A masterpiece video of “NO SECURITY TOUR 1999” produced by overseas enthusiasts. This work includes “Philadelphia performance on March 15, 1999”. “NO SECURITY TOUR” was “34 performances in the North American leg + 10 performances in the European leg = 44 performances”, but the Philadelphia performance of this work is the 18th concert. This work is a masterpiece that allows you to enjoy such a show with the best sight + sound board. This concert has long been known for its monaural ALD sound source, but it was synchronized by overseas enthusiasts with an 8mm audience shot. The quality is a masterpiece that was only possible because of the passion of the fans. It is one camera taken from the front of the stage, but the beauty of the image is almost a professional shot. Only the stage occupied the entire screen, without the slightest shadow of the audience. Although the angle of “Jumping Jack Flash” at the beginning is not fixed, it is stable during the song, and almost the entire show is projected without camera shake. That's why the ALD sound board is especially suitable for such a scene. The key points are the absence of an audience and a sense of clarity. As a matter of fact, there are loud cheers mixed in between songs, but they also feel like they're not in the right place, and disappear quickly once the performance starts. And, the musical tone/singing voice is super direct and super clear, with no sense of distance at all. In addition, the roughness typical of ALD has also been transformed into rawness. If this was an official sound board, I might have felt uncomfortable with the gap with the 8mm sight, but in the case of this work, it is so natural that it makes you think, “It was originally like this.” Another element that supports this natural feeling is the thorough synchronization by overseas enthusiasts. Despite the video and audio showing even the slightest movements of Mick's mouth and Keith's hands, there is no deviation at all. Their deep and deep love oozes out from their detailed work. The nuance of the video work that was created in this way is a world that is unique to "the raw Stones and myself." There are no other audience members, and the image is like, ``If I were a distant camera crew and was filming while listening to earphones, it would probably look like this...'' What enhances that “camera crew feeling” even more is the abundance of highlights. While keeping Mick in the center of the screen, the highlights of each member are also not missed. Moreover, the bread is also extremely smooth and solid. It gives a cool impression that he is not just recording in a good mood, but is thinking things like ``I have to record this,'' or ``I can use this image...'' as he records. The ALD used has been known for a long time, and there are cuts between songs and from the middle of "Start Me Up" to the beginning of "Brown Sugar". It is also the same that the part is supplemented with audience recording. However, with the addition of the superb 8mm footage, it has evolved into an indescribable masterpiece. The incredible degree of synchronization alone is amazing, but even more than that, the ``compatibility between the original materials'' is too outstanding. Direct and beautiful, it looks like a professional shot, but it's raw. This video work creates such a “new feeling”. Live at First Union Center, Philadelphia, PA. USA 15th March 1999 AMAZING SHOT!!!(with ALD Audio synced) (117:55) 1. Jumping Jack Flash 2. Bitch 3. You Got Me Rockin' 4. Respectable 5. Honky Tonk Women 6. Moonlight Mile 7. Saint Of Me 8. Some Girls 9. Paint It Black 10. Band Introductions 11. Before They Make Me Run 12. Thief In The Night 13. Out Of Control 14. Route 66 15. When The Whip Comes Down 16. Midnight Rambler 17. Tumblin' Dice 18. It's Only Rock And Roll 19. Start Me Up 20. Brown Sugar 21. Sympathy For The Devil COLOR NTSC Approx.118min.
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