Rush/CA,USA 11.28.1974 Upgrade

RUSH in 1974, who joined Neil Peart and embarked on their first US tour. The original master who can experience the scene is a new excavation. This work was recorded at the "West Hollywood performance on November 28, 1974". It is a superb audience recording recorded at the legendary club "Whisky A Go Go". Speaking of 1974, it was the dawn of the era when they made their debut with "Flash of Rush" and had a fateful encounter with Neil Peart. Since the meaning changes completely with a slight difference in time, let's first look back at the activity outline at that time and check the position of this work.・February 4-23: Canada (8 shows) {RUSH released on March 1st} ・March 18-May 17: Canada #1 (31 shows) ・May 18: East Lansing (first US show) ・May 19-July 25: Canada #2 (38 shows) {July 29: Neil Peart joins} ・August 14-December 22: North America (72 shows) ←★Here★ This is RUSH in 1974. Neil joined at the end of July, and then they started their first (harsh) US tour. The West Hollywood performance of this work was the 60th show in "North America" ​​about four months later. "Whisky A Go Go" was the second day of five consecutive nights. Also, speaking of the first US tour, the soundboard press masterpiece "CLEVELAND 1974: PRE FM MASTER" was also left behind, but this work is about three months later (52 shows later). The legendary recording master released by Taper himself Such a show is known for having had a famous recording from before, but this work is the highest peak update board (previously it was "November 27th", but this time it has been corrected). The recording itself is the same as before, but in fact the person who recorded it recently released the original master for the first time. The sound is "like a sound board". Although the tone has a vintage scent, the on core has no sense of distance at all, and it is a direct P feeling in front of your eyes. In fact, although the previous master was powerful, the details disappeared due to dubbing deterioration. As a result, the performance sound sounded as if it was receding into the back. However, this time's original master is precise and the outline is clear even in the fine details. This also leads to a sense of closeness of the performance sound. The surprising reason why sound board-class quality was realized In addition, the secret of the direct feeling was revealed by this new excavation. The recorder himself reminisced about the situation at that time, but it seems that this day was Thanksgiving and the club was quiet. There were only 20-30 people at the venue, and most of them didn't know RUSH. They were just a few people who came to the club that day. And Taper sat in the balcony seats, close to the PA hanging from the ceiling. As a result, the sound of the performance was so close to me, and the audience noise was so far away that it was almost inaudible... in other words, it was like a soundboard. It was also a very rare night of incidents, depicted with such a thick and direct sound. In order to explain the circumstances, let's organize the set contents here. RUSH (3 songs), Finding My Way, In The Mood, What You're Doing, and others (3 songs), Fancy Dancer (unreleased song), In The End, Bad Boy (Larry Williams cover), an unprecedented incident scene where the members themselves ran to the music store... and so on. Although you can listen to the extremely rare "Fancy Dancer" and "Bad Boy" that are unique to 1974, there are only 6 songs in total. It is said that there were two sets that day, and this work contains only the first set. However, even so, it is short at about 38 minutes, and the reason for this was equipment trouble. In fact, the drums were damaged during "In The Mood". The show was interrupted for replacement. Moreover, RUSH at this time was just starting out and did not bring a spare drum, and the members themselves went to the nearby music store "GUITAR CENTER" to buy one (!). The recorder of this work also stopped the tape during that time, but still, this work records the messy scene for about four and a half minutes. RUSH, a super big name in rock history. They performed in front of an audience of 30 people who were not fans, and experienced the disaster of rushing to a music store in the middle of the performance. This work is an incredible live album that allows you to be present at such an unprecedented scene with the best sound. Although the sense of the era, the value, and the sound are super-class, it is too sad to call it a "cultural heritage". Such a rare and super rare piece. The best audience recording of the "November 28, 1974 Whisky A Go Go" performance. The original master, released by Taper himself, is "like a soundboard". There is almost no audience noise in an environment with only 20-30 people in the club, and it is super direct thanks to being in front of the PA. The drums broke on the way, and the members themselves had to go to a music store to buy one. This is a rare document album that allows you to be present at an unprecedented scene. Whiskey A Go Go, West Hollywood, CA, USA 28th November 1974 TRULY PERFECT SOUND UPGRADE!!! (38:05) 01 Intro 02 Finding My Way 03 Fancy Dancer 04 In The Mood 05 Interlude: Drum Repair 06 In The End 07 What You're Doing 08 Bad Boy 09 Guitar Solo Geddy Lee - Bass & Vocals Alex Lifeson - Guitars Neil Peart - Drums