Rolling Stones/VA,USA 1981 Japanese Broadcast Edition

This work includes “December 18, 1981 Hampton Performance”. This is a multi-camera pro shot that completely records the whole story. This show is most famous for being broadcast live. Moreover, it was the early MTV, which was quickly rising to become the darling of the era, that played a major role, and the program itself symbolized the breakthrough of the ``80s rock scene,'' not just the Stones. Of course, this program not only created a huge number of existing episodes, but in 2014, it was also released on DVD as the official work "HAMPTON COLISEUM". The excitement of seeing a long-held dream come true is still fresh in my memory. This work is a copy of such official product. . . Well, no. This is the Japan Broadcasting version that was featured on a certain satellite broadcasting station in June 2015. The quality of this work is, needless to say, superb. At our store, we have archived a number of music programs with the best masters by domestic core recorders, but this work is especially beautiful. After all, speaking of 2015, it has already been made into an official DVD, and digital broadcasting has become completely commonplace. Since it is contained in the DVD without deterioration, it is natural that it is completely official grade. In other words, the point of this work is not the quality, but the unique production unique to Nippon Broadcasting. In fact, there is no unique commentary corner, but the program's own Japanese subtitles are added to the announcements and MC throughout the program. This is surprisingly convenient. Immediately after the start of the show, a nude model appears with the name of the broadcasting station written all over her body, and the backstage conversations such as ``Does this guy have a pass?'' ``Yes,'' and ``No, give me a bite.'' are also very realistic. I can understand each and every one of those words vividly. Even more powerful is the MC, who is often talked about during shows. Even though it is a professional shot, there are various individualities, but in the case of this work, the main reason is that it is a live broadcast. In the case of regular concert videos, it is common to significantly shorten the time between songs, and the number of MCs is also reduced accordingly. However, this work is completely uncut since it is a live broadcast. Since it was 70 years ago, from today's perspective, there are a lot of gaps between songs, and Mick's MC connects them. All of the MC's are intuitively understandable (I don't think it's necessary to include subtitles for "Thank You," "Alright," and "Baby," but I'll do that thoroughly). Moreover, the MC content is truly unique. This show will not only be broadcast live, but will also be broadcast throughout the United States. Perhaps for this reason, there are no dangerous stories that would be banned from broadcast, and instead he speaks to the other side of the CRT, saying things like, ``Welcome to everyone in front of the TV. Go home, have a beer, smoke, and enjoy yourself.'' Furthermore, he frequently mentions the names of the places he has visited on tour, repeating, ``I hope everyone in Boston is doing well. And everyone in Buffalo is doing great. I'll never forget Los Angeles, either.'' of course. Although I can understand the intention when watching it on the screen, the audience in the early 1980s, who were not yet accustomed to the broadcast, would reply to Mick, ``I don't care about Ross!'' What's particularly interesting about these subtitles is the introduction of the members, "Shattered." In the former, as usual, the unusual translations are interesting: ``I've been doing a lot of 'shit-shut-sit' all over the city,'' and ``I'm feeling completely shudubi.'' Well, since it's such a sensual scat scene, if someone asked me how to translate it, I wouldn't be able to answer, and it's a scene that really makes translators cry. And then introduce the members. Mick sings a birthday song to celebrate Keith's birthday, but there is also a kana subtitle that says, ``Happy birthday to you, happy birthday, dear Keith, happy birthday to you.'' I think you can understand this song even without subtitles, but the politeness of it can sometimes be funny. Since the video is so famous, it has become long with only digressions, but the real point of this work is the show itself. All you can do is enjoy the overflowing energy and enthusiastic performance of the early 80's in super-best quality. Although the timing is slightly different from the main press 2CD, it is more than enough to imagine the “other side” of the live album. A unique version of the super masterpiece pro shot that is well known as the official official shot. A great piece with unique subtitles! (I'm sure you'll have fun just reading it.) Live at Hampton Coliseum, Hampton, VA, USA 18th December 1981 Broadcast Date: 17th June 2015 (149:40) 1. Intro The Rolling Stones performance can be heard on various radio stations. You can listen. We'll be broadcasting live from the dressing room at Hampton Coliseum in Virginia. 