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Ritchie Blackmore's Rainbow/Finland 1995

Ritchie Blackmore's Rainbow/Finland 1995

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In 1995, Ritchie Blackmore parted ways with DEEP PURPLE and started his own band again. On its first day worldwide, this is an absolute work that allows you to experience a full show that includes extremely rare songs that are only available once. What is infused into this work is “September 30, 1995 Helsinki performance”. This is a superb audience recording that vacuum-packs the whole story. Speaking of 1995, Germany's official pro shot remains, and the performance in Japan is also memorable. First, let's look back at an overview of our activities at that time. [August release of “The Solitary Stranger”]・September 30th – October 6th: Northern Europe (4 performances)←★Here★・October 8th – November 1st: Europe (19 performances)←*Official video・November 3rd + 4th: London (2 performances) ・November 11th-23rd: Japan (9 performances) This is RAINBOW in 1995. The Helsinki performance of this work was not only the world premiere, but also 10 days before the ROCKPALAST pro shot. This work recorded at such a show is the highest version of the famous recording that has been known for a long time. This master was once introduced as ``FIRST NIGHT IN EUROPE'', and at the time of excavation, ``the overall sound pressure and scale of the sound are so different that you can easily tell'', ``I thought the sound source of this day, which had originally had a good sound,'' It received rave reviews, saying, ``You can listen to it with the perfect sound.'' In fact, the sound is still the highest peak that has never been surpassed. Although it absorbs a grand and realistic call and response, there is no sense of distance in the thick core when it is on, and the fine detail and direct feeling are just like FM broadcasting. The heavy bass, which tends to be a weak point in audience recordings from the 90s, is captured vividly and clearly, and there is no sparse feeling or chatter. If the attack sound of the bass is clear, the groove created by the combination of these sounds will be extremely rich. Of course, the bass is just an easy-to-understand example, and the mid-range of the guitar and vocals are also at a tactile level, and the treble extension is so beautiful that it feels like you're being sucked into the void. The show itself is even more wonderful than such a superb rich sound. After all, an extremely rare song that has only been performed live once before and after is being performed. Let's organize a total set of extremely rare songs. Classics (8 songs + α)・DEEP PURPLE: Perfect Strangers/Burn/Smoke on the Water・Ronnie era: Long Live Rock 'n' Roll (incl. Black Night & Starstruck)/Man on the Silver Mountain/Temple of the King・Joe era: Spotlight Kid/Difficult to Cure Solitary Stranger (7 songs)/Too Late for Tears/Hunting Humans/Wolf to the Moon/Still I'm Sad/Black Masquerade/Ariel/Stand And Fight (★)/Hall of the Mountain King DEEP PURPLE Classics (3 songs) *Note: Songs marked with “★” cannot be heard even with ROCKPALAST Pro Shot. ...and it looks like this. I apologize for being such a waste. The extremely rare song that is attracting attention is the new song "Stand And Fight" by "The Solitary Stranger". Since then, it has been talked about as a rare song and a symbol of the first day, but in the 26 years since then, it has not been played even once (not even by Doogie solo), making it an extremely rare song. You can experience it with the finest sound of a sound board level. Of course, the highlight of this work is not just one song. This day was the first stage for a major act, and the struggle of Dougie is interesting throughout the whole song. In any case, the vocalization is lively, as if trying to prove their abilities, the highs are good, and the tension is ridiculously high. In "Spotlight Kid," he shouts "Ladies & Gentlemen, Ritchie Blackmore!" before the guitar solo, and while it's cool enough, it's clear that he's still not used to the fact that he's stuffing his words so much that he speaks too quickly. It is a straight full show full of youthfulness. There is no other record as unique as an audience recording, and what you are looking for is different. Among them, if you are looking for ``a special feeling on the first day that is different from others'' or ``a super rare song that did not leave a soundboard,'' this work is truly the best. No matter how good the other recordings are, this is a live album that cannot be avoided. Such an absolute one. The best audience recording of RAINBOW's first worldwide performance in the 90s, "September 30, 1995 Helsinki performance." There is no sense of distance in the extremely thick core when it is on, and the fine detail and direct feeling are just like FM broadcasting. The heavy bass, which tends to be a weak point in audience recordings from the 90s, is captured vividly and clearly, and there is no sparse feeling or chatter. With such a superb sound, you can enjoy the ultimate extremely rare song "Stand And Fight", which has only been played once before and after. Doogie’s enthusiastic performance, which was also his major debut on this day, is also a must-listen. Live at House Of Culture, Helsinki, Finland 30th September 1995 TRULY PERFECT SOUND Disc 1(67:07) 1. Land Of Hope And Glory 2. Over The Rainbow 3. Spotlight Kid 4. Too Late For Tears 5. Long Live Rock' N' Roll incl. Black Night & Starstruck 6. Hunting Humans 7. Blues 8. Wolf To The Moon 9. Diffcult To Cure 10. Keyboards Solo 11. Still I'm Sad incl. Drum Solo 12. Man On The Silver Mountain 13 Temple Of The King 14. Black Masquerade Disc 2(48:48) 1. Guitar Solo 2. Ariel 3. Stand And Fight 4. Perfect Strangers 5. Hall Of The Mountain King 6. Burn 7. Smoke On The Water 8. Over The Rainbow Ritchie Blackmore - Guitar Doogie White - Vocal Greg Smith - Bass, Vocal Paul Morris - Keyboards Chuck Burgi - Drums Candice Night - Vocal

1. Land Of Hope And Glory 2. Over The Rainbow 3. Spotlight Kid 4. Too Late For Tears 5. Long Live Rock 'N' Roll incl. Black Night & Starstruck 6. Hunting Humans 7. Blues 8. Wolf To The Moon 9. Diffcult To Cure 10. Keyboards Solo 11. Still I'm Sad incl. Drum Solo 12. Man On The Silver Mountain 13. Temple Of The King 14. Black Masquerade Disc 2(48:48) 1. Guitar Solo 2. Ariel 3. Stand And Fight 4. Perfect Strangers 5. Hall Of The Mountain King 6. Burn 7. Smoke On The Water 8. Over The Rainbow Ritchie Blackmore - Guitar Doogie White - Vocal Greg Smith - Bass, Vocal Paul Morris - Keyboards Chuck Burgi - Drums Candice Night - Vocal

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