A video reprint series of the highly popular “50 & COUNTING”. The latest two Philadelphia performance titles will be released at the same time. This work is the second installment. This is a spectacular audience shot of "Philadelphia Performance on June 21, 2013". As I mentioned in the commentary for "PHILADELPHIA 2013 1ST NIGHT" which will be released at the same time, 2013 was a time when audience shots evolved dramatically due to the first tour in a while and the development of smartphones. At our store, we reprint and release video works that became a hot topic at the time, and so far, masterpiece videos such as LA performances, Oakland performances, Anaheim performances, etc. have been very popular. This work is the latest work, and is also the fifth work in the reprint series. As the number of titles has increased, let's look back at the "50 & COUNTING" schedule and check the show's position. 2012, October 25th - November 29th: Europe (4 performances), December 8th - 15th: North America (4 performances), 2013, April 23rd: Los Angeles performance, May 3rd "LOS ANGELES" 2013 1ST NIGHT: THE VIDEO”・May 5th “OAKLAND 2013 THE VIDEO: MULTICAM”・May 8th + 11th (2 performances)・May 15th “ANAHEIM 2013 1ST NIGHT: MULTICAM”・May 18th June 14th (10 performances) ・June 18th “PHILADELPHIA 2013 1ST NIGHT” ・June 21st: Philadelphia performance ←★This work★ ・June 24th: Washington D.C. performance ・June 29th-July 13th: UK (3 performances) This is the Stones of 2012/2013. Two consecutive performances are being held in Philadelphia, and this work is a video work that allows you to experience the entire second day. This work, shot at such a show, is a shockingly spectacular view. I'm shooting from the second floor stand seat looking down a bit, but it's no surprise that there are no obstacles. The most amazing thing about this work is the angle that captures the stage directly in front of you. This is really in the middle, just like you measured it with a ruler. When I turned straight to the stage, I saw not only Mick and Keith, but also Charlie, sitting directly in front of me, even the direction of his body. Ronnie is often involved there, and you can see the breathing feeling of the four people. This scene still touches our hearts today. The camera work, which does not even imagine the circumstances of 2021, focuses on Mick and Keith, but Charlie often comes into view. Normally, you'll be able to see a lot of Charlie's facial expressions while he's playing the beat outside the frame, which members he's looking at while controlling the tempo, and his eye contact with his teammates... Moreover, the bold zoom that allows you to see Charlie's expression is wonderful. 2013 was a revolutionary time for the improvement of the zoom function, and in this work, each member's body comes close to filling the screen. Furthermore, the stability of scrolling left and right while staying close to the screen is also noteworthy. The slightly choppy scrolling is obviously using a tripod, and instead of being smooth, the screen is overwhelmingly crisp with zero camera shake. Although there is a scene where the frame goes out in the middle of "Paint It Black," there are no other problems and the positioning is accurately centered, making it feel like you're watching one angle of a professional shot rather than an audience shot. It also becomes. The show content depicted with such visual beauty is also wonderful. The ensemble is solid (apart from Mick's slight instability on "Brown Sugar") and unthreatening. Guest Mick Taylor also appears on three songs, ``Can't You Hear Me Knocking,'' ``Midnight Rambler,'' and ``Satisfaction,'' and Aaron Neville of THE NEVILLE BROTHERS also appears on ``Under The Boardwalk.'' A more luxurious show than ever will unfold. Perhaps due to a shooting failure, "Honky Tonk Women" is mixed with a different shot from the right side, but other than that, it is a video work that allows you to fully enjoy the perspective from the center and directly in front. “50 & COUNTING” has featured many multi-camera works and spectacular single-camera shots, but I can't think of any other video that makes me want to watch it from this seat! It is a unique masterpiece that allows you to enjoy the 50th anniversary full show from the coveted special seats, and it is the best piece to engrave in your eyes Charlie's activities of the past. Spectacular audience shot of "June 21, 2013 Philadelphia Performance". It is a spectacular view captured from the second floor stand seats with no obstructions, but this work also has a wonderful angle that captures the stage directly in front of you. This is really in the middle, just like you measured it with a ruler. When I turned straight to the stage, I saw not only Mick and Keith, but also Charlie, sitting directly in front of me, even the direction of his body. Ronnie is also often involved, and you can see how the four of them are breathing. The camerawork mainly follows Mick and Keith, but Charlie's figure frequently comes into view, and the expressions on his face that would normally be outside the frame as he plays the beat, and the way he interacts with the members. There is plenty of eye contact as well. Even in the “50 & COUNTING” video, you can see Charlie's activities in the past with his outstanding personality. Live at Wells Fargo Center, Philadelphia, PA, USA 21st June 2013 AMAZING SHOT Disc 1(77:21) 1. Intro 2. Get Off Of My Cloud 3. It's Only Rock 'n Roll 4. Paint It Black 5. Gimme Shelter 6. Under The Boardwalk (with Aaron Neville) 7. When The Whip Comes Down 8. Emotional Rescue 9. Doom And Gloom 10. One More Shot 11. Can't You Hear Me Knocking (with Mick Taylor) 12. Honky Tonk Women 13. Band Introductions 14. You Got The Silver 15. Happy Disc 2(72:41) 1. Midnight Rambler (with Mick Taylor) 2. Miss You 3. Start Me Up 4. Tumbling Dice 5. Brown Sugar 6. Sympathy For The Devil 7. You Can't Always Get What You Want (with The Crossing Choir) 8. Jumping Jack Flash 9. Satisfaction (with Mick Taylor) Mick Jagger - Vocals, Guitar, Harmonica Keith Richards - Guitars, Vocals Charlie Watts - Drums Ronnie Wood - Guitars Darryl Jones - Bass, Vocal Bobby Keys - Tenor Saxophone Chuck Leavell - Keyboards, Backing Vocals Lisa Fischer - Backing Vocals, Percussion Bernard Fowler - Backing Vocals, Percussion Tim Ries - Keyboards, Horns Matt Clifford - French Horns COLOUR NTSC Approx .150min.
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