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Rolling Stones/Sweden 2022 2Versions

Rolling Stones/Sweden 2022 2Versions

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Along with the final Berlin performance, the Stockholm performance is known as a masterpiece at the end of "Sixty". Here is a video set that allows you to witness the whole thing. There are two types of footage included in this work. Both are audience shots from the "Stockholm performance on July 31, 2022", but it is a two-disc set with the first appearance of the spectacular one-camera version on DISC 1 and the multi-camera edited version on DISC 2. Let's introduce each one individually. [DISC 1: One-camera footage that will blow your mind with the master's photography] DISC 1 contains a one-camera shot that will be appearing for the first time. When it comes to "Sixty", multi-camera footage is the standard, and all performances have already been made into video works. This work also includes it on DISC 2, but the one-camera shot is the main one because, of course, the quality is outstanding. The position is the stand seats on the right side of the stage, and the angle is almost straight down from the side. To be honest, it's hard to call it the best seat, but the photography technique that overturns that handicap... no, it's amazing that he uses it to his advantage. What's most amazing is the screen shot that is used a lot. This is already almost a perfect professional shot. Normally, if you are in a diagonal or horizontal position, the screen will also be diagonal and difficult to see, but this work is different. It's unclear what the layout of the venue is like at the scene, but the photographer is facing the screen and captures the screen straight and beautifully. Moreover, the screen frame is finely adjusted so that it doesn't fit in the frame, so it really looks like a professional shot. Did he happen to be sitting right next to it, or did he deliberately hold the seat right next to it to get this superb screen shot? It's such a stunning visual beauty. The screen image alone is wonderful, but this work is also superbly shot directly. As mentioned above, it is an angle directly next to the stage, but with a spectacular view with no obstructions, Mick, who moves around freely up and down the runway, is captured in the center of the screen. Moreover, the runway is surrounded by a huge sea of ​​spectators. If you zoom in, the image quality is high enough to show off the power of the latest equipment, and if you pull back, the contrast between "Mick vs. the big crowd" creates a tremendous spectacle. This also allows you to enjoy "extremely rare highlights" that ordinary photographers would never think of. What's even more amazing is that the camera uses completely different scenes, "screen shot / direct zoom / distant view spectacle", depending on the show. Mick's actions and his interaction with Keith and Ron are captured with direct zoom, and the moment the audience seats light up, he captures them with a distant view spectacle. And the highlights of each person, such as each person's solo, are shown in close-ups with screen shots... Moreover, he changes his viewpoint just before such a highlight scene comes, and waits patiently so that he doesn't miss it. It is a masterful camerawork that fully grasps the progress of the show and what happens with each song. [DISC 2: One of the best masterpieces in the multi-camera series] Following this experiential one-camera video is a multi-camera edited audience shot, which is a specialty of "Sixty". This disc is familiar, but its quality is one of the best masterpieces in the multi-camera series. In terms of type, this work is "through recording + switching", a so-called pro shot format. The angle changes even within one song. However, if you look closely, there is actually not that much switching. It feels like the best viewpoint is shown for a long time. However, the level of the best viewpoint is very high. What is particularly amazing is the close-up viewpoint directly below the stage. Not only is it close, but the other audience members are not reflected on the screen, so it almost looks like a pro shot. Moreover, just by shifting the viewpoint left and right, the view changes drastically from the edge of the stage to the very center, the runway, etc., and the members in the very center also change one after another. There is even a huge screen image mixed in, so even one camera is as diverse as a multi-camera. The footage is so amazing that it's like a single camera commentary, but of course, depending on the song, there are even more diverse angles. What you can witness in these two superb videos is the full show of the final spurt, which has gotten even better as the tour comes to an end. To explain what that means, let's organize the set here. Fixed songs (10 songs) Tumbling Dice / You Can't Always Get What You Want / Honky Tonk Women / Miss You / Midnight Rambler / Paint It Black / Start Me Up / Jumping Jack Flash / Sympathy For The Devil / (I Can't Get No) Satisfaction Daily songs (9 songs) Semi-fixed: Street Fighting Man / Out Of Time / Living In A Ghost Town / Gimme Shelter Others: Let's Spend the Night Together / Out of Control (*) / Angie / You Got the Silver (★) / Connection (★) *Note: * marks songs that will be appearing for the first time on the tour. ★ marks Keith Corner. ... and so it goes like this. "Sixty" was a colorful tour that entertained us with a variety of daily songs, but it also ran out of steam from the middle to the latter half of the tour. Around the halfway point, the songs that appeared for the first time on the tour disappeared, and the number of songs in the set itself was sometimes shortened due to a heat wave that hit Europe. Just when it seemed that the tour would stabilize and end as it was, the situation changed completely at the Stockholm performance. It was a full set of 19 songs again, and even "Out Of Control" that appeared for the first time on the tour was performed. For the final performance in Berlin, they showed a passionate performance that seemed to regain momentum. It seems that multi-camera footage has become the norm for the Stones' latest tour, but the experience that comes with a single camera is hard to give up. Moreover, DISC 1 of this work boasts a viewing experience that is not inferior to multi-camera due to the master's shooting... no, it surpasses it. This work, which also adds DISC 2 of the multi-camera, one of the best masterpieces in the series, is truly the definitive edition. A masterpiece that allows you to fully experience the final masterpiece with two superb images with different personalities. The best audience shot of the "Stockholm performance on July 31, 2022". It is a two-disc set with the first appearance of the spectacular one-camera version on DISC 1 and the multi-camera edited version on DISC 2. The one-camera version (DISC 1) makes extensive use of professional-shot screen shots, and the multi-camera version (DISC 2) is one of the best masterpieces in the series. "Out Of Control", which appears for the first time on the tour, is a masterpiece that allows you to fully experience the final masterpiece with two superb images with different personalities. Friends Arena, Stockholm, Sweden 31st July 2022 (2 Versions) AMAZING SHOT!!! Disc 1(136:48) SINGLE CAM 1. Pre-show 2. Intro/Charlie Watts Tribute 3. Street Fighting Man 4. Let's Spend The Night Together 5. Tumbling Dice 6. Out of Time 7. Out Of Control ★ 8. Angie 9. You Can't Always Get What You Want 10. Living in a Ghost Town 11. Honky Tonk Women 12. Band Introductions 13. You Got The Silver 14. Connection 15. Miss You 16. Midnight Rambler 17. Paint It Black 18. Start Me Up 19. Gimme Shelter 20. Jumping Jack Flash 21. Sympathy for the Devil 22. Satisfaction Disc 2 (136:58) MULTICAM 1. Intro/Charlie Watts Tribute 2. Street Fighting Man 3. Let's Spend The Night Together 4. Tumbling Dice 5. Out of Time 6. Out Of Control ★ 7. Angie 8. You Can't Always Get What You Want 9. Living in a Ghost Town 10. Honky Tonk Women 11. Band introductions 12. You Got The Silver 13. Connection 14. Miss You 15. Midnight Rambler 16. Paint It Black 17. Start Me Up 18. Gimme Shelter 19. Jumping Jack Flash 20. Sympathy for the Devil 21. Satisfaction COLOR NTSC Approx.274min.(total)

