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Ritchie Blackmore's Rainbow/Canada 2.26.1997 Complete

Ritchie Blackmore's Rainbow/Canada 2.26.1997 Complete

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Ritchie Blackmore in 1997, when RAINBOW in the 90's ended and he stopped playing hard rock. This work is the second of two simultaneous releases in the 1997 collection. This is a 3-disc audience set with the full recording of "February 26, 1997 Toronto Performance" on DISC 1-2 and super scenic shots on DISC 3. For a complete overview of RAINBOW's activities in the 90's, we will leave an explanation for "WEST SPRINGFIELD 1997" which will be released at the same time, but here we will organize the 1997 collection in detail.・February 20th “FIRST GIG AT OLD BRIDGE” ・February 21st: Providence performance ・February 22nd “WEST SPRINGFIELD 1997” ・February 26th: Toronto performance ←★This work★・February 27th “LIVE AT THE MACHINE” *February 28th “FINAL CHAPTER (Columbus)” March 1st: Detroit performance March 2nd “STRANGER IN SCHAUMBURG” *DVDR March 6th-14th Sunday (6 performances) March 16th “SANTA ANA 1997” *March 17th “HOLLYWOOD 1997 1ST NIGHT” *March 18th “COMPLETE HOLLYWOOD 1997” March 19th “OVER THE EDGE (Palo Alto)” ” *DVD - About 2 months later - May 31st "MAYBE NEXT TIME (Denmark)" [RAINBOW disbanded → BLACKMORE'S NIGHT starts] *Note: Only representative audience records for each day. Also, the "*" mark is the CD title. This is RAINBOW in 1997. There were a total of 19 performances: 18 performances in North America + 1 performance in Denmark. Immediately after this, RAINBOW collapsed and Richie started BLACKMORE'S NIGHT. Although RAINBOW was temporarily revived in 2016, Richie as a ``guitarist pursuing hard rock full-time'' is no longer there. As we take this final step, our store archives many masterpieces. The Toronto performance of this work was the fourth concert, which is still in the early stages. This work is a set of two types of audience records of such shows. Let's introduce each one individually. [DISC 1-2: Full Audience Recording] The first thing that appears is the audience recording that is introduced for the first time in this work. The hall sound gives depth and dynamism to the core, creating a deliciously realistic on-site mood. Of course, the sound is blurry and bouncy, but the core of this recording is strong, and even the thick sound penetrates vividly. Also, due to the strength of the core and the thickness of the sound, there is no feeling of sparseness at all. I think it was probably recorded from a position a little far away, but it still doesn't make you feel "distant". The classical aesthetic beauty shines down on you, allowing you to completely immerse yourself in the majestic sound world. "The Temple of the King" etc. have plenty of depth, but Dougie and Greg's singing voices are beautifully separated, and the two voices intertwine. It depicts a medieval sunset full of romanticism. What is spelled out with such a fantastic sound is a full show that is similar to “WEST SPRINGFIELD 1997” four days ago. Let's compare and organize all the songs here. RAINBOW Classics Ronnie era: Long Live Rock 'n' Roll/Man On The Silver Mountain/The Temple of the King (★) Graham era: Since You Been Gone (★) Joe era: Spotlight Kid/Difficult To Cure Kokou The Stranger Wolf To The Moon/Still I'm Sad/Black Masquerade/Ariel/Hall of the Mountain King Others DEEP PURPLE: Mistreated/Perfect Strangers/Woman From Tokyo/Burn Others: OJ (Hey Joe) *Note: “★: Songs that cannot be heard on the simultaneously released “WEST SPRINGFIELD 1997”. [DISC 3: One of RAINBOW’s most famous videos from the 90s] Following this new full live album is the finest video of the masterpiece. After all, it is a masterpiece that is said to be the next greatest after the official pro shot "ROCKPALAST '95".I've introduced it in the bonus title so far, so some of you may know it, but what is it? It's amazing, and it's super close-up. It takes full advantage of the distance of the narrow club, and the fingertips and facial expressions are fully captured on the screen. I'll be honest, the colors are completely clear and the audio is super clear. Although DISC 1-2 has the value of appearing for the first time, the quality of the video version is higher.The show that can be witnessed with such visual beauty is a full show that evolves with each performance. ``WEST SPRINGFIELD 1997'' was filled with a sense of unfamiliarity and fresh energy, but this work has improved dramatically.The new member John Miceli's violent behavior reminiscent of Cozy hasn't changed much. , I feel like the other members responded well to the drumming.It may have been average for Richie because he didn't have "Smoke On The Water," which is a barometer to gauge his mood, but the smooth fingering and phrases. The sharpness seems to be in very good condition. You can also listen to “Hall of the Mountain King”, which was only available at the beginning of the tour. Full recordings and well-regarded masterpiece videos introduced for the first time. This is an audience set that vacuum-packs Toronto Night with two records. In particular, the video version is a masterpiece without any price tag. Instead of the bonus DVDR, which is no longer available, this work has become a regular release that can be purchased at any time. A 3-disc set that will do more than just enrich your collection. A 3-disc audience set with the full recording of "February 26, 1997 Toronto Performance" on DISC 1-2 and super scenic shots on DISC 3. DISC 1-2 is a type of recording that gives depth and dynamism to the core with a strong hall sound, and the response is wonderful without any sparse feeling. And the most powerful thing is the video version of DISC 3. It is a masterpiece that is even said to be the second greatest after the pro shot "ROCKPALAST '95", and it is a series of super close-ups that take full advantage of the sense of distance of a narrow club. Your fingertips and facial expressions will be displayed in close-up to fill the entire screen, and the colors will be completely free from dubbing marks and the audio will be extremely clear. This is a 3-disc set that allows you to experience the final stages of RAINBOW in the 90's at its best. The Warehouse, Toronto, ON, Canada 26th February 1997 TRULY AMAZING SOUND/AMAZING-SHOT!!! Disc 1(45:46) 1. Intro 2. Over the Rainbow 3. Spotlight Kid 4. Long Live Rock 'n' Roll 5 . Mistreated 6. Wolf to the Moon 7. Difficult to Cure 8. Keyboard solo 9. Still I'm Sad 10. Drums solo 11. Man on the Silver Mountain Disc 2(47:12) 1. MC 2. The Temple of the King 3. Black Masquerade 4. Ariel 5. Since You Been Gone 6. Perfect Strangers 7. OJ (Hey Joe) 8. Hall of the Mountain King 9. Woman from Tokyo 10. Burn DVD 1. Intro. 2. Over The Rainbow 3. Spotlight Kid 4. Long Live Rock 'n' Roll 5. Mistreated 6. Wolf To The Moon 7. Difficult To Cure 8. Keyboard Solo 9. Still I'm Sad 10. Drum Solo 11. Man On The Silver Mountain 12. Temple Of The King 13. Black Masquerade 14. Ariel 15. Since You Been Gone 16. Perfect Strangers 17. Hey Joe 18. Hall Of The Mountain King 19. Woman From Tokyo 20. Burn COLOR NTSC Approx.94min. Ritchie Blackmore - guitars Doogie White - vocals Greg Smith - bass, backing vocals John Miceli - drums Paul Morris - keyboards Candice Night - backing vocals

