When the mirrored master that was the basis for "OAKLAND 1989 1ST NIGHT: MIKE MILLARD MASTER TAPES" released last year was released, it was hinted that he also recorded the second day of the Oakland Coliseum, but I can't help but think that this second day was the day that maniacs wanted to hear. This is because this day was an extremely rare day when "One Hit (To The Body)" was performed in the position where "Harlem Shuffle" should always be played. Speaking of "One Hit", it is a sad number that was dropped from the repertoire before the 1989 tour of the "STEEL WHEELS" tour was completed. However, it seems that it was intended to be played regularly immediately after the tour started, and it was even decided that Ronnie would play it as a repertoire that makes full use of the Telecaster with a string bender, following "Dead Flowers". Fortunately, at this time, the sound source of Toronto, the first day of the sound board and the second day of the good audience, was widespread, and for maniacs, they should be remembered when talking about the short-lived live performance of "One Hit". In addition to them, last year the first two days of the tour were released as "PHILADELPHIA 1989 FIRST NIGHT" and "SECOND NIGHT", respectively, making it easier to get the 1989 "One Hit" live version items than was previously thought possible. However, all the live performances heard on the items were only takes from the early part of the tour. Because of this, there are probably many maniacs who are under the illusion that "One Hit" is a repertoire that was only played immediately after the start of the tour. However, in reality, it was played sporadically on stage until November. Immediately after the start of the tour, "One Hit", which was treated as a regular, was dropped once at the end of Syracuse on September 21st. After Toronto, the quality of the audience recording was not so good, and the essential song was not recorded in the leaked pro shot video, so the unfortunate situation continues in terms of the sound source. Just one month later, it was revived at the LA Memorial Coliseum on October 21st as a daily number with "Harlem Shuffle", that is, a daily corner connected to "DIRTY WORK". This means that the position where it is played changes and it is performed in succession from "Undercover Of The Night". The problem is that there are no items that capture the revived "One Hit" performance at this time. I think that there are more people who don't know that this song was played again from October to November. "SHEA STADIUM NEW YORK CITY OCT 28.1989", which is one of the few items that contains the "One Hit" show at that time, and was sold without being chaptered as a legendary real-time release CD, was a shoddy item and sound source from the time, and all the share stadium sound sources released in recent years are days when "One Hit" was not played. In such a situation, Millard's buried sound source will throw a stone! As was made clear in the previous "OAKLAND 1989 1ST NIGHT", I am grateful that Millard went to Oakland and recorded it until the second day. The first sound source this time is also recorded in a similar texture to the previous day, but as expected, it is only the second day, and the sound image is a little closer than that. Furthermore, the balance improved from around "Undercover Of The Night", and it can be said that a good audience of "One Hit" live performance, which was revived for a short time, appeared. In addition, since it was a performance two months after the start of the tour, the atmosphere is completely different from the beginning of the tour. The loose and rough performance is more like the Stones than at that time, and if you are used to listening to the groping performance in Philadelphia and Toronto, it will feel quite fresh. It is also very refreshing to hear the record of the stage in 1989, when it was played instead of "Harlem Shuffle" and the song was not played. After Oakland, it was only performed once in Miami, and finally the repertoire was discharged. This time, it seems that the live performance was limited to the extremely valuable "One Hit", but of course there are other things to listen to. There was a problem with "Satisfaction" at the end, and Mick did not start singing as usual, and it was very interesting that the sudden instrumental state without singing continued for a short time after the intro. The difference is clear compared to the previous day. On the contrary, it is not to be missed that it captures the unusual happenings even throughout the "STEEL WHEELS" tour. As with "OAKLAND 1989 1ST NIGHT", the sound image is a little distant from the usual mirrored quality, but it is still very easy to listen to. Above all, a valuable first appearance sound source that captures a day full of changes for the first time in a long time since the 1989 tour has been unearthed. And it is a mirrored master! Oakland-Alameda County Coliseum, Oakland, CA, USA 5th November 1989 PERFECT SOUND Disc 1 (70:40) 1. Intro. / Continental Drift2. Start Me Up 3. Bitch 4. Sad Sad Sad 5. Undercover Of The Night 6. One Hit (To The Body)★ 7. Tumbling Dice 8. Miss You 9. Ruby Tuesday 10. Play With Fire 11. Rock And A Hard Place 12. Mixed Emotions 13. Honky Tonk Women 14. Midnight Rambler Disc 2 (75:06) 1. You Can't Always Get What You Want 2. Little Red Rooster 3. Can't Be Seen 4. Happy 5. Paint It Black 6. 2000 Light Years From Home 7. Sympathy For The Devil 8. Gimme Shelter 9. Band Introductions 10. It's Only Rock 'N Roll 11. Brown Sugar 12. Satisfaction 13. Jumping Jack Flash
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