Pink Floyd/Tokyo,Japan 1988 2Days Upgrade

Their last performance in Japan was in 1988 after 16 years. The super famous recording that has reigned as a symbol has been brushed up. Introducing 6 CDs that have been refined with tenacious mastering by "GRAF ZEPPELIN". [Legendary recording artist collection that captured the last visit to Japan] Two performances are recorded in the symbolic recording. This is a superb audience recording of the “March 2nd + 3rd, 1988: Nippon Budokan” performance. Some of you may have already noticed this. Yes, this work is the highest peak updated version of that super masterpiece “THE GREAT GIG IN THE BUDOKAN”. If you've experienced "THE GREAT GIG IN THE BUDOKAN," you've probably already made up your mind, but this is a super masterpiece that should be experienced not only by avid collectors but also by the general public. Therefore, I would like to start with basic knowledge so that everyone can understand. First, let's start with the show position. ・March 2: Nippon Budokan ←★Disc 1-3★・March 3: Nippon Budokan ←★Disc 4-6★・March 4 “DEFINITIVE YOYOGI OLYMPIC POOL 1988”・March 5 March 6th “DEFINITIVE YOYOGI OLYMPIC POOL 1988” March 8th: Osaka Castle Hall March 9th: Osaka Castle Hall March 11th: Nagoya Rainbow Hall *Note: Only representative titles are shown each day. This was PINK FLOYD's last Japan tour in 1988. Our store has two titles of super masterpieces that have been made into press, one is "DEFINITIVE YOYOGI OLYMPIC POOL 1988" which is set with three performances at Yoyogi Olympic Pool, and the other is this work, "THE GREAT GIG" which is the basis of it. IN THE BUDOKAN”. These two works not only complement each other and complete the five performances in Tokyo, but they are also sister works by the same recording artist. Moreover, the recording artist is not just an ordinary person. A person who was active mainly in the 80's and left behind a large number of historical and super famous recordings by Eric Clapton, Jeff Beck, Mick Jagger, Stones Paul McCartney, etc. ``THE GREAT GIG IN THE BUDOKAN'' is a super famous recording that is said to be the masterpiece of a famous recording artist, and it is no exaggeration to say that it is the history of Japanese recording. It was a famous item. [An obsessive brush-up of the hidden treasures of Western music history] In fact, the sound is strange. The extra-thick core has no sense of distance, and the sound of the hall only adds luster and dynamism to the core, without causing any cloudiness or turbidity. The transparency that conveys the delicate details shines like crystal glass, and all notes are neatly separated from the deep bass vibe to the endless high notes. Its beauty is similar to its sister work “DEFINITIVE YOYOGI OLYMPIC POOL 1988”, but the direct feeling is even better due to the venue acoustics. In fact, a conversation was recorded during the encore (DISC 6) on the second day, in which they said things like, ``I need to bring my sunglasses, next time,'' ``I have to blink, the lighting is amazing,'' ``It's hot, isn't it?'' ing. Judging from this, it seems that the recording was made from a distance (probably from the front row) where you could directly feel the hot air from the lights, and the sound can only be believed to be that way. If you could sum it up in one word, it would be “like a sound board,” but that doesn’t fully express its true value. It has the beauty of an official work, not to mention a soundboard, and it also has a natural feel that can only be expected from a one-shot recording. It was a miraculous recording that surpassed even the official with its once-in-a-lifetime elegance. I've finished all my praises, but so far I've talked about "THE GREAT GIG IN THE BUDOKAN." This work is a 6-disc set that further brushes up such a super famous recording and surpasses the top. The key to this is a remaster with the utmost precision. As you may know if you have been paying attention to this article, we have recently remastered the highest peak recording of “A MOMENTARY LAPSE OF REASON Tour” with “GRAF ZEPPELIN” and remastered it, but this work is This is the latest bullet. “GRAF ZEPPELIN” has a reputation for archiving vintage recordings, and its accuracy is thorough. The leveling of pitch, volume, and