This week, the amazing professional shot "PRINCE in JAPAN '90", which includes the third performance in Japan, will be released. A TV program that will make you feel even more deeply about the “Prince of 1990” has been decided to be released. This work includes a special program for Prince in Japan that was aired around the time he decided to come to Japan on the “NUDE TOUR”. It seems to have been broadcast in the Kansai area, and two versions of the valuable advertisement for Koshien Stadium can be seen. The main content of the program is titled "ROCK TREND KEYWORD" and introduces keywords from "A" to "Z". For example, if it is "D", the Tokyo Dome performance will be announced on "Dome", and if it is "G", then the new movie "GRAFFITI BRIDGE" will be introduced. This is also a recording collection treasured by the same core video enthusiasts as ``PRINCE in JAPAN '90'', and is one of the best in image quality and preservation condition. The content of the program is also exciting, unique to “Japan in 1990.” "E" introduces the family Sheila E, "F" introduces "First Avenue", and "A"'s "Audience" shows how popular it was at the time. Of course, that is what makes it so precious and its biggest charm, but there are also some stories that are a bit far-fetched, such as "C" with the title "Check" and a story about concert security, and "T" with a story about concert security. In "Ticket", we interview the guy at the counter. Furthermore, he also shows the forcefulness of having Eric Clapton, Larry Levan, and Miles Davis praise Prince. Still, it was fine as long as they were related to Prince, but gradually they started introducing Janet Jackson and the Rolling Stones under the pretext of ``they're just as popular as Prince,'' and in the second half, they finally got stuck. Even U2 and VAN HALEN appear. The U2 line in particular is a masterpiece, and although Prince somehow managed to add some far-fetched explanations for the other songs, it seems like they couldn't do anything about this one, and the PV just plays silently from beginning to end. This is the moment when you can see the give-up of the program staff who tried their best to complete "A to Z" somehow. Furthermore, "Yeah" in "Y" just plays the beginning of "Alphabet St."...I don't even know if it's a gag or a joke anymore. What's interesting when you dig deeper is the location scenes in London and Paris. It seems that the program staff is covering the "June 16, 1990 Paris performance" and "June 20, 1990 Wembley Arena performance" on the spot, but this is already a mess. Even though he even brought along a Japanese singer with whom he had a close connection, he did his best to sneak into the sound check (although it was extremely valuable) and ended up not being able to meet Prince. There are many scenes in which he interacts with security, interviews fans and look-alikes on the street, and the closest he gets to Prince is simply watching the limousine drive away. What's more, it's funny how the scene is so strangely moving. While the killer ``Purple Rain'' was playing, the familiar sour voice narration on Western music programs said, ``He never shows his private side to others.However, not a single fan was dissatisfied with his attitude.'' Probably not, because even if you don't know him in person, just seeing him on stage is enough to make you dream...'' The limousine disappears. No, I understand. I'm not against that feeling or what I want to say, but if that's the case, why did you even go out and see Europe...? In this way, we are treated to stories of the struggles of the clumsy staff members who do not appear on screen, but the reason why we can't hate them is perhaps because they are trying to embody Prince's charm to the best of their ability. When introducing Sinead O'Connor with "O," she says, "This song was also composed by Prince!" and includes as many PVs and valuable live scenes as possible. The interview with the ticket agent may seem silly, but on the other hand, it's an attempt to convey how popular the event is. This is a cheap, yet loving Japanese special program that was completed at the expense of travel and interview expenses, which would not be cheap at all. The fact that a program like this was possible was unique to the era at the end of the bubble economy. It's unique to Prince. A masterpiece video that makes you choke on the sense of the times. Please enjoy this opportunity to the fullest. Broadcast Date: 9th August 1990 (40:52) 1. CM for Osaka Concert (2nd September 1990) #1 2. Intro 3. A: Artist / Audience 4. B: Batdance / Bobby Brown 5. C: Check 6. D : Dome 7. E: Eric Clapton / Sheila E. 8. F: First Avenue / Fan Club 9. G: Graffiti Bridge 10. H: House Music 11. I: Interview 12. J: Jazz FM / Jannet Jackson 13. K: Kiss 14. L: Live 1999 (Wembley Arena, London June 1990) 15. M: Madonna / Movie / Miles Davis 16 . N: Nude 17. O: Sinead O'Connor 18. P: Prince / Paisley Park Studio 19. Q: Quincy Jones 20. R: Rolling Stones / Randy Newman 21. S: Stage 22. T: Time / Ticket / Thieves In The Temple 23. U: U2 24. V: Van Halen 25. W: Women (Sheila E. / Sheena Easton / Apollonia / Vanity/ Cat / Madonna / Kim Basinger 26. X: XTC 27. Y: Yeah / Yokohama 28. Z: Zoom In (After Show Wembley Arena, London June 1990) 29. CM for Osaka Concert (2nd September 1990) #2 PRO-SHOT COLOR NTSC Approx.41min.
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