The super unique video of "THE WALL LIVE", which is completely different from the previous ones, has arrived. This work includes multi-camera audience footage of the "July 10, 2012 Charlotte performance". Even though it's called "multi-camera", it feels like it's too late since there have been so many super quality video titles up until now. This work also has a video quality that is definitely among the best among many super titles, but what is even more surprising is the audio. It's an ear-in-monitor sound source (IEMs). This is a video with a strong personality like no other, so let's explain it step by step. IEMs are preferred for their clarity comparable to line sound sources, but performers listen to them in the first place to get a feel for their own sound and the progression of the song. At regular live shows, there are many changes in the balance and mix, and it is common to matrix them with audience recordings to complement them. However, this work is ``THE WALL LIVE'', which involves a large number of staff and cast, which is far beyond normal live performances. Each and every staff member must have an accurate understanding of the show and coordinate all kinds of footage, equipment, lighting, etc. without a 1-second delay. For this reason, click sounds and counting sounds to confirm progress are included, so-called "work sounds". ``THE WALL LIVE'' through that ``work sound'' looks completely different than before. While the images and big tricks are exciting the audience between songs, the click sound continues to mark the timing, and as the next performance approaches, the facilitator counts "one, two, one, two, three, four" and creates a dramatic scene. The story unfolds all over the screen. Additionally, you can hear small conversations between staff members checking on progress, and it conveys the sense of tension as they try not to miss the timing. This is more dynamic than the previous images. The click sound is heard even when singing or in calm scenes, but it does not always play. When it comes to a band performance, the direction and progress disappears because it is left to the tempo of the performance. Not only can you see the balance between live music and production, but you can also see through the show's set-up, making you feel like you're part of the staff running behind the walls. Moreover, the quality of this work is such that the images go beyond the level of a maniac. As I mentioned earlier, the shots and multi-editing of this work are so wonderful that they not only rival, but even surpass, the super titles of the past. For example, even in the scene where a giant teacher appears in "The Happiest Days of Our Lives," the editing is so detailed that it changes ten times in just 25 seconds. The surprised expressions of the audience when the spotlight hit them overlapped with the IEMs' “one, two, three….”, and as the countdown ended, the audience spotted the teacher and pointed. The camera then moves to the teacher, changing from one angle to another in time with the drums, fully expressing the teacher's gigantic and intimidating feel. The sense of progress of the staff and the realism of the audience's reactions are perfectly synchronized! Moreover, this is how the unprecedented "THE WALL LIVE" progresses, and what's more, it's the entire story. The super spectacle is truly unique, and even if the rock footage surpasses the number of stars, this is the only one that will allow you to experience this feeling. “THE WALL LIVE” is packed with super titles, including official ones. In such an era, why would I introduce it again? This is because “THE WALL”, which is unique to this work, exists solemnly (and with unprecedented quality). Starting with the original album, the world of "THE WALL" continues to expand through numerous versions. This work, created with the heart and soul of core enthusiasts using countless audience cameras and IEMs, is also a new aspect of the wall. Time Warner Cable Arena, Charlotte, NC. USA 10th July 2012 AMAZING SHOT(Multi Cam with IEM) Disc 1(61:38) 1. I'm Spartacus 2. In The Flesh? 3. The Thin Ice 4. Another Brick In The Wall Part 1 5. The Happiest Days Of Our Lives 6. Another Brick In The Wall Part 2 7. The Ballad of Jean Charles de Menezes 8. Mother 9. Goodbye Blue Sky 10. Empty Spaces 11. What Shall We Do Now? 12. Young Lust 13. One Of My Turns 14. Don't Leave Me Now 15. Another Brick In The Wall Part 3 16. The Last Few Bricks 17. Goodbye Cruel World Disc 2(57:20) 1. Hey You 2 . Is There Anybody Out There? 3. Nobody Home 4. Vera 5. Bring The Boys Back Home 6. Comfortably Numb 7. The Show Must Go On 8. In The Flesh 9. Run Like Hell 10. Waiting For The Worms 11. Stop 12. The Trial 13. Outside The Wall COLOR NTSC Approx.119min.
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