Rolling Stones/AL,USA 06.27.1972 Complete Upgrade

If the stereo audience of the Rolling Stones' 1972 US tour was the highly acclaimed "CHARLOTTE 1972" released last week, then the mono audience was Mobile, Alabama on June 27th. The sound source of this day is very clear and easy to listen to, and the recording condition is very attractive, and it is a famous audience that has been well-known among enthusiasts for a long time. The famous taper "Freezer" left this famous recording. He would later produce a rare masterpiece audience recording in "BATON ROUGE 1975 1ST SHOW", but his early work was Mobile in 1972. Therefore, it is not as outstanding a recording as the later Baton Rouge, but it still boasts an exquisite balance of a moderate sense of distance and above all a very clear texture, and it has become a famous recording that already gives a glimpse of the famous taper. This recording was widely distributed as low-gen copies when CD-R trading became widespread in the 21st century, and became the basis for VGP's "ALABAMA JUBILEE" (VGP-306) and Scorpio's "TURN THE HEAT UP, THE STONESBLAST THROUGH THE LAND" under the name Bad Wizard, but DAC's "TOURING PARTY VOL.2" is considered the best to date. However, even though "Freezer" in even better condition was distributed after that, no items based on it were released at all, which was an abnormal situation. In other words, even though it was possible to release a release with better sound quality than those items, it was left unattended. "GRAF ZEPPELIN" stepped up to such a serious situation. Their brilliant work on "CHARLOTTE 1972" is still fresh in our memories, so this time they have once again brilliantly revamped their best! First of all, based on new transfers in recent years, the quality is almost guaranteed to surpass the early 21st century releases mentioned above. Now, let's compare it with the DAC version, which has continued to reign as the best of this sound source...the difference is clear. This time, the skill of "GRAF ZEPPELIN", which is particular about naturalness, combined with the new transfer, literally makes it feel like a new layer has been peeled off. It is obvious that the sound quality of the mono audience, which is originally known for its clarity, is even clearer. In front of such an upper feeling, the previously released version feels like it has poor sound. In particular, when the horn section is playing in a frenzy like "You Can't Always Get What You Want" or "All Down The Line", it is even easier to understand, and you can feel the natural spread of this time. A characteristic of "Freezer" is that after the end of "You Can't Always Get What You Want", there is a cut of the tape change between the time Mick says "Rock on", which has been overlooked in all releases until now. "GRAF ZEPPELIN" did not miss this. The source of the nostalgic Morganfield record "MOBILE '72" released before the distribution of the "Freezer" sound source was supplemented. It is true that this scene has nothing to do with music, but it is a modest but groundbreaking achievement to have made it possible to record the live performance uncut by supplementing this! And one week before Charlotte, the Stones' performance on this day was also bursting with the American style of 1972. In any case, the sharp-edged performance was outstanding, and Taylor's solo in "Gimme Shelter" was truly aggressive. In Charlotte, the overall performance was impressive, but on this day, the sharp-edged performance was very 1972-like. The audience at Mobile went wild in front of this aggressive performance, and the sound image was pushed a little away from the audience as they all stood up halfway through the final part of the live performance, "Rip This Joint". The famous recording 1972 Mobile has long been known for its clear and easy-to-listen-to mono sound. The upgraded version that enthusiasts have been waiting for for many years has finally been realized by "GRAF ZEPPELIN". Please enjoy this unique listening experience by playing it loud from your speakers! There are two types of audio sources for this live performance, but this time the clearer and fresher source (the one known from the VGP and DAC versions) is used as the base, and some cuts between songs are supplemented with another source (the one known from the Morganfield version) for a few seconds, achieving a complete live non-stop recording, although it is modest! The main audio source is a bandwidth correction that emphasizes balance. By making it completely mono (originally recorded in mono), the sound is stable and there is no bias in the sound! There are some parts where the microphone is hidden and the handclaps are balanced, but this can't be helped. It is clear from start to finish and has good freshness, so you can listen to it all at once! Municipal Auditorium, Mobile, AL, USA 27th June 1972 PERFECT SOUND UPGRADE!!! (78:02)01. Intro. 02. Brown Sugar 03. Bitch 04. Rocks Off 05. Gimme Shelter 06. Happy 07. Tumbling Dice 08. Love In Vain 09. Sweet Virginia 10. You Can't Always Get What You Want ★7:34-7:43 (between songs after performance) filled in with a different source 11. All Down The Line 12. Midnight Rambler 13. Band Introductions 14. Bye Bye Johnny 15. Rip This Joint 16. Jumping Jack Flash 17. Street Fighting Man 18. Outro.