The legendary recording that has been passed down from the dawn of the scene has been significantly upgraded! It has been decided to release it urgently on a shocking new excavation master CD! This work is engraved with the "November 15, 1975 Upper Darby performance". It is a legendary audience recording. RAINBOW released "Silver Mountain Champion" in the fall of 1975, and started touring a few months later. This work was recorded from that first debut tour. When collectors first started, they often wondered, "Did they have a live performance with ELF members?" This is a good opportunity, so let's look back on the outline of their activities at that time, including that aspect. 1975 (April 7th: Ritchie leaves DEEP PURPLE) (August 4th: "Conqueror of the Silver Mountains" released → September: lineup confirmed) November 10th - 29th: North America #1 (12 shows) ←★ HERE ★ 1976 (February: "Conqueror Flying Over the Rainbow" produced → released May 15th) June 11th - August 7th: North America #2 (32 shows) August 31st - September 14th: UK (10 shows) September 20th - October 18th: Europe (20 shows) November 4th - 22nd: Australia (11 shows) December 2nd - 16th: First visit to Japan (10 shows) (February 1977: Jimmy Bain fired) This is RAINBOW in 1975 and 1976. The chronological order is "1st album completed → Purple withdrawal → album release → official members confirmed → tour started". The official members are Richie & Ronnie plus "Cozy Powell / Jimmy Bain / Tony Caray". In other words, no live performances were held with the "Silver Mountain Champion" members. And "North America #1", which took place before the production of the 2nd album "Rainbow Flying Champion", was the debut tour. Although it was only 12 performances, it was such a historic tour that we archived it with as many famous recordings as possible. Let's focus on the schedule and organize our collection. Details of "North America #1" ・November 10: Montreal performance *November 12 "DEFINITIVE HEAVY PORTRAIT (New York)" sold out ・November 13: Waterbury performance *November 14 "THE 4TH GIG (Hempstead)" *November 15: Upper Darby performance ←★This work★ ・November 16: Akron performance *November 17 "DARK & LIGHT (DISC 1: Pittsburgh)" *November 18 "FLASHES OF LIGHTNING (Detroit)" ・November 22-29 (4 performances) It's like a newly excavated master that has evolved to a completely different class... and it's like this. Five audience records have been confirmed, and the Upper Darby performance of this work was the third (fifth performance). This recording has been known for a long time and is also familiar as the masterpiece "DARK & LIGHT (DISC 2)". This work is the same traditional recording, but it is a new master that has been upgraded to a completely different class. The upgrade is so ridiculous that it is ridiculous to compare it. The conventional master has had a lot of details cut off by dubbing, and it is quite fluffy. Although it was meaningful because it was a super precious year, 1975, it was a level that was appreciated just to be able to hear it in terms of sound. However! This new master's work is clear and clear. The rounded edges have been reborn sharply, and the gap has been overwhelmingly improved. . . No, no, stop it. Even if I put together such standard words, you will not understand this shock. Well ... In terms of sensation, the conventional master felt like "listening outside the door of the venue". You often hear sound checks outside the venue before a live performance, and it was at that level. In contrast, this new master's work opens the door, enters the venue, and is firmly exposed to the PA sound. In other words, what was "knowing what song it is" has been reborn as "experiencing the show as a customer". You can imagine this upgrade from the history of obtaining the master tape. The person who released the new master apparently got this tape in a trade at the time. While saying that he "doesn't know if the trade partner was Taper himself," the point is the timing of the trade. It was right after the show. In other words, there was no time to dub for several generations. It is hard to imagine that he would give up the original cassette, but it is likely to be the 1st generation or at most the 2nd generation. Moreover, this work is the highest peak update board. Although the tone and balance have not been tampered with out of respect for the truth of the new master, the original sound released online was clearly high in pitch. This work has been just corrected to accurately reproduce the experience of the site. Both the super rare songs and Ronnie's rage are ultra-realistic on-site experience. What flows out from such a shocking new master is the dawn scene where your heart is hot. From the opening of the performance where "Do You Close Your Eyes" starts without "Over the Rainbow", your breath stops, and from there the super rare "Self Portrait" avalanches in! Unfortunately, "A Light In The Black" ends in about five minutes, just like before (in other words, it was probably not recorded), but you can enjoy the original set unique to 1975 with the reborn master sound. And the biggest highlight of the Upper Darby performance is Ronnie's rage. The show was delayed by several hours (apparently there was noise from the lighting), and the audience was a little rough. Some of the audience were even drunk and causing a ruckus. Ronnie was angry at such an audience. He scolded the noisy audience in the MC after "Sixteenth Century Greensleeves". Even with the previous master, I could hear the noisy audience and Ronnie's yelling, but I couldn't tell what they were saying. However, this new master can even hear the drunken annoyingness and the tone of Ronnie's voice as he smiles bitterly while suppressing his anger. The scene that was something that was not my business, "I'm angry," has changed to a scene that makes you feel scared, "I'm seriously angry...". In the history of the rainbow, 1975 is more valuable, interesting, and too important than any other era. This is a new masterpiece in which the storyteller recording has undergone the ultimate evolution. It is a cultural heritage itself, and a live album that should be left forever. A legendary audience recording of the "November 15, 1975 Upper Darby performance". It is a newly excavated master who has made a super upgrade while still being a traditional famous recording. The sound that was traded immediately after the live performance has almost no dubbing marks, and has evolved into a completely different class. The fluffy conventional master felt like listening outside the venue, but this work allows you to experience the inside of the venue in real life. The extremely rare "Self Portrait" and Ronnie's MC who is furious at the customers who came by are also completely reborn as a cultural heritage album. Tower Theatre, Upper Darby, PA, USA 15th November 1975 TRULY PERFECT SOUNDUPGRADE!!!★ Shocking upper version! ! (61:59) 1. Intro. 2. Do You Close Your Eyes 3. Self Portrait 4. Sixteenth Century Greensleeves 5. MC *The track is 5 minutes long. From the second minute, Ronnie suddenly becomes enraged. After some foul language, it is almost silent on stage for a while. Then, after a calm MC, Catch begins. 6. Catch The Rainbow 7. Man On The Silver Mountain 8. Keyboard Solo 9. Stargazer 10. A Light In The Black Ritchie Blackmore - Guitar Ronnie James Dio - Vocal Cozy Powell - Drums Jimmy Bain - Bass Tony Carey - Keyboards
Free Shipping on Every Order!
