PINK FLOYD in the early 1970s, who transformed from psychedelic heroes to progressive rock leaders through numerous experiments. A legendary recording that represents a turning point in history has been brushed up. The best existing masters have been polished by "GRAF ZEPPELIN" and the highest peak update will be released. This work is engraved with the "February 28, 1970 University of Leeds" performance. It is the best audience recording. 1970 was a historical turning point, and it was also a time when the content and meaning of the show changed greatly with a slight difference in time. Of course, we archive as many masterpieces as possible, so let's take a look at the overview of the activities at that time and check the position of this work. January 10th - February 28th: Europe # 1 (18 performances) ← ★ Here ★ {March 1st "Atom Heart Mother" production started} March 5th - 30th: Europe # 2 (15 performances) ← ※ NUREMBERG 1970 and others April 9th - May 16th: North America # 1 (17 performances) ← ※ FILLMORE WEST 1970 and others {Tour interrupted due to equipment theft} June 27th - July 26th: Europe # 3 (7 performances) ← ※ HYDE PARK 1970 {July 26th "Atom Heart Mother" recording finished} August 8th - September 12th: Europe # 4 (4 performances) September 26th - October 25th: North America # 2 (20 performances) ← ※ PEPPERLAND 1970 and others ・ November 6th - December 22nd: Europe #5 (21 performances) ← * SHEFFIELD 1970 and others This is PINK FLOYD in 1970. Production of "Atom Heart Mother" began in March, but what is recorded in this work is the previous act of "Europe #1". The recently released "VIOLENCE IN BIRMINGHAM (Sigma 323)" was also the same "Europe #1", so let's focus on the dates further. Details of "Europe #1" ・January 10 + 17 (2 performances) *January 18 "CROYDON 1970" ・January 19: Brighton performance *January 23 "THE MAN IN PARIS" ・January 24-February 8 (6 performances) *February 11 "VIOLENCE IN BIRMINGHAM" ・February 12-23 (5 performances) *February 28: Leeds University performance ←★ This work ★ Legendary recording reprinted from the true best master The Leeds University performance of this work is the last day. It was also about two weeks after "VIOLENCE IN BIRMINGHAM". Such a show is famous for having one of the best recordings of 1970. The sound is truly worthy of being called the masterpiece of "Europe #1". The strong core reaches straight to the ears when on, and the contours are clear even to the fine details. The sound of the vocals when stretched out is proof of the audience, but on the other hand, there is no other feeling of a customer recording. It is a vivid sound that you would believe even if it was an FM broadcast. And this work reigns at the pinnacle of such legendary recordings. It is not a remaster that has already been released, but the "1st generation high-resolution sound source" that is said to be the best in existence is used. It is finished with the meticulous mastering of "GRAF ZEPPELIN". The extraordinary precision of the "GRAF ZEPPELIN" mastering is alive this time as well, but in this case, the master freshness is the biggest. In fact, there are also sound sources that are said to be the original master direct for this recording, but when you actually listen to it, it can't be said to be the best. The "1st generation high-resolution sound source" of this work is even higher quality without the distortion and drop in sound that occurred in the original master (sound source). Whether the master was damaged before digitization, the transfer accuracy was poor, or the claim of "Omoto Wake" itself is wrong ... ... Although it is impossible to determine the reason why the Omoto Direct is inferior, it is produced with the "true best master" that only researchers who analyzed the actual sound throughout the whole work can know. The full show of 1970, which was evolving day by day And what is depicted with such a highest peak sound is a full show that was greatly reborn in just two weeks. In "VIOLENCE IN BIRMINGHAM", a large number of rare songs were played, but in this work, such repertoires are wiped out. It has changed into a show that pours overflowing experimental spirit into "The Amazing Pudding", the original song of "Atom Heart Mother". "The Amazing Pudding", which includes a drum solo, is an arrangement that is different from the later band version, and this work is a treasure just to enjoy the precious early stage with only this sound. "Europe # 1" has evolved day by day and literally progressed rock. It is a live album that allows you to enjoy the live performance with the best sound in existence. A cultural heritage album that updates the highest peak of "Europe #1" rather than the highest peak of the day. The latest remastered sound is close to the high-resolution sound source of the 1st Gen, which is currently considered to be the best, and the sound quality is definitely the best in the very early 1970s (January-February)! The best audience recording of the "University of Leeds on February 28, 1970". The highest peak update board finished by "GRAF ZEPPELIN" of the existing best 1st Gen high-resolution sound source. It is a cultural heritage album that allows you to experience a delicious full show of "The Amazing Pudding", the original song of "Atom Heart Mother", with a superb sound with a strong core that reaches straight to the ears and a clear outline to the fine details.
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