RAINBOW's North American tour in conjunction with the release of ``RISING'' will include ``THUNDER ROAR'', which includes the opening performance in New York on June 17th, and Burbank performance on August 3rd, the final day of the tour known as ``BURBANK MASTER''. They are particularly famous, and each is considered to be a representative sound source of the tour. This work "MIAMI WIZARD", which fills the gap between the two, recorded the Miami performance in July, was the best sound source in the middle of the tour, and received great support from fans. This time, this best audience recording will be re-released! This is big news for all the RAINBOW fans who couldn't get it last time! The sound source containing the July 15, 1976 performance at "Jai Alley Fronton" in Miami, Florida has long been considered a ``source with good sound quality and performance'' and ``a live performance with many highlights.'' ” and has become one of the standard items. In this work, while recording the same system as the previous release, the material itself uses particularly high-ranking masters directly. With the best audience source, you can intuitively feel the difference in freshness and quality from the previous releases the moment you listen to it, and you can enjoy a live performance that has received high praise from enthusiasts. From the opening "Over The Rainbow" and "Kill The King", the stability and balance like line recording are noteworthy. Furthermore, the outstanding brightness is unbelievable that it was recorded 35 years ago, and the recorded performance with a thick and punchy tone will amaze the listener. Although it has a clear edge and an active sound, the mild and natural tone without unnatural equalization is very easy to listen to, which is another great point. The performance generally coexists with a sense of solidity and a feeling of fumbling in the developing stage, and the six-part kime of the ending part of “Kill The King” has not yet appeared. However, the efforts of the band and players to ``further refine the ensemble'' that shine throughout the performance make the live performance interesting. The contrast between "Mistreated", where Ritchie's long solo is in a transitional period while trying out various plays, and "Sixteenth Century Greensleeves", which is almost in the process of completion, is even compared to the take from the later performance in Japan. Interesting. In addition to these songs, even "Catch The Rainbow" pops up in the first half of the live show, and the listeners are sure to be entranced by the unique worldview created by the "triumvirate" RAINBOW. The drama created by Ronnie's vocals and Richie's guitar, and Cozy's loud drumming will leave everyone speechless! At this time, “Lazy” began to appear in the intro of “Man On The Silver Mountain”. However, Ritchie's long solo, which can be heard at around 4 minutes, does not include "Blues" and is characterized by a free-form play from beginning to end (note that there is a tape change cut at 5:37, and it is an abrupt sound. transition to the vocal part). “Starstuck” doesn’t even appear, and the structure of the song, which goes all at once to the ending part, is rather refreshing to ears that are used to Japanese sound sources. Disc 2 awaits the suite of “Stargazer” and “A Light In The Black”, which are the biggest selling points of the ’76 North American tour. When Ronnie sings with an ad-lib melody that is different from the album, Richie releases a magnificent long slide solo with exquisite control on "Stagazer", and the five people on stage come together and explode. “A Light In The Black” creates a dramatic climax to the live performance. Although it's not as good as DEEP PURPLE from around 1970, which sometimes took nearly 50 minutes for two songs, it actually took about 25 minutes from Tony Carley's keyboard solo to the conclusion of "A Light In The Black". ! The RAINBOW of this time, where you can listen to the long structure all at once while feeling a sense of tension throughout the song, shows not only the tension of the performance but also how high the playability of the members was. Unfortunately, the original master of this work does not include "Still I'm Sad (Reprise)" onward, so it is not a complete recording, but it is a timeless performance and an audience that easily exceeded the general level of the time. No one will be dissatisfied with the recording! This work also includes "Ritchie's Blues" as a bonus track. This is “Blues” with Ronnie’s vocals, and this pattern is a performance from the latter half of the North American tour that can be heard on “BURBANK MASTER” etc. (usually appears in the latter half of “Man On The Silver Mountain”). It seems to be a take on a different day due to the difference in sound quality, but it is a happy and valuable 2 minutes for fans. Although it is unfortunate that the show was missing at the end, the take that captured the RAINBOW live at this time is valuable. This work is a must-listen sound source along with "THUNDER ROAR" and "BURBANK MASTER" when learning about RAINBOW's '76 American tour. Please take this opportunity to enjoy this must-have book that fans will definitely want to have on hand! Live at Jai Alai Fronton, Miami, Florida, USA 15th July 1976 TRULY AMAZING SOUND Disc 1 1. Over The Rainbow 2. Kill The King 3. Mistreated 4. Sixteenth Century Greensleeves 5. Catch The Rainbow 6. Man On The Silver Mountain Disc 2 1. MC 2. Keyboard Intro. 3. Stargazer 4. A Light In The Black 5. Still I'm Sad incl. Keyboard Solo 6. Drum Solo feat. 1812 Overture 7. Blues (with Ronnie James Dio) Ritchie Blackmore - Guitar Ronnie James Dio – Vocal Cozy Powell – Drums Jimmy Bain – Bass Tony Carey – Keyboards
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