This work contains the "Brussels performance on July 11, 2022". This is an audience shot. Speaking of the multi-camera of this show, the title "BRUSSELS 2022: MULTICAM" is already familiar, but this work is completely different from that video work. It is a different edited version produced by another person. Before the content of that interest, let's start with the position of the show. If you have noticed this article, you may already know, but we are reporting on the multi-camera footage of each performance. Let's organize the lineup here for those who will be collecting in the future. *June 1st "EUROPE 2022 VOLUME 1: MULTICAM (Madrid)" *June 5th "EUROPE 2022 VOLUME 1: MULTICAM (Munich)" *June 9th "EUROPE 2022 VOLUME 1: MULTICAM (Liverpool)" {Mick's COVID-19 infection} ・June 21st "MILAN 2022: MULTICAM" *June 25th "HYDE PARK 2022 MULTICAM NEW EDITION" *July 3rd "HYDE PARK 2022 MULTICAM NEW EDITION" ・July 7th "AMSTERDAM 2022: MULTICAM" ・July 11th: Brussels performance ←★This work★ ・July 15th "VIENNA 2022: MULTICAM" ・July 19th: "LYON 2022: MULTICAM' July 23: 'PARIS 2022: MULTICAM' >>Now here<< July 27-August 3 (3 performances) *Note: Only representative works on each day. The "*" marks the title of the regular release. "Sixty" at the moment. 'LYON 2022: MULTICAM' and 'PARIS 2022: MULTICAM' have also been released. All performances up to this point have been made into multi-camera works, and if this continues, it is expected that they will be completed to the end. As mentioned above, the Brussels performance has also been reported in 'BRUSSELS 2022: MULTICAM', but this work is a new version with even more elaborate editing techniques. Of course, some of the polar materials that everyone recognizes are used in common, but even so, the timing and usage of the switching are different. And if you express that sense in one word, it is "more colorful". The angles are obviously more diverse than in the previous version, and scenes that were captured in one long shot last time are switched to different angles one after another. The key to this is the number of materials. The fragmented audience shots that form the basis of multi-camera editing are released as time goes on, and the variety increases. The previous version, "BRUSSELS 2022: MULTICAM," was released at an unusually fast pace, which meant that the number of materials was small even in the series, but this work also covers the materials that appeared after that. It is as diverse as other performances. Moreover, it is not just the number of types that has increased, but you can also enjoy the inter-songs that were connected with still images in the previous version with multi-camera. The audio used is also different. The warm color changes along the way, so it seems not to be consistent from beginning to end, but the main audio is a clear, on-the-fly, powerful sound. It is a direct type that does not create a sense of incongruity even if the viewpoint changes daringly. Moreover, even though the tone changes along the way, it only changes in some songs, so it does not impair the immersive feeling. The editor's sense and effort are important for multi-camera works, but what is more important than that is the "material." The key to success is how well the footage and audio can be collected. That's why later works have an advantage, and because they are later, they can put in the effort to edit so that people won't say, "What now?" This is a must-see masterpiece that has been upgraded with the strength of being a later work. It is more elaborately and effectively edited than "BRUSSELS 2022: MULTICAM". Must see!! King Baudouin Stadium, Brussels, Belgium 11th July 2022 AMAZING SHOT!!! (122;49) 1. Intro/Charlie Watts tribute 2. Street Fighting Man 3. 19th Nervous Breakdown 4. Tumbling Dice 5. Bitch 6. Out Of Time 7. Beast Of Burden 8. You Can't Always Get What You Want 9. Living In A Ghost Town 10. Honky Tonk Women 11. Band Introductions 12. Slipping Away 13. Connection 14. Miss You 15. Midnight Rambler 16. Paint It Black 17. Start Me Up 18. Gimme Shelter 19. Jumping Jack Flash 20. Sympathy For The Devil 21. Satisfaction COLOR NTSC Approx.123min.
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