The 2002 "LICKS" American tour used three types of venues, and the set list was well-received for its variety, and it was a time when there was a strong impression that many of the performances were released as items. However, it seems that the performance itself has been forgotten at Tacoma Dome on November 6th. Audience recordings did exist, but unfortunately they were of B-class sound quality, and they remained at a level that was barely circulated between traders. This year, 16 years have already passed since that performance, and another audience recording of Tacoma in 2002 suddenly appeared on the internet. The interesting thing about this first sound source is that it was recorded using a high-posit cassette (MAXELL XL-IIS) even though it was in 2002, the heyday of DAT. As a result, the sound quality is very clear, and since the recording position is the 40th row of the arena, there is a good sense of distance in terms of sound image, yet the clarity is perfect. It is surprising that recent live recordings that boasted such high quality have been dormant for over 15 years, but we have brushed them up. Although the sound quality was high enough as it was, due to the distance, the low range amplified by the hall echo tended to make the outline of the performance fuzzy at the beginning of the show. So, when I applied equalization, this problem was largely resolved, and I was able to make use of the clear, smooth high tones that didn't sting my ears, making them even easier to listen to. I think this really refreshing high-pitched clarity is the unique taste of a high-posit cassette. Not only that, but the taper of the sound source this time was probably located close to the B stage and its speakers, so the impression of the sound did not change drastically, and in fact, songs such as "Little Red Rooster" sounded amazing. It captured the sound pressure. The performance of the song is really wonderful, and Keith's play is also in great condition because it is the Stones' blues. I wish the Stones of today could play this song... Such an attractive performance was heard with the best sound quality. The unique balance and sound image of this sound source is interesting to listen to even after that. It is natural that the sound image returns to what it was before the B stage ends, but this time support sounds such as Chuck Leavell's keyboard and the crisp acoustic guitar played by nostalgic Blondie Chaplin can be heard prominently. . The only songs that are played there are the usual standard numbers, but I think this unique balance allows for new discoveries to be made and to be enjoyed in a fresh way. The set list itself was uninteresting, as if it was sandwiched between a club gig at the Wiltern Theater and later in Auckland, even though it was in November.The highlight was Cheryl's performance on "Wild Horses," which should have been the highlight. -Crow often appeared during this period, so perhaps she was also a support member? It didn't really have much of an impact because it appeared on stage so much that it seemed like there was an illusion. That may also be the reason why the item was not released until now. However, the Stones' performance is extremely tight and wonderful. The tour has entered its third month since the start, and it is clearly transmitted from the opening that the Stones are in full-throttle mode. Among them, Mick’s performance is outstanding, and his peak is “All Down The Line”. The smooth slide guitar played by Ronnie is the 1975 tour itself, and the addition of the horn section makes it seem like a compromise with 1973 Europe. And after all, Mick suddenly explodes with a hyper-shout that seems to have awakened, and I feel excited as if I have traveled back in time to 1975. What's more, this song is very popular in Tacoma, and the audience sings along loudly when the performance begins. Still, the Stones' performance is not pushed to the back, and the excitement and realism captured in stereo left and right is extremely enjoyable. This is where I would like you to use headphones to get the full feel of it. On the other hand, one of the great appeals of this sound source is that although it gets nice and exciting around the taper, there is no noise that can cause stress when listening. However, as soon as Keith starts singing “Slipping Away”, the audience starts chatting, which is a scene that is typical of an American Stones live. Anyway, overall, the Stones' playing performance was surprisingly supple, and the Stones in 2002 were playing this tight? It's guaranteed to feel fresh. The unique taste of the high-positive cassette recording that captures the lively performance is also the best. Live at Tacoma Dome, Tacoma, Washington, USA 6th November 2002 TRULY PERFECT SOUND Disc 1 (74:42) 1. Intro 2. Brown Sugar 3. It's Only Rock 'n Roll 4. Start Me Up 5. Don't Stop 6 . Tumbling Dice 7. Monkey Man 8. Wild Horses (with Sheryl Crow) 9. You Can't Always Get What You Want 10. All Down The Line 11. Midnight Rambler 12. Band Introductions 13. Slipping Away 14. Before They Make Me Run Disc 2 (52:36) 1. Sympathy For The Devil 2. When The Whip Comes Down 3. Little Red Rooster 4. You Got Me Rocking 5. Gimme Shelter 6. Honky Tonk Women 7. Street Fighting Man 8. Jumping Jack Flash 9. Satisfaction
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