“September 26, 2021 St. Louis performance” where the whole world learned about “The Stones without Charlie.” We have decided to release a super-excellent multi-camera video that allows you to witness the whole story. This show is the kickoff of “NO FILTER Tour 2021” which has resumed after overcoming the new coronavirus pandemic. Although there was a rehearsal-like private show in Foxboro a week ago, this day was the first day of the regular tour. As a result, the preliminary release version "ST. LOUIS 2021" has been very well received, and this week it has also been decided that the master version of the final version will be preserved permanently. It is widely loved by everyone. This work is the video version of that work. It is an ultra-excellent multi-camera work produced by overseas core enthusiasts. [Evolved multi-camera video based on 2021 standards] The quality is overwhelming. It is compiled by making full use of various audience shots while centering on the finest full audience recording. Two points are important in this kind of multi-camera editing work: the variety of angles and the editor's skill/sensibility.First of all, the variety of angles is truly amazing. It's been a long time since anyone has been able to record videos with a smartphone, and it's now possible to easily publish fragmented footage of a single song on YouTube, etc. In particular, this show has created a huge amount of videos with the psychology of wanting to check out the Stones without Charlie. The wider the base of the pyramid, the higher the top. All of the angles selected from a huge number of shots are of ultra-high resolution, the close-up of the side of the flower path is so close-up that it looks like a professional shot, and the distant view is a super spectacle that gives you a panoramic view of the scale of the venue. It's moving both up close and far, and the dynamism of the multi-camera system that moves back and forth during one song is amazing. If done poorly, the number of angles and views can exceed even the average professional shot. The second item, ``editor's skill/sense,'' was also of special grade. I don't know if they are used to creating multi-camera audiences or if they make video production their main job, but they are impressed by the selection of videos, the well-known timing of the performance, the dynamism of the combinations, the delicateness of video processing, the direction of the song title subtitles, etc. ...You can easily imagine the amount of work that went into everything, and the sense that exudes is admirable. Each cut is definitely an audience, but the sight is perfectly professional shot class. In fact, this work begins with Charlie's tribute scene, but this is a genuine professional shot of the official production. Even if I switch from there to the audience, there is no sense of disappointment. [2021 version of “NO FILTER” that can be witnessed in full] The 2021 version of “NO FILTER Tour” will be depicted using the new 2021 standard multi-camera. The ensemble without Charlie has been mentioned repeatedly in the commentary of the live album, so let's change the theme a little here and analyze the set of the latest tour. Fixed songs carried over from 2019: Tumbling Dice/You Can't Always Get What You Want/Start Me Up/Honky Tonk Women/Miss You/Midnight Rambler/Paint It Black/Sympathy For The Devil/Jumping Jack Flash/Gimme Shelter /(I Can't Get No) Satisfaction Daily song・NO FILTER first appearance: 19th Nervous Breakdown/Living In A Ghost Town・Others: Street Fighting Man/It's Only Rock 'n' Roll (but I Like It) (*) /Under My Thumb (*) /Wild Horses (*) /Happy (*) /Slipping Away *Note: Songs marked with an asterisk (*) were not performed after that (Charlotte performance/Pittsburgh performance). ...and it looks like this. “NO FILTER” has been going on since 2017, but this is the 2021 model. At the time of writing this article, we have progressed to the Charlotte performance (September 30) and Pittsburgh performance (October 4), but in the above, the numbers played at all performances in 2019 are considered "fixed songs", and the others are "daily songs". "Song". The fixed songs that have been changed by Steve Jordan are also a must-see, but what really catches the eye are the ``daily songs.'' "19th Nervous Breakdown," which was revived after 16 years, and the new repertoire, "Living In A Ghost Town," are fresh, and the four songs that were missing in the next two performances are "It's Only Rock 'n' Roll" and "Under My Thumb." “Wild Horses” and “Happy” may also become “rare performances because it is the first day” later on. The huge screen that towers like a building, the close-up shots that you can almost touch if you reach out, and the scene where Mick/Keith/Ron sit side by side talking about Charlie are all beautiful and wonderful. The live album is great, but the real thrill of the “sight” is amazing. A video masterpiece created with the unfathomable passion and skill of a master craftsman. This is the one I want you to enjoy the most right now. The Dome At America's Center, St. Louis, Missouri, USA 26th September 2021 AMAZING SHOT!!! (131:29) 01. Intro 02. Street Fighting Man 03. It's Only Rock 'n' Roll 04. Words For Charlie 05. Tumbling Dice 06. Under My Thumb 07. 19th Nervous Breakdown 08. Wild Horses 09. You Can't Always Get What You Want 10. Living In A Ghost Town 11. Start Me Up 12. Honky Tonk Women 13. Band Introductions 14. Happy 15. Slipping Away 16. Miss You 17. Midnight Rambler 18. Paint It Black 19. Sympathy For The Devil 20. Jumping Jack Flash 21. Gimme Shelter 22. Satisfaction 23. Ending Mick Jagger - vocals, harmonica, rhythm guitar Keith Richards - guitars, vocals Ronnie Wood - guitars Chuck Leavell - keyboards, backing vocals Bernard Fowler - backing vocals, percussion Matt Clifford - keyboards, French horn Darryl Jones - bass, backing vocals Tim Ries - saxophone, keyboards Karl Denson - saxophone Sasha Allen - backing vocals Steve Jordan - drums COLOR NTSC Approx.132min.
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