The day after San Diego on the "MANIC NIRVANA" tour was Irvine. Benefiting from this two-day consecutive schedule, the legendary taper Millard also performed consecutive recordings. The result was the masterpiece "IRVINE 1990: MIKE MILLARD MASTER TAPE", which delighted enthusiasts with a recording quality that surpassed that of the previous day. However, Irvine also recorded the new taper "Marco Moir", which is currently a hot topic, following the release of "SAN DIEGO 1990: Marco Moir Master". Moreover, as for his recording, the second try "COSTA MESA 1985" at The Farm last time just demonstrated that the second audience recording of the same artist will be in a better recording condition than the first. This law was once again brilliantly proven, but what's amazing is that it is a shockingly high-quality recording that surpasses even that Millard recording. Even "IRVINE 1990: MIKE MILLARD MASTER TAPE" was highly praised when it was first released, with the "great sound quality as it was recorded on the second day of a series of consecutive performances," but it even surpassed that... Just like The Firm's "COSTA MESA 1985," Plant's Irvine also has a very close sound image. The Millard recording, which seemed to be such a superb audience, is a masterpiece with a shapeless, extremely close sound image. What a high-level competition. It is especially amazing how the bass of Charlie Jones, who was the bassist of the Plant band at the time, is captured with a wonderful outline. Especially considering that this is a cassette audience in 1990. Not only is the sound image close, but the balance of each instrument is also truly amazing. It is in the best condition that anyone from beginners to enthusiasts can listen to it with peace of mind. What's more, it's the number one recording of Plant's live performances from the late 1980s to 1990? The excitement of the live performance on this day, following the day before, was also tremendous. It's hard to deny that it's been forgotten by now, but at that time Plant had two consecutive hits in the US with "NOW AND ZEN" and "MANIC NIRVANA", and the cheers sent to the songs of that time that were as good as ZEP classics were very pleasant. It's also true that fans can be seen nearby humming "Liar's Dance", a new song at the time. The best part is the coolness of the rare ZEP repertoire "Wearing & Tearing" and "Living Loving Maid" that are played in succession at the end of the live. It's also interesting that the intro of the latter starts with an arrangement like the Beatles' "Back In The U.S.S.R.". In fact, even the rare scene where Plant starts singing "She Loves You" during the break of the finale "Tall Cool One" is captured with perfect sound quality. Because these rare songs were played, it was one of the most popular tours in Plant's solo career among enthusiasts, and the best audience album that represents that tour has been born! Irvine Meadows, Irvine, CA, USA 10th August 1990 ULTIMATE SOUND Disc:1 (52:39) 1. Watching You 2. Nobody’s Fault But Mine 3. Billy’s Revenge 4. Tie Dye on the Highway 5. In the Mood 6. No Quarter 7. Liar’s Dance 8. Going to California Disc:2 (49:53) 1. Little By Little 2. Nirvana 3. Immigrant Song 4. Hurting Kind 5. Ship of Fools 6. Wearing & Tearing 7. Living Loving Maid 8. Band Introductions 9. Tall Cool One Robert Plant - Vocal Doug Boyle - Guitar Charlie Jones - Bass Phil Johnstone - Keyboards Chris Blackwell - Drums
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