Disc 1(136:48) SINGLE CAM 1. Pre-show 2. Intro/Charlie Watts Tribute 3. Street Fighting Man 4. Let's Spend The Night Together 5. Tumbling Dice 6. Out of Time 7. Out Of Control ★ 8. Angie 9. You Can't Always Get What You Want 10. Living in a Ghost Town 11. Honky Tonk Women 12. Band Introductions 13. You Got The Silver 14. Connection 15. Miss You 16. Midnight Rambler 17. Paint It Black 18. Start Me Up 19. Gimme Shelter 20. Jumping Jack Flash 21. Sympathy for the Devil 22. Satisfaction Disc 2 (136:58) MULTICAM 1. Intro/Charlie Watts Tribute 2. Street Fighting Man 3. Let's Spend The Night Together 4. Tumbling Dice 5. Out of Time 6. Out Of Control ★ 7. Angie 8. You Can't Always Get What You Want 9. Living in a Ghost Town 10. Honky Tonk Women 11. Band introductions 12. You Got The Silver 13. Connection 14. Miss You 15. Midnight Rambler 16. Paint It Black 17. Start Me Up 18. Gimme Shelter 19. Jumping Jack Flash 20. Sympathy for the Devil 21. Satisfaction COLOUR NTSC Approx.274min.(total)

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