity, is also fiercely hot. Klaus Meine's beautiful voice has grown pleasantly without any weakening, and Rudolf Schenker's razor guitar is still as sharp as ever. With that performance, they released one famous song after another that was even called the "HR/HM version of Lennon/McCartney"... There are many veteran bands and artists, but for 50 years they have never disbanded or stopped their activities for a long time, continuing to captivate the world with their live performances. It seems that the way of life of a genuine live band is being hammered home. Furthermore, Mickey Dee's drumming has also been added this time. He is also an iron man who has protected the stool of MOTORHEAD, the incarnation of live music, for 23 years. His predecessor, James Kotak, was also quite skilled, but Mickey's sharpness and power are on a whole other level. He has a fierce presence with just his drumming, and even though he is a new member, it makes you feel like he can't be replaced by anyone else. His presence really shines during “Overkill” and the drum solo in the second half of the show. It goes without saying that this is a cover of MOTORHEAD, but this one is really impressive. Klaus's smooth singing voice is nothing like Lemmy's, but the sharpness of his voice surprisingly matches the SCORPIONS sound. From there, it descends into raging drumming, and its effort and power are exquisite. As expected, this drummer was able to earn the lifelong trust of giant Lemmy Kilmister. This is a masterpiece recording in which such a passionate performance is vivid even to the subtleties, and the sound is so clear that you can even feel the direct connection. Nowadays, every time a veteran comes to Japan, phrases such as ``this may be the last'' are all over the place, but SCORPIONS is a band that once announced their retirement, although they have since withdrawn their plans. Although the possibility of them coming back to Japan is not zero, this is a band that has a very high chance of being their last. A masterpiece that captures that first day with intense clarity. This weekend, please enjoy the "now" that may never be seen again with this work. Live at Zepp DiverCity, Tokyo, Japan 6th October 2016 TRULY PERFECT SOUND(from Original Masters) Disc 1 (54:36) 1. Intro 2. Going Out With a Bang 3. Make It Real 4. The Zoo 5. Coast to Coast 6. Top of the Bill / Steamrock Fever / Speedy's Coming / Catch Your Train 7. We Built This House 8. Delicate Dance 9. Kojo No Tsuki 10. Always Somewhere / Eye of the Storm / Send Me an Angel 11. Wind of Change Disc 2 (47:30) 1. Rock 'n' Roll Band 2. Dynamite 3. Overkill 4. Drum Solo 5. Blackout 6. Big City Nights 7. Still Loving You 8. Rock You Like a Hurricane Klaus Meine - lead vocals Rudolf Schenker - rhythm guitar, backing vocals Matthias Jabs - lead guitar, backing vocals Pawe? M?ciwoda - bass, backing vocals Mikkey Dee - drums
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