And the second day of Rosemont will be released at the same time. As evidenced by the previous album "CHICAGO 1981 1ST NIGHT", which continues to be a huge bestseller today, it has a smart state that is not as rugged as East Rutherford, although it allows you to feel the vividness of each instrument that can only be achieved by a multi-track rough mix. Unique charm. This is the time when performances are becoming more refined, so this condition is perfect. Still, the charm unique to rough mixes, where the presence of Keith and Ronnie's guitars approaches vividly, is still alive and well. Keith and Ronnie's localization and low pitch, which had already been turned upside down at the time of its release in 2013, have been precisely adjusted, and the performance of "Let Me Go" was the only defect in the original sound source. The cuts that occurred in the second half had already been compensated for on the sound board of the PA out on the same day, so there was almost no need to make any changes as with the previous “1ST NIGHT”. On this day as well, they played a highly polished and complete performance that was typical of the late November 1981 tour, and it seemed like they were a different band from East Rutherford's 2nd Day, which was released at the same time (and that was two weeks ago). The performance is as sophisticated as you can imagine. Still, there are more happenings than the previous day, and in the opening “Under My Thumb”, Charlie is a bit late in the intro, and in “Shattered”, Mick makes a mistake in the composition. The original is a multi-track stereo soundboard recording, so you can really hear every detail of the performance, and even the way Bill misses the sound of the bass on "Let It Bleed" can be felt in your hands, and it's all heartwarming. level. Rather, it was the beginning of “Time Is On My Side” that became a very thrilling happening. Keith started the intro as usual, but his guitar was out of tune. However, once the performance has started, it is impossible to correct the tuning, let alone start over. So he comes up with the idea of replacing the guitar. This is the strength of multi-track recording, but from beginning to end, the noise from Keith pulling out the guitar shield and connecting it to another guitar is also included. Because I was distracted by this response, I could completely hear the background chorus joining in midway through. This emergency measure backfired, and after that Keith's guitar made noise several times during "You Can't Always Get What You Want." Not only does the sound quality of the stereo soundboard recording be good, but the multi-track recording also captures the unique aspects of a live performance as a document. Another big attraction of the day was the sudden participation of Blues Harp player Sugar Blue, who made a major contribution in recording the album version of "Miss You." Again, the clarity unique to multi-track recording is fully demonstrated, and the scenes in which he appears are clearly captured. Blue showed off his wonderful harp as soon as the performance broke and appeared in the interval before Mick started speaking. What's more, it was even more thrilling to see him compete with Ernie Watts, who usually takes solos. In "Miss You" from 1989 onwards, the harp tone was reproduced by synth sampling, but the live harp sound by Zhang, who participated in the recording of the album version, is completely chilling. And “Jumping Jack Flash” from “Start Me Up”, which Mick excited more enthusiastically than usual at the ending, is the most hyper performance. It was hard to believe that this was the same band that had almost stopped three times two weeks ago due to faulty monitors. The long-awaited return of the famous sound source that will allow you to enjoy the Stones' sharpened feeling to your heart's content with the finest sound quality unique to multi-track recording, starting in the latter half of November and heading to Hampton. During the finale "Satisfaction", the sound of balloons bursting onto the stage can also be heard on the stereo! (Remaster Memo) Only phase correction. The volume was originally high, so the EQ correction etc. are mostly the same as before Live at Rosemont Horizon, Rosemont, Illinois, USA 24th November 1981 STEREO SBD Disc 1 (70:52) 1. Take The A Train 2. Under My Thumb 3 When The Whip Comes Down 4. Let's Spend The Night Together 5. Shattered 6. Neighbours 7. Black Limousine 8. Just My Imagination 9. Twenty Flight Rock 10. Going To A Go-Go 11. Let Me Go 12. Time Is On My Side 13. Beast Of Burden 14. Waiting On A Friend 15. Let It Bleed Disc 2 (64:20) 1. You Can't Always Get What You Want 2. Band Introductions 3. Little T & A 4. Tumbling Dice 5. She's So Cold 6. Hang Fire 7. Miss You 8. Honky Tonk Women 9. Brown Sugar 10. Start Me Up 11. Jumping Jack Flash 12. Satisfaction 13. The Star-Spangled Banner STEREO SOUNDBOARD RECORDING
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