The performance recorded in this work is “November 7, 1994: Amasin Archaic Hall”. The concert was held three days before the final day in Tokyo. This show has long been known for its masterpiece soundboard “MACHINE GUN OSAKA”, and this work is one that can be called the video edition. The Osaka edition has exactly the same concept as the Tokyo DVD. There is a difference. It's the shooting method. Although the Tokyo DVD was a one-camera shoot, the photographer was able to catch up on the highlights, creating a ``video work'' that not only featured spectacular views but also the masterful camera work. On the other hand, even though this film is shot by people involved, the photographer is not present. I set up the camera at a scenic spot (probably on the mix table) and kept taking pictures from a static angle. Also, if you keep recording without looking through the viewfinder, zooming out of the frame is strictly prohibited. In other words, we continue to capture a panoramic view of the stage. To be honest, unlike the Tokyo performance, you can't see his facial expressions and hands, but the reason I'm still attracted to him is because the audio is transcendent. Yes, the feeling of “watching the masterpiece MACHINE GUN OSAKA with your eyes” is wonderful. If you remember “MACHINE GUN OSAKA”, which was completely official, you can probably imagine the thrill of seeing that super masterpiece come into play. The feeling of peeking into the scene with Zack's actions and light show synchronized with the performance is irresistible (audience audio is also left as it becomes completely silent while waiting for the encore). And the scenery in the distance is surprisingly not bad. Of course, you can't really see how each member is doing, but the fixed angle gives a strong sense of what's going on behind the scenes. In other words, you could say it's from the perspective of the staff watching the show in the console room. The extremely thick sound directly connected to the table, which has no real sense of being in the audience, is poured into your brain, and you look at the monitor as if watching the progress of the show. The gap between the awakened feeling and the passionate performance creates a unique experience that cannot be experienced anywhere else (we recommend listening with headphones to more clearly experience the staff's feelings). This is the Osaka edition with "shots of people involved and sound board directly connected to the table" that you can't find anywhere else. Soundboard Master was not released on CD because it was very similar to "MACHINE GUN OSAKA", but conversely, this work is an evolution of that super famous soundboard with "video included". There is. Live at Archaic Hall, Osaka, Japan 7th November 1994 STEREO SBD(from Original Masters) Taken from the original Hi8 video master (FUJI E6-120) Soundboard audio is taken from the original DAT Master (SONY DT-120) (119:06 ) 1. Pre-Show ★Stage scenery before the start valuable 2. Toe'n The Line 3. Horse Called War 4. Harvester Of Pain 5. The Chosen One 6. Losin' Your Mind 7. Troubled Wine 8. Member Introduction 9 . Machine Gun Man 10. Sweet Jesus 11. Fadin' Away 12. Lovin' Woman 13. Fairies Wear Boots 14. War Pigs 15. Shine On Bonus Track 16. Digest (with Original Video Mike Sound) *This is the only camera microphone sound (Rare in a sense) ZAKK WYLDE - Guitar, Vocal BRIAN TICHY - Drums, JOHN "J.D." DESERVIO - Bass STEREO SOUNDBOARD RECORDING COLOR NTSC Approx.119min. *The jacket is Osaka, but it was performed in Amagasaki.
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