Rush Canada 1974 Complete 2Source Edition
Rush Canada 1974 Complete 2Source Edition
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RUSH in 1974, where shocking new discoveries are happening one after another and collectors are watching with enthusiasm. The first live album, which will be the forefront of that, has been decided to be released. This work is recorded in the "Toronto performance on October 24, 1974". It is a treasure audience recording. Speaking of 1974, the biggest turning point was when John Rutsey was replaced by Neil Peart. We have archived as many masterpieces as possible at our shop, so let's start by looking at the overview of the activities at that time and the position of this work.・February 4-23: Canada (8 performances) {RUSH released on March 1st} ・March 18-May 17: Canada #1 (31 performances) ・May 18: East Lansing (first performance in the US) ・May 19-July 25: Canada #2 (38 performances) {July 29: Neil Peart joins} ・August 14-December 22: North America (72 performances) ←★Here★ This is RUSH in 1974. Neil joined at the end of July, and then began his first full-scale US tour. The Toronto performance of this work was also one of those scenes. Now, let's focus on the dates and organize the collection. Details of the "North American" leg: August 14-24 (10 performances) * August 26 "CLEVELAND 1974: PRE-FM MASTER" August 27-October 23 (36 performances) * October 24: Toronto performance ←★This work★ October 25-November 16 (18 performances) * November 19 "SEATTLE 1974" November 20-27 (4 performances) * November 28 "WHISKY A GO GO 1974" December 6-29 (9 performances) The famous soundboard album "CLEVELAND 1974: PRE-FM MASTER" is famous, but this work is an early recording two months later. This show was also a phantom. Its existence had been whispered among core collectors for some time, but it was only recorded in the trade list and was never distributed to the general public. This work is the first appearance recording that conveys such a phantom show. Furthermore, this work is the first appearance and the highest peak update. In fact, there are two types of recordings on this day, and this work is a combination of both. Here, let's summarize the characteristics of the two sources and the composition of this work. Source 1 Mono recording that recorded the entire full show (excluding the opening SE tape). Although it is clear, there is a slight distance in the sound. It is used in the second half of this work (from Here Again to the end). In addition, this part contains many early repertoires such as the limited song "Here Again" only for this tour and the cover of Larry Williams "Bad Boy" that ended without being included in the album. Source 2 About 17 minutes of stereo recording from the SE tape that announces the start of the show to "Anthem" in the middle of the show. It has a more direct feeling than the above "Source 1", and all of it is fully utilized in this work. ... and it is like this. In other words, this work reproduces the full show with "first half = Source 2 / second half = Source 1". Each has plenty of rare listening points. First of all, in the first half "Source 2", the points are the on and powerful sound and "Anthem". It is a masterpiece that represents the early days, but this work is the oldest recording that exists. Of course, I couldn't hear it even on the soundboard masterpiece "CLEVELAND 1974: PRE-FM MASTER". And the highlights of the second half "Source 2" are the clear atmosphere and the rare songs "Here Again" and "Bad Boy". "Here Again" is a limited song that was only played on a limited stage in 1974, and "Bad Boy" is a cover of Larry Williams that was not recorded in the studio after all. In 1974, the giant RUSH had a fateful encounter with Neil Peart and reached the form it should be. This is a newly excavated live album that allows you to experience the dawn of that era on the spot. A must-listen piece that allows you to enjoy the super rare songs that were only available at that time, and even the oldest "Anthem". A treasure audience recording of the "Toronto performance on October 24, 1974". This full live album makes full use of two previously unreleased recordings, the first half (Source 2) is superbly direct, while the second half (Source 1) is thrillingly clear. In addition to the rare tracks "Here Again" and "Bad Boy" that were only available at the time, you can also experience the oldest existing "Anthem" live. Massey Hall, Toronto, Ontario, Canada 24th October 1974 TRULY AMAZING/PERFECT SOUND(2 SOURCE) (50:58) 01 Intro 02 Finding My Way 03 Best I Can 04 In The Mood 05 Anthem *Oldest recording 06 Here Again *1974 exclusive 07 Bad Boy *Cover not included on the album 08 Guitar Solo 09 Working Man 10 Drum Solo 11 What You're Doing Geddy Lee - Bass & Vocals Alex Lifeson - Guitars Neil Peart - Drums
In addition to the rare tracks "Here Again" and "Bad Boy" that were only available at the time, you can also experience the oldest existing "Anthem" live. Massey Hall, Toronto, Ontario, Canada 24th October 1974 TRULY AMAZING/PERFECT SOUND(2 SOURCE) (50:58) 01 Intro 02 Finding My Way 03 Best I Can 04 In The Mood 05 Anthem *Oldest recording 06 Here Again *1974 exclusive 07 Bad Boy *Cover not included on the album 08 Guitar Solo 09 Working Man 10 Drum Solo 11 What You're Doing Geddy Lee - Bass & Vocals Alex Lifeson - Guitars Neil Peart - Drums