Finally, the São Paulo performance is finally here. Many records of “AMERICA LATINA OLE TOUR 2016” have appeared on both CD and DVD, but for some reason the two performances in Sao Paulo have not been heard from. I had been wanting to at least hear the sounds, but it was a concert I had never heard of before. Three months after the Sao Paulo performance, not only sound but also video, and one of great quality, appeared. This work is a full audience shot of "February 27, 2016", the second day of the two days in Sao Paulo. This is a long-distance shot with the stage in front of you, and a one-camera shot from a position overlooking the stage. ``It's a long distance...'' I was quick to gasp. It's true that when you pull the angle as hard as you can, Mick is so far away that he becomes less than a pea, but the huge screen is fully photographed, and you can enjoy the scene as if it were a multi-camera professional shot. Of course, in addition to screen shots, there are some scenes in which he tries to shoot directly with super zoom, but he doesn't overdo it, and when things get a little tough, he just goes back to the screen. This flexibility is very easy to see. On top of that, the deliciousness that can only be enjoyed from a distance is also strong. When the time comes between songs, the enormity of the stage and the vastness of the sea of crowds spread out. I also enjoy the sense of scale and spectacle. What's more, since it's a top-down perspective, you won't get too excited even when the whole venue gets excited, and you won't be bothered by the shadows of arms or heads in the front rows. It is an exquisite sight where only the stage and the venue are spread out throughout the field of view. The sound is amazing even with such an angle. It also picks up the voices of the neighbors and a large chorus, giving it a realistic feel, but even when it gets really exciting, it doesn't drown out the performance, it also has enough boldness to suppress the enthusiasm all at once. The balance allows you to enjoy the Stones rocking gracefully over the swirling cheers, allowing you to fully enjoy the fusion of enthusiasm and performance. I have sincerely expressed my sincere praise, but when it comes to "is it 'excellent' or 'perfect'?", I cannot say that. Although the screen shots are extremely easy to see, they are not of HD quality that can be mistaken for professional shots, and the audio is not of the type that can be called ``just like a soundboard.'' Incidentally, the way the chapters are cut is also rough. Every point is "one step closer to excellence," but on the other hand, there are no flaws that make it painful to watch. Even if it's not perfect, it's a video that has everything. It has a warm handmade feel that is unique to South America, which is different from Europe and North America. A Sao Paulo performance that was unknown until now. It is a masterpiece video that you can experience at once with easy-to-see screen shots and hot audience sounds of the full show. A typical South American song that exudes the feeling of "I love the Stones!" from the monitors and from the speakers. Live at Estadio Do Morumbi, Sao Paulo, Brazil 27th February 2016 (137:45) Intro / Opening / Jumping Jack Flash / It's Only Rock 'n Roll / Tumbling Dice/ Out Of Control / All Down The Line / She's A Rainbow / Wild Horses/Paint It Black / Honky Tonk Women / Band introduction / Slipping Away/Before They Make Me Run / Midnight Rambler / Miss You / Gimme Shelter Start Me Up / Sympathy For The Devil / Brown Sugar / You Can't Always Get What You Want (with Coral Sampa) / Satisfaction COLOUR NTSC Approx.138min.
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