The Stones' first visit to Japan was the biggest event in the history of Western music in Japan. A new work that will have a huge impact on the TV special archive has been born. It is an urgent release! This work contains the national late-night program "11PM". This is a DVD of the Stones special that was broadcast during the first visit to Japan. Our shop has archived many Japanese programs in the past, and we have reported on the Stones' first visit to Japan under various titles. However, there has never been such a strong title. Sincere interviews and pranks that cross the line are only possible on late-night programs. This is an intense special program that runs through the storm of "The Stones' first visit to Japan" in a runaway manner! [The legendary late-night program that was broadcast in the middle of their first visit to Japan] I'm sorry that the meter is rising too much. Let's cool our heads and start from scratch. This work was recorded on "February 16, 1990". It was the night after the second performance of the first 10 performances in Japan. This work is a TV broadcast pro shot that was made into a DVD from the recording master. Following the news program reporting on the Stones' visit to Japan, the main story of "11PM" begins. The greatness of this work is in the crazy atmosphere that is unique to late night, but the beginning is very serious. It starts with an interview with the members by the familiar Chris Pe○ler. The first thing that surprises me is the video quality. The image quality is as beautiful as a laser disc. Our archives have been highly praised for their quality, but even by that standard, they are exceptionally official. The beautiful images of Mick and Keith make you think, "Young!", but they are treated as elders in the program. As always, the gap with their young-looking expressions is intense for those of us who know them after that. The content of the interview also makes you laugh with Mick's "In the case of them (AEROSMITH), they are still wearing the clothes that I came to in the 70s (sic) so it's strange," and Bill Wyman's words "The Stones will play in front of Japanese fans as a group of five." The sense of the era that seeps out is wonderful. [The mood of his first visit to Japan made the whole of Japan go idiots] After such a serious interview, he returns to the studio, but this is where he really shines. The studio is a kotatsu set like "Sazae-san" or "Kin-Don!", with the host Yoshida Teru○ as the mother, Takada Jun○ as the father (his wig is a barcode...), and the late Togawa Kyo○ and Moriguchi Hiro○, who was 21 years old at the time, as the daughters. The show proceeds as a cheap comedy for the living room. Keith talks seriously about music in the interview, and immediately after he smiles bitterly and says, "Japanese people are all polite. I feel like I've become a barbarian," Moriguchi○-san's funny face is shown in a close-up, and he says, "Keith, Keith, Keithuuuu, I love youuuu," and Takada○-ji, who is making a joke with a kiss, says, "Dad, that's a kiss!" Normally, it's a production that would make you want to kill him, but this work is wrapped up in the middle of his first visit to Japan, where the whole of Japan was at its peak of excitement. The magic of the era is that it makes you laugh strangely. Then, the bell rings and the guest appears in the living room. Various corners are inserted. The contents are also nasty. The first corner is "Calligraphy Message to the Rolling Stones". It is a mysterious project in which fans on the street write messages by brush and the messages are corrected in the studio. The fans are excited as they write "Rolling Stones Immortality" and "Become a Mick Fool" on the ground outside the Tokyo Dome, but the instructor, Mr. Matsuo Oshi, is also messy, which makes the late-night mood strangely funny. When he writes "Jumping Jack Flash" in calligraphy, he casually says, "I don't understand this, so I'll give it 30 points," but it's impossible to tell if he's serious or if the joke is a bit off. [A stupid corner that goes beyond the line because it's late at night] Also, "Time to Study Stones English" is stupid. It introduces the meaning of sexy lyrics, for example, "Let me in, sweetie to you fair land" from "Rip This Joint" is interpreted as meaning "Let me enter your beautiful country", but it's actually "Let me put my ○○○ in your beautiful ○○○". It seems that "11PM" is trying to force Hiroko Mori○ to say it, but Takao Matsuo is also amazing, saying "Where is the immigration office? It doesn't mean that you don't want me to stand next to Japayuki-san, right?" "Japayuki-san"... Before it's nostalgic, if it was today, it would be treated as discrimination and would surely cause a firestorm. Of course, it's not just a joke. The next customer is the person who was the first fan club president, and he introduces a variety of tour goods and even explains a mini corner of the Stones history. The first president's character is wonderful here, but the other corners are so intense that it looks very serious. In addition, there are also precious professional shots from the first performance (2/14). Here too, the studio talk is overlaid with randomness, making you think, "Please, just keep quiet here." Even the creepy feeling on the verge of irritation creates a strong impact. In addition, as a bonus video, the special corner "WELCOME!! Rolling Stones SPECIAL" from another program "Kodawari TV" is also included (for a moment). This is a TV special pro shot that beautifully revives the frenzy of their first visit to Japan. The handling of Western music on terrestrial TV is somewhat out of sync, but if you can fly this far, it's a pleasure. The meters all over Japan were at their highest, and the late-night slot had no limiter. This is an insane piece that was only possible with "11PM," the champion of that era. Broadcast on 16th February 1990(31:22) 1. Yomiuri News "The show kicked off at the Tokyo Dome." "A smashing performance that lasted for over 3 hours (!)" 2. Mick Jagger Interview 3. Bill Wyman & Ronnie Wood Interview 4. Studio 5. Keith Richards Interview 6. Studio 7. Big Egg (14th February 1990) A calligraphy message project for the Stones at the venue 8. Studio 9. Studio 10. Rock History 1962-1982 11. Studio 12. Learn Stones' English In "Start Me Up," a female entertainer is forced to say "Make my thing stand up" while looking directly into the camera (Eleven are great, but it would be unthinkable nowadays). Even though it's an English class, she misspells "Hot Staff" (embarrassing). 13. Rock History 1983-1990 14. Steel Wheels Tour 15. Start Me Up / Sad Sad Sad (Tokyo Dome 14th February 1990) 16. Studio Bonus Track 17. Opening Of "Pre-Stage" Stones Special Kodawari TV 18. CM Pocari Sweat PRO-SHOT COLOUR NTSC Approx.31min.
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