By changing the platform for releasing the sound source, it became possible to release the mirrored master, the remaining recordings of the Rolling Stones' 1975 LA Forum. Following the July 12th "L.A. FORUM 1975 4TH NIGHT: MIKE MILLARD MASTER TAPES", which has already caused a big sensation, the master of July 13th has finally been released as the finale and the main event. If the landmark of mirrored recording in the LP era is ZEP "Eddie", then the CD era is the final day of the Stones' 1975 LA Forum. On this day, the multi-track recording was released on "L.A. FORUM (LIVE IN 1975)", which has now been quietly renamed from the official "L.A. FRIDAY (LIVE 1975)", and surprised maniacs all over the world, but that doesn't mean there is any mania anywhere who would say something uncool like "I don't need it because there is an official one" about the mirrored recording of this day. On the contrary, the amazing quality of the recordings has not faded at all. Starting with the nostalgic Silver Rarities album "I NEVER TALKED TO CHUCK BERRY," IMP's "L.A. FORUM 75," and the long-selling VGP album "WHO WENT TO CHURCH THIS SUNDAY?", there are countless enthusiasts who have been exposed to the charm of the mirrored recordings and even the charm of the 1975 tour. The video footage from the day before the LA Forum, which was available before that, had a squishy image quality and was a sound board, but the balance was not so good, so many enthusiasts were even more blown away by this recording. Although it seemed as if the role of such a once-in-a-lifetime famous audience of the mirrored one seemed to have ended once by the previous official release, the outstanding recording state of this day, above all, the recording that captured the excitement unique to LA and the Stones' performance reverberating through the forum in an exquisite balance, was not inferior even in front of a multi-track, and rather, in the series of mirrored masters released by JEMS, the excavation of this day was naturally long-awaited. Similarly, the ultra audience on the first day of ZEP Long Beach, where a sound board exists, did not fade in 1975, but while the other party was a PA out, this time the mirrored recording continues to show its charm even in multi-track. In particular, July 13th seemed to have been perfected with the VGP board, which has been a standard for many years, but it is a heartless world that fades in front of this master. It is very natural and the depth and spread of the sound are completely different. It is a feeling that the power unique to the master cassette is truly shown. Furthermore, the original recording state is revealed once again by the excavation of this master. There are two cut points that stand out greatly due to the cassette change. First, the last part of "Fingerprint File" hits the break in the cassette. Unlike now, at the time of the above-mentioned item, only the mirrored recording other than the 13th was available on the 9th, and another recording from the LP era, "1975 TOUR OF THE AMERICAS," was a take on the 10th, so as a result, the whole song was replaced with a take on the 9th, or the ending was only compensated for on the 9th. The other was just after the end of "Brown Sugar." The recording ended when Mick said "Thank you very much," but since there was no way to compensate for this, most of the already released boards were left alone. The only one that completely recorded Mick's lines as "Thank you very much" was "THE COMPLETE LA SUNDAY TAPES" made by SODD. However, when the official version was released and this scene was recorded in its entirety, it became clear that Mick had actually said "Thank you very much, Los Angeles," and it was revealed that the SODD version was a fake edit that copied and pasted the "Thank you very much" that Mick had said elsewhere. Conversely, it could be said that at the time these items were released, there was no other way to deal with them. That's why this time, by making full use of the official version as a compensation staff, a full-length version was realized that was compiled in 13 days. This is a groundbreaking release that was never seen before, and was recorded from the first master, but what is most surprising is that it is surprisingly not strange even when compensated with the official version, that is, multi-track. As was demonstrated by the compensation applied at the time of the release on the 12th, the quality of the mirrored recording was also demonstrated by this edit. This complete 13-day edit, and the overwhelming upper feeling is the sound quality unique to the master. The original master of the pinnacle of the Stones recording by Millard, which has been loved by enthusiasts all over the world so much that there is no need to touch on the content of the performance (you've heard it many times, haven't you?), is at the world heritage level. Please enjoy the eternal masterpiece to your heart's content in perfect condition in terms of sound quality and content. Everyone was blown away by the LA Forum, the ultimate form of Millard's recording on July 13, 1975! The Forum, Inglewood, CA, USA 13th July 1975 ULTIMATE SOUND UPGRADE Disc:1 (59:25) 1. Fanfare For The Common Man Intro 2. Honky Tonk Women 3. All Down The Line 4. If You Can't Rock Me / Get Off Of My Cloud 5. Star Star 6. Gimme Shelter 7. Ain't Too Proud To Beg ★Tape change after performance 8. You Gotta Move 9. You Can't Always Get What You Want 10. Happy Disc:2 (53:04) 1. Tuning & MC 2. Tumbling Dice 3. Band Introductions 4. It's Only Rock 'n Roll 5. Doo Doo Doo Doo Doo (Heartbreaker) 6. Fingerprint File ★8:49 - 9:04 supplemented with official recordings 7. Angie 8. Wild Horses 9. That's Life 10. Outa Space Disc:3 (45:13) 1. Brown Sugar ★4:12 - 4:15 supplemented with official audio 2. Midnight Rambler 3. Rip This Joint 4. Street Fighting Man 5. Jumping Jack Flash 6. Sympathy For The Devil (with Jesse Ed Davis)
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