Disc 1(45:46) 1. Intro 2. Over the Rainbow 3. Spotlight Kid 4. Long Live Rock 'n' Roll 5. Mistreated 6. Wolf to the Moon 7. Difficult to Cure 8. Keyboard solo 9. Still I 'm Sad 10. Drums solo 11. Man on the Silver Mountain Disc 2(47:12) 1. MC 2. The Temple of the King 3. Black Masquerade 4. Ariel 5. Since You Been Gone 6. Perfect Strangers 7. OJ (Hey Joe) 8. Hall of the Mountain King 9. Woman from Tokyo 10. Burn DVD 1. Intro. 2. Over The Rainbow 3. Spotlight Kid 4. Long Live Rock 'n' Roll 5. Mistreated 6. Wolf To The Moon 7. Difficult To Cure 8. Keyboard Solo 9. Still I'm Sad 10. Drum Solo 11. Man On The Silver Mountain 12. Temple Of The King 13. Black Masquerade 14. Ariel 15. Since You Been Gone 16. Perfect Strangers 17. Hey Joe 18. Hall Of The Mountain King 19. Woman From Tokyo 20. Burn COLOUR NTSC Approx.94min. Ritchie Blackmore - guitars Doogie White - vocals Greg Smith - bass, backing vocals John Miceli - drums Paul Morris - keyboards Candice Night - backing vocals

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