The glorious QUEEN history had a 30-minute climax, a big comeback home run in the bottom of the ninth inning, and a satisfying blow from the edge of the cliff... that was "July 13, 1985: LIVE AID". The release of the superb professional shot of the stage, which literally became a once-in-a-lifetime great performance, has been decided. Some people may have thought, "Oh, the official professional shot will be raised...", but that is not the case. The ultimate set of a master finished by a core maniac overseas to a quality that surpasses the official product, and the highest peak of the air check that realistically revives the memories of 33 years ago. It is a superb professional shot 2-disc set. Now, let's introduce each disc individually. [Disc 1: Superb stereo version + longest rehearsal] ● Synchronized version with FM broadcast stereo sound board The first to appear is the astonishing highest peak update master. This major event is an official DVD of 4 discs, and all of QUEEN's performance parts are recorded. Naturally, the official product has been considered the best, but this work surpasses it. It is a version produced by an overseas enthusiast, and the image itself is the same as the official DVD, but the sound has been upgraded. At that time, the finest stereo sound board broadcast on FM radio was synchronized. The workmanship is so wonderful that the scales fall from the eyes and ears. The official DVD was also the official sound, but it was so small that it was difficult to judge whether it was based on the TV broadcast master, mono or stereo. In contrast, the FM broadcast sound board has a vivid stereo feeling. For example, "Radio Ga Ga". In the official DVD, everything was solidified in the center, but in this work, the synth sound of the intro flows from the right, and John Deacon's chorus sings properly from the left. What's even more wonderful is the three-dimensional feeling. Because it is stereo, Brian May's cutting can be heard beautifully separated without colliding with the synth, and Freddie's voice is even more closely attached to the audience, and the cheers that come back are vast on the contrary. You can really feel the spectacle of the gigantic Wembley Stadium. This once-in-a-lifetime performance is depicted with such quality. Discord between the members, the worldwide bashing of their South African performance, the huge booing at Rock in Rio... They were on the verge of breaking up, but this was the stage where they hit a home run with a single hit. Not only the four members, but also tens of thousands of spectators came together and performed a legendary concert that made Elton John say, "You guys ate us up." The response was a trajectory that even the members themselves could not have predicted, and it was a home run that turned all the previous crises around in just one stage. You can experience the whole story on a scale never felt before. Of course, not only the main stage from the evening (18:41), but also "Is This The World We Created?", which Freddie and Brian reappeared and performed at night (21:48), is also included. ●The longest professional shot of the rehearsal After such a professional shot, the rehearsal of LIVE AID is also recorded. Brian in shorts is also a famous professional shot, but this work is the longest version that lasts about 11 and a half minutes. The master freshness is excellent, there are almost no dubbing marks, and it is a superb video that does not feel strange even if you watch it continuously after the main part of the official video. The performance is also amazing. I don't know how much of a revival Freddie felt at the rehearsal stage, but Freddie's singing is really powerful, and Brian also decides the guitar solo of "Bohemian Rhapsody" (which he missed in the actual performance). What's even more amazing is the action. It's as powerful as if you can see a large crowd, and it's just like the real thing. As a result, LIVE AID became a miracle stage, but that was not a coincidence. It was their spirit that brought about the great reversal. It is a professional shot that allows you to witness the backstage. [Disc 2: The highest peak of Japanese broadcast master + α] Next comes the live broadcast version of the professional shot. It is also the highest peak master of the Japanese broadcast version. This is a master treasured by a recording enthusiast at the time. There is no tape twist or stretching, and the image that flows out from it does not even have the distortion at the edges of the screen, which is a fate for analog video. Even though it is an air check from 33 years ago, the stunning image beauty without even a single white line noise overflows endlessly. This recording enthusiast dubbed it only once so that he could watch it repeatedly, and continued to carefully preserve the original. This is a film that was left by the love of such a core enthusiast. At its peak, it brings back the scene I watched while fighting sleepiness in the middle of the night. I was waiting for QUEEN to take the stage, but when the commercial actually opened, it was halfway through "Bohemian Rhapsody". That feeling of "It's here!" and a slight feeling of disappointment. The katakana subtitles are in a tasteful font that is completely different from modern computer fonts. The font announces the band's brief history and the sentence, "The donation reception number is 03-359-1000, and the banks that handle it are Fuji Bank, Mitsubishi Bank, Sumitomo Bank, and Dai-Ichi Kangyo Bank." If you miss the nine-digit phone number, you will also see the names of banks that no longer exist... they all flow by as if they were the most natural thing in the world. The "night" and "time" from 31 years ago are brought back to life just as they were then. Then, as the whole venue... no, the whole world is united in the live broadcast of "We Will Rock You", the commercial suddenly cuts off. That moment when the dreamlike and wonderful performance suddenly disappeared. The surprise of "What!?", the excitement of witnessing the same time as QUEEN on live broadcast, and the feeling of "Hurry up and finish the commercial!" are mixed together. It is a video that even surprises me that the emotions that should have been forgotten long ago are still in my heart. In this work, instead of reproducing the disappointment after the commercial, "One Vision" from the "Monterey performance on May 11, 1986" is included as a bonus. Although this is a mime, it was also saved by the same core maniacs from the Japanese broadcast. QUEEN turned over the brink just once, in about 30 minutes on stage. A miraculous reversal that is unprecedented in the history of rock music. This is a masterpiece that allows you to experience the performance with two apex professional shots. A stereo spectacle that surpasses even the official product, a Japanese broadcast that jumps over 33 years of time and space. Live at Wembley Stadium, London, UK 13th July 1985 Disc 1(36:08) Live at Wembley Stadium, London, UK 13th July 1985 (synced with superior stereo radio broadcast) 6:41pm 1. Intro 2. Bohemian Rhapsody 3. Radio Ga Ga 4. Day-O 5. Hammer To Fall 6. Crazy Little Thing Called Love 7. We Will Rock You 8. We Are The Champions 9:48pm 9. Is This The World We Created? Live Aid Rehearsals 10. Radio Ga Ga 11. Bohemian Rhapsody 12. Radio Ga Ga 13. Hammer To Fall PRO-SHOT COLOUR NTSC Approx. 36min. Disc 2(19:14) ORIGINAL JAPANESE LIVE BROADCAST Live at Wembley Stadium, London, UK 13th July 1985 (Satellite Broadcast) 1. Bohemian Rhapsody 2. Radio Ga Ga 3. Day-O 4. Hammer To Fall 5. Crazy Little Thing Called Love 6. We Will Rock You Bonus Track The Golden Rose Pop Festival in Montreux 1986 Festival Hall, Montreux, Switzerland 11th May 1986 7. One Vision PRO-SHOT COLOUR NTSC Approx. 19min.PRO-SHOT COLOUR NTSC App rox. 55min.(TOTAL)
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