Rolling Stones/Japan Tour 1990 TV Documentary Best Quality
Rolling Stones/Japan Tour 1990 TV Documentary Best Quality
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The Rolling Stones first visited Japan in 1990, when they transcended the level of Western music and shook the archipelago as a social phenomenon. A new, significantly upgraded master of the documentary video that brings those miraculous days back to life in an instant has been discovered! This is an emergency release decision. What is recorded in this work is the TV special program “ROLLING STONES TOKYO 1990” that was broadcast on a commercial station at the time. He is the super best master. The Stones' first visit to Japan had such a huge impact that various special programs were broadcast on terrestrial stations at the time. Our store archives such programs, and we have introduced this "ROLLING STONES TOKYO 1990" as part of the 4-disc set "STEEL WHEELS JAPAN TOUR 1990". However, a core enthusiast who experienced the 4-disc set suggested, ``There is a better master.'' This work is a direct DVD from the highest updated master. [Super-excellent new excavation master that greatly exceeds previous releases] The biggest point of this work is the program itself, which completely exposes the behind-the-scenes scenes of the first visit to Japan, but what is even more shocking is the upgrade. The 4-disc set “STEEL WHEELS JAPAN TOUR 1990” version (hereinafter referred to as the “previous version”) had a visual beauty that blew away the previous ones, but this time it is more beautiful than ever. In the previous version, the resolution and vivid colors were good, but the master freshness was not the ultimate, and tracking noise was generally seen here and there, and there was some tape running kinks. However, this new master has no such noise or distortion. It is stable from start to finish, and there is no wobbling or discoloration at all in the corners of the screen. Even more surprising is the combination of natural coloring and sharp details. The previous version was also very vivid, but when I compared it to the master this time, the highlights were emphasized, and the outline edges were sharp, but the fine details were crushed. However, this work is completely unprocessed. Even the outline of the text in the caption is sharp, but this is only produced by the reception environment and the freshness of the master, and there is no artificiality that has been digitally processed afterwards. There's a reason for such an upgrade. In fact, this new master was provided by a record enthusiast who has recently released a series of hits. For example, Michael Jackson's ``JAPAN TOUR '87'', Prince's ``TOKYO DOME 1990 RE-BROADCAST EDITION'', and more specifically, the broadcast version of Mick Jagger's ``RUNNING OUT OF LUCK: JAPANESE EDITION'', which recently received great acclaim. The same recorder as ``Disc''. If you've experienced even one of these titles, you'll probably be impressed, but it's so true to the scene at the time that you'd think it was even officially released on laser disc. [Ultra-real-time sensation of jumping 30 years in time and space in an instant] The beautiful visuals depict me in 1990, when I was lost in the middle of the archipelago, excited by the visit of the Stones. This program is characterized by a variety of off-stage features, with a simple style of video and subtitles without any unnecessary commentary or narration. It begins with the airport scene where the members arrive, a press conference to greet them, a follow-up on their movement, setting up the venue, a dressing room (complete with Sega's hands-on games!), and more. Even during the rehearsals, not only the members but also the balloons Angie and Ruby were shown experimenting with inflating them (I never thought they were moved by the staff's kicks and wires...). Of course, the standard interviews with fans outside the stadium and the goods corner are also shown, and the scene where he bought the T-shirt that was lying dormant somewhere in the closet is realistically depicted. Furthermore, it reports on Ronnie's exhibition held on non-show days, the Isetan event where Bill appeared, Mick's early morning jogging, etc., with a vigor that seems to dig up every minute of the stay (Roppongi Lexington, Queen also appears! I feel the magnitude of ``The Stones' first visit to Japan'' in the wide-show coverage that is on a different level from the usual Western music programs. You'll be at the mercy of the rush of such overwhelming scenes, but don't miss the numerous commercials that are inserted in between. It was cut in the 4-disc set "STEEL WHEELS JAPAN TOUR 1990" master, but this work is recorded in a single cut. For starters, the handy video that Quincy Jones touted as ``the first slim movie camera'' was huge, and while both Oguri Cap and Giant Baba were still active, KODAK proudly advertised itself as a ``panoramic camera!'' Nai Ishi○ Yuriko & Ishi○ Eri (not Hikari) announce their cosmetics. Just when the pink steel-framed girls sing, ``Drink steel every day♪'', the superglue brags that they can't remove their wigs even on a roller coaster, and asks, ``Can you fight 24 hours a day?'' The best part is the sports drink commercial. Nowadays, one of Japan's leading actresses is appearing in the series, but not only did she break up with her brother Yokozuna, but she was still in her loincloth days before releasing an anode photo book. And at the end of the program, when you're already full, a must-see scene that hasn't been recorded before will pop out. Celebrities who saw the Stones live appeared in droves. He excitedly shares his thoughts. The lineup is special. In addition to music such as the late Inoue ○suke, Al○i, Saza○ All Stars, Checks, Sera ○ Nori, Ayu ○ Makoto, Shimada Yo○, Nakahara Hi○mi, Actresses such as Rino Kata, Momo Kikuchi, Toru Watari and Megumi Sakakibara, Chiya Watanabe, Masa Motoki, Ishii Rasa, and others. The above-mentioned loincloth-wearing actress says, ``He's so cool even though he's an old man,'' with the true face of a devilish 17-year-old. Incidents, phenomena, shocks...The Stones' first visit to Japan has been described in every possible way. This is a masterpiece of video that tells you more about the atmosphere of that era at a glance. A piece that vividly depicts "Japan in 1990" with a new excavation master that significantly updates the highest peak to date. From nostalgic commercials to precious backstage scenes, it's all about 50 minutes that will touch your heart. Recorded 9 minutes longer than the previous work. Image quality is the best ever. Definitely the best quality ever. Japan Tour 1990 TV Documentary PRO-SHOT(BEST QUALITY) (49:09) 1. Opening 2. Arrival 3. Welcome To Japan 4. CM SUNTORY Sumio/Miller Giant Corn/Flower Expo (Giant Baba) HITACHI Movie's first thin 69mm (Quincy Jones) Eri Ishida & Yuriko Ishida Pocari Sweat (Rie Miyazawa in the loincloth era) 5. One Day 6. Start Me Up 7. CM Tetsukotsu Musume (Daily Steel Drinks♪) KODAK Panoramic Camera 8. Back Stage 9. Dressing 10. CM Instant adhesive that can withstand roller coasters Can you fight for 24 hours ♪ 11. Tokyo Days 12. CM Oguri Cap 13. After Show 14. See You Again PRO-SHOT COLOR NTSC Approx. 49min
1. Opening 2. Arrival 3. Welcome To Japan 4. CM SUNTORY Sumio/Miller Giant Corn/Flower Expo (Giant Baba) HITACHI Movie's first thin 69mm (Quincy Jones) Eri Ishida & Yuriko Ishida Pocari Sweat (Rie Miyazawa in the loincloth era) ) 5. One Day 6. Start Me Up 7. CM Tetsuko Musume (drinking steel drinks every day♪) KODAK's panoramic camera 8. Back Stage 9. Dressing 10. CM Instant adhesive that can withstand roller coasters Can you fight for 24 hours ♪ 11 . Tokyo Days 12. CM Oguri Cap 13. After Show 14. See You Again PRO-SHOT COLOR NTSC Approx. 49min