Rolling Stones/Germany 10.02.1973 2nd Show Upgrade

The second show in Hamburg was one of the most memorable performances of the Stones' Europe 73. The incredible performance was still a best-seller, and for many years, only two songs of the super-amazing audience were glimpsed on the LP that was the basis for "THE STARS IN THE SKY THEY NEVER LIE," but in the 1990s, an audience recording was unearthed that captured the entire live performance. It was revealed that it was a great performance that was typical of Europe 73, as was released on "THE STARS IN..." without the VGP label. It was certainly a recording with a vintage audience feel compared to the two songs heard on the LP, but it was still of a quality that was quite enjoyable. As proof of this, the version released by DAC under the name of "THE COMPLETE HAMBURG TAPES" was easier to listen to than the VGP version, which had a clearly outdated generation feel. ...Or so I thought, but the punchline was that the equalization was quite strong and had a digital smell, perhaps because they disliked the hiss noise floating in this sound source. For example, the symptoms were clearly evident in the sound of Charlie hitting the cymbals in the intro of "Gimme Shelter". On the contrary, there were cuts in both the VGP and DAC versions, and each had problems not only in terms of sound quality but also in terms of content. It seems that they were overlooked, and now it cannot be denied that they have been overlooked even among enthusiasts. However, this time "GRAF ZEPPELIN" has obtained a master in better condition. It does not have the feeling of gene drop like VGP. By being based on the higher master, "GRAF ZEPPELIN" dares to push the natural feeling to the forefront, and does not add any equalization like DAC. In terms of natural ease of listening, it is a finish that does not approach the previous two works. That is why this release is realized. Furthermore, there was no cut of Mick's screams at the end of "Angie" or the beginning of "Honky Tonk Women" on the VGP version, and there was no cut of the intro of "All Down The Line" or the beginning of "Jumping Jack Flash" on the DAC version, and the longest recording ever was achieved because it was based on the upper master. It is certainly a vintage audience with a mono recording with hiss noise, but when faced with the state prepared by this "GRAF ZEPPELIN", I was surprised that "it was so easy to hear?" And above all, the performance was outstanding. The rare happening that Keith started by redoing the intro on "Happy" has been familiar to maniacs for a long time, but perhaps he felt angry about it and his song was really high tension. This is a tour where Mick makes high tension shouts as a matter of course, but it is rare to see Keith singing so intensely. And the two high-quality audience songs familiar from the first "THE STARS IN THE SKY THEY NEVER LIE" LP are recorded again from the version that the enthusiast carefully transferred from the master and released on the Internet. This is recorded in a very clear state, and it is surprising that it has achieved the highest sound quality ever. As a result, it has become the best bonus track. The culmination of the second show of 73 Hamburg, which was recorded for a full 78 minutes on one CD throughout. Although it is a famous performance that has been well-known among enthusiasts for a long time, the high-tension performance and singing that are typical of Europe 73 are vivid. Please enjoy the climax stage to your heart's content in the most natural state. Recording of the Hamburg performance late show! The performance that only had two songs recorded on the LP "THE STARS IN THE SKY-" is recorded with a full-length mono Aud sound source different from that LP! In addition, two songs from that LP are recorded as a bonus! Nearly 78 minutes full CD! The sound source is a relatively modest main mono Aud sound source known from the '90s CD "THE STARS IN THE SKY-" and the recent DAC version "THE COMPLETE HAMBURG TAPES", but while the DAC version released nearby had a crunchy sound with a rather harsh digital processing feeling, this version has a simple analog-like texture from start to finish! There is a lot of hiss from a distance, but the sound is slightly brighter than the '90s CD "THE STARS-". There is also an advantage in terms of the recorded content, and the cut at the end of Angie and Mick's "Oh Year!" at the beginning of Honkey, which were on the '90s "THE STARS IN THE SKY-" CD, are uncut on this version, which is a major point. Also, the inter-song cut before Rambler is not on this version, while the DAC version has performance cuts on the All Down intro and the beginning of Jumpin, so overall it is the longest and best recording of the day. The last two bonus tracks are from the LP "THE STARS IN THE SKY-". In recent years, there have been CDs that reproduced the entire LP, but this time they are not quoted from there, but recorded from the trader version. It is very clear and the performance is close, and you will definitely wish you could hear the whole sound like this. The phase is also relatively corrected, making this the best recording of this LP source version. (77:32)Ernst-Merck-Halle, Hamburg, Germany 2nd October 1973 (2nd show) UPGRADE 01. Brown Sugar 02. Gimme Shelter 03. Happy★Keith replay 04. Tumbling Dice 05. Star Star 06. Doo Doo Doo Doo Doo (Heartbreaker) 07. Angie 08. You Can't Always Get What You Want ★The three sound cuts at 7:20 are the same as before / 8:01 cut 09. Midnight Rambler 10. Honky Tonk Women 11. All Down The Line 12. Rip This Joint 13. Jumping Jack Flash 14. Street Fighting Man ★The fade-out at the end is also the same as before Bonus Tracks ★Two songs from the analog record. Not quoted from the previous record, but recorded by transcribing the LP from the Internet. This one is clearer 15. Star Star 16. Doo Doo Doo Doo Doo (Heartbreaker)