sound pressure, which are the basics of mastering, is extremely stable on a moment-to-moment basis, and the phase has been investigated down to 1/1000 seconds. The performance itself is well-balanced in each band, and even spray noise and ultra-fine petit noises that you might not notice even if you listen carefully through headphones are thoroughly processed one by one...It's no longer a matter of auditory sense, but rather an effect on the human unconscious. It is arranged at the resonance level that comes. It's difficult to judge the effect of each of these tasks by listening to it, but when you listen to it as a whole, it's truly beautiful, so it's amazing. Mania is something that is paranoid, but what is sealed in this work is the sound that was created because of a semi-morbid obsession. And, it was a miracle recording where the original sound was outstanding enough to bring out that commitment. Gilmore couldn't help but mutter, "God, it's quiet" after playing "Learning To Fly" on the first day (DISC 1) due to the audience's concentration. Coming to Japan for the first time in 16 years was filled with such tension, which is why a crystal clear sound world appeared in every corner. What is sealed in this work is the miracle that was born from the accumulation of all the events including the tension, and the skill of the master recorder who recorded it thoroughly, and the possibility of the original master. It is a sound that has been brought out through obsessive mastering work. Just as PINK FLOYD's third visit was an incident, this work is a treasure created by the history of Japanese Western music. This is a world-class masterpiece from Japan. A superb audience recording of the "March 2nd + 3rd, 1988: Nippon Budokan" performance. The ultimate masterpiece, digitized from the original master by a legendary recording artist, and further polished with ultra-precision mastering by GRAF ZEPPELIN. In fact, the extra-thick core does not have the slightest sense of distance, and the hall sound only adds luster and dynamism to the core, and does not cause any cloudiness or turbidity. The transparency that conveys the delicate details shines like crystal glass, and all notes are neatly separated from the deep bass vibe to the endless high notes. While it has the beauty of an official work, it also has a natural feel that can only be expected from a one-shot recording. This is a miraculous live album that surpasses even the official album with its once-in-a-lifetime elegance. (Remaster Memo) March 2nd - Phase correction - High frequency noise removal - Lower the spray noise part - Increase the volume (originally it was smaller) - Track reassignment (chapter assigned to "Round And Round") March 3rd - Phase correction - Lowered the spray noise part - Slightly lowered the band around 9-20km - Reassigned the track (chapter was assigned to "Round And Round") - From "Time" to "Machine" and other places , a slight noise removal that can sometimes be heard on the left channel (there were probably 100 locations) Budokan, Tokyo, Japan 2nd & 3rd March 1988 TRULY PERFECT/ULTIMATE SOUND(from Original Masters)*UPGRADE Live at Budokan, Tokyo, Japan 2nd March 1988 Disc 1 (65:43) 01. Shine On You Crazy Diamond 02. Signs Of Life 03. Learning To Fly 04. Yet Another Movie 05. Round And Round 06. A New Machine Part 1 07. Terminal Frost 08. A New Machine Part 2 09. Sorrow 10. The Dogs Of War 11. On The Turning Away Disc 2 (67:31) 01. One Of These Days 02. Time 03. The Great Gig In The Sky 04. Wish You Were Here 05. Welcome To The Machine 06. Us And Them 07. Money 08. Another Brick In The Wall Part 2 09. Comfortably Numb Disc 3 (16:58) 01. Audience 02. One Slip 03. Run Like Hell Live at Budokan, Tokyo, Japan 3rd March 1988 Disc 4 (65:45) 01. Shine On You Crazy Diamond 02. Signs Of Life 03. Learning To Fly 04. Yet Another Movie 05. Round And Round 06. A New Machine Part 1 07. Terminal Frost 08. A New Machine Part 2 09. Sorrow 10. The Dogs Of War 11. On The Turning Away Disc 5 (70:40) 01. One Of These Days 02. Time 03. The Great Gig In The Sky 04. Wish You Were Here 05. Welcome To The Machine 06. Us And Them 07. Money 08. Another Brick In The Wall Part 2 09. Comfortably Numb Disc 6 (17:03) 01. Audience 02. One Slip 03. Run Like Hell