2. Backstage Table Tennis Scene What's this guy's pass? Yes, there isn't. Pick it up. Where is it? Please, of course the color combination is unusual. Isn't the front and back sides reversed? Is there ice? What about ice? (It's a camera. The camera is filming.) 3. Take The A Train Everyone at Hampton Coliseum, thank you for waiting so long. Please welcome The Rolling Stones with applause! 4. Under My Thumb 5. When the Whip Comes Down Virginia Welcome, everyone in the Hamptons, welcome “And welcome to everyone in front of the TV” Are you having fun? Have some fun at home and have a beer. 6. Let's Spend the Night Together Are there any sailors in a port town? “Shudubi, Shuduvi” I’ve been doing “shit, shut, sit” all over the city I’m feeling totally “shuduvi” 7. Shattered I’ve got a G-string under my pants like a Turkish taxi driver Okay, what’s next? New song in the key of A 8. Neighbors I hope everyone in Boston is doing well, and everyone in Buffalo is doing great too. Next up is this blues song, where we rode around town in a "black limousine" 9. Black Limousine 10 Just My Imagination (Running Away with Me) I'm going to play some old songs, songs that I've never recorded before. I hope I do well. The first one is an Eddie Cochran number from the '50s, and the second one is a Smokey Robinson song. 11. Twenty Flight Rock 12. Going to a Go-Go Is the camera over there? Hello everyone in Chicago, hello everyone in Cincinnati, hello everyone in Cleveland, Columbus, and Dallas. 13. Let Me Go Let's play some older songs, songs we recorded when we were this young. 14. Time. Is on My Side Thank you so much Hampton, Virginia How are you doing? Hampton! Don't forget about Los Angeles (I don't care about Los Angeles!) I don't want to cause trouble, I care about people, and I don't want to be a burden. 15. Beast of Burden 16. Waiting on a Friend Okay, everyone wants someone to lean on. 17. Let It Bleed Hey! Hey baby, can you guys sing? Can you really sing? Tulsa, San Jose, San Francisco, Miami, Phoenix, Providence, Los Angeles, Ann Arbor, Dayton, Dallas, Columbus, Cleveland, Cincinnati, Chicago, Buffalo, and Boston! Sing it all over America, let's go 18. You Can't Always Get What You Want 19. Band Introductions Everyone sings so well. I'd like to introduce you to my bandmates tonight. It would be a shame if you didn't know. The piano player is Ian, an old friend of 20 years.・Stewart: Ian McLagan on keyboards, Ernie Watts on saxophone, and Ernie Watts on drums...they're not related, Charlie Watts, and Bill Wyman, bassist of the blue design, Ron Wood on guitar, Happy Birthday to you, Happy Birthday to you, Happy Birthday, Dear Keith, Happy Birthday To You We wish Keith good health! Keith sings 20. Little T&A Happy Birthday Are you okay BJ? Is your monitor broken? hear? It's okay, I'm back. Alright, Virginia, let's roll. Let's go fuck it. "Vulgar, vulgar, I want to be naked too." 21. Tumbling Dice Can you hear me clearly in the background? Can you hear it in Dayton? I can hear you all "I'm so hot I gave her a fever" "But she's cold like ice cream" 22. She's So Cold This is the last stop on the tour in the Hamptons, let's end it on a good note. Thank you for that. 50 performances in total, Charlie? That's right. 23. Hang Fire I'd like to thank George Thoragood for his wonderful performance on the opening act. This is the 8th time I've said it. 24. Miss You Bring on the Keith ladies. 25. Honky Tonk Women Don't miss it. Let's go 26. Brown Sugar 27. Start Me Up It's exciting, come on baby, are you all having fun? 28. Jumpin' Jack Flash Good night everyone. See you soon. Take care. Good night everyone. Boston, Buffalo, Chicago, Cincinnati, Cleveland, Columbus, Dallas, Dayton, Ann Arbor, Los Angeles, Providence, Phoenix, Miami, San Francisco, San Jose, Tulsa. Good night! 29. Satisfaction Good night everyone!　See you PRO-SHOT COLOR NTSC Approx.150min.